The Frist Art Museum to Present ‘Alma W. Thomas: Everything Is Beautiful’

The Frist Art Museum to Present 'Alma W. Thomas: Everything Is Beautiful'

The Frist Art Museum will current Alma W. Thomas: Everything Is Gorgeous, a extensive overview of the artist’s extensive, dynamic lifestyle (1891-1978) and multifaceted profession that was outlined by frequent creativeness. Featuring more than 150 is effective, like her joyful and colorful summary paintings and many objects that have in no way been exhibited or published ahead of, the exhibition demonstrates how Thomas’s inventive practices extended to each individual facet of her lifetime-from community company and instructing to gardening and costume. Co-arranged by the Chrysler Museum of Art and The Columbus Museum, Georgia, Every thing Is Wonderful will be on check out in the Frist’s Upper-Stage Galleries from February 25 via June 5, 2022.

This major retrospective follows the trailblazing artist’s journey from Columbus, Georgia, to Washington, DC, to getting the initial Black woman to have a solo clearly show at New York’s Whitney Museum of American Artwork in 1972, when she was eighty many years outdated. It incorporates thirty-8 canvases spanning 1922-77, far more than sixty operates on paper, four marionettes, and a variety of sculptures, images, and ephemera.

“Anything Is Wonderful not only offers a a lot more elaborate comprehending of Alma Thomas, but also gives an inspiring example of how to direct a creative daily life currently,” claims Seth Feman, PhD, one particular of the exhibition’s curators and the Chrysler’s deputy director for artwork and interpretation and curator of pictures. He notes that, when Thomas has been extensive adored by collectors and scholars, her expertise remained unfamiliar to a broader general public for additional than three decades just after her dying right up until 2009, when President Barack Obama and Very first Girl Michelle Obama included her operate among the paintings they mounted at the White Residence. “Thomas realized artworld stardom but regarded as instructing artwork to be her greatest legacy,” says Frist Art Museum senior curator Trinita Kennedy. The Frist will emphasize Thomas’s 30-5-yr tenure at Shaw Junior Higher in Washington, DC, by presenting a concurrent exhibition titled Nashville Artwork Academics: Further than the Classroom that salutes the amazing art teachers in our own community and their heroic attempts for the duration of the demanding circumstances of the COVID-19 pandemic. It features the do the job of elementary, middle, and higher school art instructors doing the job in Davidson County and will be on see in the Conte Neighborhood Arts Gallery from March 4 by way of August 28, 2022. Read through the whole press release on line. Download a PDF of this press launch.

Plan

Thursday, February 24
Curators’ Point of view
Alma W. Thomas: Finding out from the Artist-Educator
6:30 p.m.
Introduced on Zoom
Cost-free registration expected

Offered by Seth Feman, deputy director for artwork and interpretation and curator of photography, Chrysler Museum of Art, and Jonathan Frederick Walz, director of curatorial affairs and curator of American art, The Columbus Museum

Sign up for the exhibition co-curators to study a lot more about how Thomas’s artistic techniques extended to each facet of her lifetime. Drawing from their essays in the accompanying catalogue as well as from the exhibition, Walz will current on Thomas’s marionettes and Feman will share more about Thomas’s educating apply.

Details about extra plans will be posted on FristArtMuseum.org and @FristArtMuseum on social media.

Artist Captures the Beauty of All 50 States in Series of Landscapes

State Paintings by Emily Kenney

25 paintings from the “50 States” series
This post may contain affiliate links. If you make a purchase, My Modern Met may earn an affiliate commission. Please read our disclosure for more info.

Visiting all 50 states of the U.S. is a goal for many people, but making the trip to each one isn’t easy. However, even if traveling may be difficult, there are other ways to tour these places. Texas-based artist Emily Kenney celebrates the natural beauty of the United States by painting a landscape or seascape for each state.

The completed series, aptly entitled 50 States, depicts the scenery of California, Mississippi, Pennsylvania, and more in Kenney’s airy, impressionistic painting style. The artist was inspired to embark on this project after moving from Michigan to Texas in 2020. The limitations of the pandemic forced her to spend more time indoors, so she used her painting skills to travel to some of the most beautiful natural places across the United States. “I decided to create work that would bring the outdoors in, and document the beauty that can be found wherever you may live,” Kenney tells My Modern Met. This initial idea then blossomed into the 50 States series.

