HONOLULU (KHON2) — In September, a new show at the Honolulu Museum of Artwork (HoMA) opened up titled ‘Artists of Hawai’i Now,’ and it is an exhibit discovering some of the most urgent challenges of Hawaii’s time and area.
KHON2 explored inside of to verify out more and was joined by just one of the exhibit’s co-curators, Marlene Siu.
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It is fascinating when a job like this new show arrives about it is not just for display screen but there is also a purpose that is really driving it, as perfectly. KHON2 asked Siu to share what this show is about and what attendees can anticipate to see.
“HoMA’s significant fall exhibition characteristics 13 site-specific, world-course artwork by 18 Hawai’i-based artists,” described Siu. “You’ll uncover a huge spectrum of mediums in this exhibition. Any where from new engineering to far more conventional techniques, like textile and ceramics. And you are going to also discover that all the work listed here converse to examine problems of our time and spot.”
The exhibit is a excellent issue to have and to touch upon in each of these items. KHON2 then asked Siu: What is an case in point, and how is this piece contributing to that urgency?
She said a terrific example would be a piece by Jennifer Goya:
“It’s a piece that asks audiences to physically engage with the piece by stepping on these flooring sensors. And as you move on the floor sensor, you will see that the screen on the monitors start to adjust. And so, you’ll get a diverse expertise from every single sensor, and what this piece is seriously bringing awareness to is Quick ‘Ohi’a Dying and the cultural and environmental importance of ‘Ohi’a Lehua to Hawai’i and really asking guests to genuinely imagine about their personal engagement in conservation,” Siu described.
Each individual piece has a ‘call to action’ for visitors. KHON2 also requested Siu: As a complete — as a museum — what is then the much larger ‘call to action’ for company as they leave this exhibit?
“The larger ‘call to action’ would be first for visitors to arrive and working experience these will work as a beginning position — to truly commence to interact with these various concerns that are impacting Hawai’i and our international community, and then viewing that these challenges are not independent, they are all related by some means.
Marlene Siu, a single of the exhibit’s co-curators
“So, this exhibition would be a starting off issue for them to then test to come across out far more facts on how they could get associated with various associates who have labored with artists as element of this exhibition,” Siu reported.
‘Artists of Hawai’i Now’ opened up Sept. 16 and will carry on this yr until Jan. 16, 2022.
Starting next week, however, the museum will be offering a suite of general public plans that only broaden these troubles currently being spoken within this show — from artist talks to workshops to local community message boards.
Check out out what’s heading on about Hawaii on our Area News page
An ordinance that increases indigenous vegetation necessities for new landscape tasks in the city won unanimous approval last week from the City Council.
Council customers agreed on initially examining to back again the evaluate, which mandates at the very least 35{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} of all new necessary landscaping in the kind of trees, palms, shrubs, vines and ground cover plants to consist of native vegetation.
The changes appear two yrs soon after the city up to date its code to address the added benefits of applying indigenous landscape. That update included a requirement for new landscape assignments to incorporate at least 25{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} native vegetation. Moreover, native landscape vegetation would be identified by referencing a few unique Florida plant lists and guides.
Since the adoption of that update, on the other hand, workers and candidates questioned some of its provisions, among them how the native vegetation requirement of 25{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} or larger really should be calculated, and which plant list or manual was best to stick to to identify native landscape vegetation, Arranging and Zoning Director Wayne Bergman wrote previous month in a memo to the Town Council and Mayor Danielle Moore.
Native plants are those people that arise in a natural way in a specific location, ecosystem or habitat.
“These inquiries have remained unanswered for about a 12 months and a 50 {6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48},” Bergman wrote. “Landscape plans now show compliance with the 25{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} minimum amount. But there is no specificity on how the 25{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} is calculated, and the programs usually do not demonstrate which checklist or manual was followed to delineate native as opposed to non-indigenous vegetation.”
In an work to provide clearer route, town personnel previous yr offered individuals concerns to the council, which forwarded the matter to the Ordinances, Guidelines and Standards Committee for evaluation.
ORS mentioned the issue at its July assembly soon after hearing a presentation from town staff that included recommendations from landscape style specialists, Bergman explained.
Commissioners were being unable to reach any conclusions at that conference, but thought of the make any difference all over again at its September assembly and drew up a record of suggestions for the council to review.
These tips incorporated:
• Calculate the indigenous plant requirement primarily based upon the amount of vegetation, not by the plant coverage.
• Increase to 35{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} the minimum amount total of indigenous plants in every single of the pursuing 5 categories: trees, palms, shrubs, floor cover and vines. Each of these groups would demand a least of 35{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} indigenous plants.
• Use the Institute for Regional Conservation, Natives for Your Community as the sole listing for indigenous vegetation. This on-line listing allows to filter by ZIP code.
• Use the Florida Invasive Plant Species Manual as the listing for Class 1 and 2 invasive vegetation.
The council reviewed and agreed with those recommendations at its Sept. 14 meeting, and requested town personnel to draft an ordinance to cover the variations.
Council customers voted Oct. 12 to approve the ordinance on to start with studying following an update from Julie Araskog, who chairs the ORC Committee.
“We had a incredibly strong dialogue on this,” she reported.
Araskog extra that the Preservation Foundation of Palm Beach front has agreed to perform with the Institute for Regional Conservation to make a comprehensive list of native plants that are distinct to the city.
When complete, the checklist would be posted on the town’s website, Araskog explained.
“That’s the way a good deal of cities are undertaking it now,” she mentioned. “They want to have the listing proper there so people today can consider a seem.”
Also final week, the council agreed to keep further discussions on a proposed ordinance that would limit the height and place of taller landscaping plantings next to neighboring buildings in an hard work to prevent iguanas, rats and other rodents obtain to roofs and eaves.
“This situation is influencing the residential places,” Council President Maggie Zeidman reported. “We have to secure our residents.”
Isaac and Sonia Luski loaned a large amount of artwork, especially glass work, to the Foundation for the Carolinas. The couple will be remembered as devoted patrons of the arts in Charlotte. Isaac passed away on Tuesday, Oct. 19.
The Observer File Photo
Isaac Luski loved the simpler pleasures of life: good music, good wine and good company.
He also loved art. There was so much of it in the Luskis’ SouthPark home that walking through it feels like a tour of a colorful, crowded, live-in museum.
Luski and his wife, Sonia, came to the United States from Cuba after fleeing Fidel Castro’s regime in 1960. They spent over half a century building a life — and an extensive art collection — in Charlotte.
Isaac Luski died peacefully at home at age 92 on Tuesday; his funeral was on Thursday. Sonia had died in 2019.
Luski’s array of artwork is just one piece of his legacy. He had a keen intellect, a generous spirit and a love for his adopted hometown, friends and family said.
He also was a prominent member of the local Jewish community, and helped establish Shalom Park.
“He had this passion for life,” said Shane Fero, an artist and friend. “He tried to impart that in people: really enjoy your life, and enjoy the beauty in your life.”
An untitled glass work by Sidney Hutter on loan from Sonia and Isaac Luski was displayed in a first floor gallery named for the couple at the Foundation for the Carolinas in this 2011 file photo. The Charlotte Observer file photo
Fleeing from Castro
The Luskis were in their early 30s when they uprooted their life in Cuba to come stateside. It was 1960, about two years after Castro seized control of the island.
Pretending they were going on vacation, the Luski family flew to the U.S. with just four suitcases and two paintings they picked up on the way to the airport. One of those works, an abstract portrait of a woman in shades gray, still hangs above the mantle in their living room.
In this undated photo, Sonia and Isaac Luski eat with Isaac’s cousin Gerry Grinberg in a famous Havana restaurant called “the little grocery store in the middle of the street”. HO
The prospect of starting over was not unfamiliar to the family. Isaac and Sonia’s parents had all left eastern Europe for Cuba in the early 20th Century, according to the Luskis’ son, Moses.
Moses said his parents always viewed fleeing Cuba “not as a defeat, but as an opportunity.”
“He moved forward,” youngest daughter Ellie Valenstein said. “They weren’t going to get stuck in what they had left, even though they loved their life in Havana.”
The couple saw potential in mid-century Charlotte, and they also had family there. They moved to the city shortly after arriving stateside, bought a house in SouthPark in 1962, and lived there over the decades.
Luski had helped run his family’s successful dry goods business in Cuba. He tried out a couple different ventures in Charlotte. What stuck was commercial real estate. He quickly built a successful business — and an extensive social network.
Moses said that growing up, people were always drifting in and out of his parents’ house for spontaneous brunches and dinner parties.
Artists, musicians, bankers and baseball players would drop by for a meal, gathering in the wood-paneled dining room. They’d listen to music, talk about politics and help themselves to servings of Isaac Luski’s signature black beans and rice, Moses said.
“(My parents) had this magnetism that people were attracted to,” he said. “They weren’t social show-offs. They just welcomed you into their home and let you be yourself and talk about the world.”
Fascinated by glass
Two lifelong lovers of crafts, Isaac and Sonia made a name for themselves as patrons of the arts. They were particularly drawn to works of glass.
“I was fascinated with the glass medium, the composition, the colors, the shapes,” Isaac told the Observer in 2002. He added that he felt about art like he felt about music: “It’s a healing process in my life.”
A few years later, he reiterated to the the Observer, “Glass is healing. You look at it and it makes you feel better.”
This glass orb is one of the pieces that Isaac and Sonia Luski gave to the Foundation for the Carolinas for exhibition. Observer 2008 file photo
In their home, family photos share counter space with glass sculptures and vases. Chuck Close paintings gaze back at viewers from one side of the dining table. Even some of the furniture is art: in front of the red velvet couch, a wooden coffee table unfurls itself like the pages of a book.
By 2002, their collection had grown to more than 500 pieces. They shared widely, donating to museums, hospitals and libraries.
The Foundation for the Carolinas lobby in uptown is packed with pieces donated by the couple. The Sonia and Isaac Luski Gallery on the first floor of the nonprofit’s headquarters features contemporary glass art, a large painting of a cat and other works.
The Luskis took pride in the gallery’s free admission and ample seating. They wanted it to feel like home, they told the Observer in 2012. Isaac Luski encouraged patrons to touch the art.
“Isaac wanted art to be as accessible as it could possibly be,” Michael Marsicano, president and CEO of the Foundation for the Carolinas, told the Observer in an email. “He brought art out of the museums and into our community to the great joy of those who discover his collection in every corner of our city.”
Mariscano delivered the eulogy at Luski’s funeral at Temple Israel in Shalom Park. Memorials may be made to Temple Israel, Rabbi’s Tzedakah Fund or the Hebrew Cemetery. He is survived by Moses Luski and daughters Ellie Valenstein and Frances Luski.
A friend and patron
The Luskis also supported many individual artists.
“They admired the spirit of people who could make something,” Valenstein said.
Fero met Isaac Luski while at the Penland School of Crafts in the Blue Ridge Mountains in Spruce Pine, an institution the couple regularly supported. Luski became a patron of Fero’s work as well as a fatherly figure and a friend.
“It was just (Isaac and Sonia’s) demeanor, their approach to life… that reached a deeper level in me than him buying my work,” Fero said.
Of faith and good fortune
Beyond art, Isaac Luski was deeply involved in Charlotte’s Jewish community.
He also was part of the leadership group that helped establish the Shalom Park campus in south Charlotte. The 54-acre site serves as the center of Jewish life for many in the region.
Isaac Luski was deeply involved in the city’s Jewish community and was a part of the leadership group that helped establish the Shalom Park campus, pictured here, in south Charlotte. Carolina Digital Photo Group LLC
His faith was important to him, his son said.
In many ways, Moses Luski said, his parents embodied the American dream, finding success and building a fruitful life in a new homeland.
“Seeing everything they had seen made them very adaptive, and made them realize that nothing was permanent,” he said. “But Charlotte was permanent.”
“Charlotte welcomed Isaac and Sonia with open arms,” Marsicano said. In return, he said, the couple gave back “generously and repeatedly.”
Leave the last word to Luski. He summed up his experiences nearly 20 years ago, in an Observer interview: “My father is the one who told me if the Lord has been good to you, you have to share.”
This story was originally published October 21, 2021 4:29 PM.
Hannah Lang covers banking and finance for The Charlotte Observer. She studied business journalism at the University of North Carolina at Chapel Hill and grew up in the same town as her alma mater.
Right before using the services of a landscaping pro, it’s crucial to know who to glance for.
If we realized one matter from the the latest surge in home redesign and renovation, it was that professional support can make a planet of change, Home Decoration. And now that we’re all savoring our outside areas again—heat and humidity aside—you might be scanning your backyard to ponder what-to-plant-exactly where or inquiring larger inquiries, like “Where can I place a pool?’’
Even though it’s tempting to inquire your neighbor or the person at the garden heart for information, outdoor initiatives, like indoor ones, frequently advantage from the eager eye of a experienced. But the selections can be bewildering. Will a person calling themselves a “landscaper” do the trick? Or would a landscape designer or even a landscape architect be in order?
As with most enhancement initiatives, the responses rely on your ambitions and your spending budget. “It’s about the size and scope of your undertaking,” says Rob McGinnis, a landscape architect and associate principal at Kennon Williams Landscape Studio in Charlottesville.
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McGinnis says his organization is predominantly involved with massive community and land progress initiatives, but its portfolio also features more substantial-scale layout do the job on estates and huge farms all over Charlottesville. Landscape architects, like their counterparts for properties, present plans. They do not put in landscaping components. Whilst landscape architect fees also vary greatly, a bare minimum of $1,200 to someplace north of five figures is an approximate range for a household undertaking. A landscape architect may possibly then change to an hourly level if the householders want them to oversee building, although some will consist of this provider in their flat charge.
A landscape architect calls for a bachelor’s or master’s degree in landscape architecture from an accredited school and passage of the Landscape Architect Registration Evaluation (LARE), which is administered by the Council of Landscape Architecture Registration Boards (CLARB).
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The Virginia Culture of Landscape Designers offers a certification course of action that demonstrates competency in structure, plant suitability, and graphic conversation. At the time licensed, a landscape designer have to also satisfy once-a-year continuing schooling necessities. The Modern society has all around 90 licensed design and style customers in apply all around the state.
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The Culture encourages householders to seem for designers shown in their area and start with a mobile phone phone or web-site visit to make your mind up who best suits their needs.
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“I constantly want to know about a prospective client’s lifestyle and aesthetics. How a lot do they entertain and how quite a few company do they typically have?” she notes. “Do they want to get the job done in the backyard garden or will they devote each weekend at their kids’ baseball online games? That will establish the quantity and sort of crops, as perfectly as style of hardscaping. And, of class, I will need to know what their budget is, for the small and very long expression.”
Once a program is in location, property owners can pick nearly anything from putting in and creating out the full prepare them selves to choosing the landscaping corporation to fully employ the prepare and retain it. Before pulling out your credit history card, it’s constantly a excellent notion to ask for references.
This article originally appeared in the August 2021 issue.
Lawrence Hall on Main Street, the current home of the Williams College Museum of Art. At right, Louise Bourgeois’ ‘Eyes,’ a granite, bronze and electric light sculpture commissioned for the museum’s 75th anniversary and installed in 2001 according to a marker on the museum grounds.
The site of the old Williams Inn will be WCMA’s new location.
WILLIAMSTOWN, Mass. — The Williams College Museum of Art has been in the queue for a new building for years as the college has dramatically revamped its campus over the past two decades.
Now the nearly 100-year-old museum is finally getting its turn at a new facility.
The Board of Trustees vote at its last meeting to enter the design phase marks a significant step forward in relocating the museum from the 1846 Lawrence Hall. The trustees two years ago voted to site any new building at the now vacant lot where the old Williams Inn once stood.
“We have been doing really extensive building programming study and work for the last 22 months, since January of 2020, to come up with the space needs for the museum and the art at the college,” said Pamela Franks on Friday, the Class of 1956 director of the museum. “And now, with the completion of this programming exercise, the decision is to go forward to design.”
The museum has been housed in Lawrence Hall since its founding in the 1920s. The octagon hall on the south side of Main Street was the college’s original library and has been expanded numerous times over the past 180 years, the last in 1986.
The deficiencies in the museum’s infrastructure have been cataloged for some time — there are problems with climate control across the five different buildings that now make up the museum; a lack of classroom, office and studio space; difficulty in accessing the building for pedestrians and motorists; no space for further expansion; and little room for an art collection and faculty that has grown exponentially, particularly over the last two decades.
The collection has meanwhile grown to more than 15,000 items, including more than 1,000 from philanthropist Peter Norton and 340 objects of African art from Drs. Carolyn and Eli Newberger just in this century. The bulk of the collection is stored offsite.
Franks, who came to WCMA from Yale University Art Gallery in 2018, said the pandemic lengthened the amount of time that was spent on developing the programming study that will inform the design. The original 10-month study turned into 22 after the novel coronavirus pandemic struck in March 2020. The work was done in consultation with architecture firm Deborah Berke Partners of New York City.
“We ended up being able to delve even more deeply and it was a really rich and productive discussion of a very consultative project,” she said. “It’s a project with lots of conversations with students, faculty, community members and alumni, and, of course, museum staff.”
The museum also did some outreach with other regional museums, especially with the nearby Clark Art Institute and the Massachusetts Museum of Contemporary Art. The project will really benefit from having that additional time, Franks said.
“And it’s very abstract because it’s not about how the museum will look or what the spaces will look like, but it’s about functions and simply space needs,” she said. “You’re looking at classrooms, you’re looking at gallery spaces, you’re talking about back of house preparation spaces … every kind of function you can imagine.”
Space needs are a priority, and not just for classrooms and offices. There’s specialized furniture for exhibiting art and where does that furniture live when it’s not being used, and where is the art going to be exhibited.
And for instance, the single Rose Object Classroom can be used for displaying pieces of the collection for seminar studies.
“That is extremely popular classroom and it is used really pretty continuously,” she said. “As a college museum, the academic connections are really deep with the Art Department, and then really wide across every department on campus.”
The collection cuts a broad swat across history and culture, with links to every discipline on campus, Franks continued, “so being able to access the collection for teaching is a huge part of what we do …
“Every year there’s math classes, biology classes, chemistry classes, but also for the art classes, art history classes and literature classes … We have this kind of signature course every other year that is both an art course and an economics course, on acquiring art for the museum collection. Our program is very much tied to the educational mission of Williams College.”
The museum is also, of course, open to the public and Franks sees its global and historical range as very complementary to the Clark ‘s largely European focus and Mass MoCA’s contemporary works.
“Gallery space is essential to show the collection” to serve both an academic and public audience, Franks said. “But we also want the museum to be extremely accessible and welcoming for all.”
College President Maud Mandel, in a statement Monday, said the new museum will grow out of the college’s commitment to the arts that has defined it for more than a century.
“Each year, faculty, students, and museum staff incorporate our collections into dozens of courses, ranging from art history to anthropology, biology, environmental studies, and mathematics, while our curators mount exhibitions that engage campus and diverse public audiences,” she said. “The new museum’s educational and exhibition spaces will open up new possibilities for our work with campus and community. In the process, they’ll also create further opportunities for collaboration with the thriving arts community of the northern Berkshires. This is far more than a building. It’s the next step in Williams’ commitment to the vibrancy, relevance, and educational importance of the arts.”
Museum construction is still some ways off. The museum staff knows what it needs to function and now it will be up to finding a designer who can bring that vision to life. The cost is also unknown at this point, but the college spent more than $80 million on the new Sawyer Library seven years ago.
Franks anticipates more campus and town discussion as the plans for the building began to take shape. The building project will proceed on a timeline aligning with WCMA’s centennial year of 2026-27.
The old Williams Inn location had been considered one of two potential spots for a new museum. The other, at the intersection of Main and Southworth streets, was abandoned after pushback for residents in that neighborhood.
The inn was purchased by the college in 2014 and demolished last year after the opening of a new inn at the bottom of Spring Street.
Franks said she was excited to be part of this next stage for WCMA.
“I think we have a real an incredible opportunity to have a building that really works beautifully with not only the campus and the town but with also with the landscape,” she said.
The searchers waded through in the vicinity of chest-substantial waters. They rode on swamp buggies and air boats and identified as in underwater dive teams to investigate the reserve’s 25,000 acres. And they tried using to prevent the a lot of venomous snakes, gators, palmetto bugs and swarms of mosquitoes that connect with the swamp property.
On Wednesday, a number of searchers, like Laundrie’s mom and dad, lastly observed what they had been searching for: human continues to be, as nicely as a backpack and notebook belonging to Laundrie, according to the FBI.
On Thursday, the FBI said dental records verified the stays are those of Laundrie. Officers mentioned they show up to have been there for some time.
The continues to be have been discovered “about 2 to 3 miles inside the Carlton Reserve, or about a 45-minute wander” from the entrance at Myakkahatchee Creek Environmental Park, a linked nature location, North Port law enforcement spokesperson Josh Taylor stated.
The discovery came at an location of the reserve that had been underwater, but recently dried out thanks to clearer climate, and had reopened to the general public a working day previously. The search stays ongoing as teams of K-9s and regulation enforcement continued to comb for any additional proof.
Lee County Sheriff Carmine Marceno visited the reserve Thursday and noticed firsthand the “treacherous” conditions of the search.
“These are extremely, quite difficult situations,” he claimed. “You’re hunting in regions that you just can not wander up and glimpse. It can be not like you happen to be browsing a dwelling or a automobile. These places are big and they are included by drinking water.”
The demanding landscape of the Carlton Reserve has hampered the look for for Laundrie as investigators have tried out to pin down what happened to him and Petito on their street vacation by way of the Western US this summer.
Petito, 22, disappeared on the trip amid tensions in their relationship, and Laundrie, 23, returned by himself to his parents’ residence in Florida on September 1.
Her mom and dad, unable to get in speak to with her, reported her missing 10 days later on. Laundrie, in the meantime, declined to communicate with authorities and then himself went missing in the reserve, his mothers and fathers instructed authorities. Petito’s body was in the end found in Wyoming near where by the couple experienced last been seen, and the Teton County Coroner ruled her loss of life a homicide by guide strangulation.
He was not billed in her loss of life, though he was indicted for allegedly using two financial accounts that had been hers in the days next her killing.
How the Carlton Reserve impacted the search
The search for Laundrie started in earnest on September 17 following his dad and mom instructed authorities he experienced absent to the Carlton Reserve with a backpack days previously and did not return property.
Considering the fact that then, investigators have consistently tried using to navigate by the foreboding landscape of the reserve.
“The Carlton Reserve is a extensive and unforgiving site at times. It is at the moment (waist) deep in water in quite a few spots,” North Port police said in a Fb submit very last thirty day period. “This is risky operate for the search crews as they are wading as a result of gator and snake infested swamps and flooded hiking and biking trails.”
The look for crew has bundled a vary of specialized automobiles and personnel for these an surroundings.
“We’re seeking as a result of wooded parts, we are seeking by means of bodies of water, we are searching through swampy regions,” North Level Law enforcement Commander Joe Fussell stated very last thirty day period. “And we’re deploying the means to be equipped to do that. We have air models, we have drones, we have the swamp buggies, air boats, several law enforcement organizations, we have ATVs, we have UTVs and we have officers on foot as nicely.”
Supplied those difficult conditions, pro survivalists expressed skepticism that Laundrie was continue to in the reserve.
Alan McEwen, a cattle rancher and outdoorsman who life in the vicinity of the reserve, told CNN final week the place feels like “muck,” with elements of the reserve reaching knee- and waistline-deep drinking water levels — creating camping in that wilderness very complicated.
“The palmettos out there by yourself are enough to excursion you up, when you are strolling by way of them, when you stumble through them,” McEwen told CNN’s Chris Cuomo. “The mosquitoes will carry you off, anyone out there much more than a day devoid of mosquito spray, you would go crazy with the bugs obtaining you and almost everything else.”
CNN’s Randi Kaye, Christina Maxouris, Taylor Romine and Leyla Santiago contributed to this report.
![Linda Beaty has planted native plants such as Florida peperomia, left, and coontie, a larval host for atala butterflies, in her garden in Palm Beach. [MEGHAN MCCARTHY/palmbeachdailynews.com]](https://www.gannett-cdn.com/presto/2021/10/18/NPBD/169ba22a-abf5-4baf-a561-59a4ebad9bfd-120519_ficus_06.JPG?width=660&height=461&fit=crop&format=pjpg&auto=webp)