Since Kenney wasn’t able to travel as much as she wanted to, she had to find other ways to sightsee. “I didn’t set any specific requirements for choosing my state landscapes besides wanting to find the most beautiful, natural places (no cityscapes) that I could from each state,” Kenney continues. “I enjoy reading travel blogs, flipping through national park books, and I follow several photographers on social media whom I have asked permission to use their photos as painting references.”

You can purchase prints and original art via Kenney’s Etsy shop, find more merch on her Society6 store, and keep up to date with the artist’s latest creations by following her on Instagram.

Texas-based artist Emily Kenney created a stunning landscape painting for every one of the 50 states in the U.S.

State Paintings by Emily Kenney

All paintings from the “50 States” series

State Landscape Painting by Emily Kenney

New Mexico

State Landscape Painting by Emily Kenney

Arkansas

State Landscape Painting by Emily Kenney

Utah

State Landscape Painting by Emily Kenney

Georgia

State Paintings by Emily Kenney

Vermont

State Paintings by Emily Kenney

Tennessee

State Paintings by Emily Kenney

Virginia

State Paintings by Emily Kenney

Minnesota

State Paintings by Emily Kenney

Delaware

State Landscape Painting by Emily Kenney

Iowa

State Landscape Painting by Emily Kenney

Mississippi

State Landscape Painting by Emily Kenney

California

State Landscape Painting by Emily Kenney

Wyoming

State Paintings by Emily Kenney

Kansas

State Paintings by Emily Kenney

Kentucky

State Paintings by Emily Kenney

Ohio

State Paintings by Emily Kenney

New Hampshire

State Landscape Painting by Emily Kenney

Pennsylvania

State Landscape Painting by Emily Kenney

Nevada

State Landscape Painting by Emily Kenney

North Dakota

State Paintings by Emily Kenney

Montana

State Paintings by Emily Kenney

Hawaii

State Paintings by Emily Kenney

Arizona

State Paintings by Emily Kenney

Idaho

State Landscape Painting by Emily Kenney

North Carolina

State Landscape Painting by Emily Kenney

Michigan

State Paintings by Emily Kenney

New York

State Paintings by Emily Kenney

Rhode Island

State Landscape Painting by Emily Kenney

Florida

State Landscape Painting by Emily Kenney

Illinois

State Landscape Painting by Emily Kenney

Texas

State Landscape Painting by Emily Kenney

Nebraska

State Paintings by Emily Kenney

Alaska

State Paintings by Emily Kenney

Maryland

State Paintings by Emily Kenney

Massachusetts

State Paintings by Emily Kenney

Missouri

State Landscape Painting by Emily Kenney

South Carolina

State Landscape Painting by Emily Kenney

Colorado

State Paintings by Emily Kenney

Louisiana

State Paintings by Emily Kenney

Maine

State Paintings by Emily Kenney

Wisconsin

State Paintings by Emily Kenney

New Jersey

State Landscape Painting by Emily Kenney

West Virginia

State Landscape Painting by Emily Kenney

Indiana

State Paintings by Emily Kenney

Oklahoma

State Paintings by Emily Kenney

Montana

State Paintings by Emily Kenney

Alaska

State Paintings by Emily Kenney

Oregon

State Landscape Painting by Emily Kenney

Connecticut

State Landscape Painting by Emily Kenney

South Dakota

Emily Kenney: Etsy | Society6 | Instagram

My Modern Met granted permission to feature photos by Emily Kenney.

Related Articles:

Artist Explores Her Lifelong Connection To Prairies Through Energetic Landscape Paintings

Ethereal Landscape Paintings Evoke the Abstract Beauty of Morning Light in the Mountains

Artist Fills Her Sketchbooks With Vibrant Landscape Paintings Inspired by Studio Ghibli Films

Stanley Whitney on Finding His Way Through Erasure in the White Art World and Competition Among Black Artists

[…]

Stanley Whitney, installation at Gagosian Rome. Photo: Matteo D’Eletto, M3 Studio. Courtesy Gagosian and the artist.

You completed the college and in ’68 you last but not least went to New York, which was very diverse from now. The art bar scene was however alive.

Yeah, there had been nevertheless the art bars. I was in Max’s Kansas Metropolis, Fanelli’s in ’68 there was still variety of a Bohemian art planet. Downtown was totally vacant. I experienced lived on Canal Avenue you could stroll Downtown all night with no a single on the avenue it’d be you and the rats.

It’s unbelievable to see how speedily the town changed it was only 40 decades back.

Very well, which is what New York is about. I have gone to live in Rome for a couple of decades, arrived again and was completely confused. I saved heading to Soho, inquiring myself, “Where is the art world?” The artwork environment moved to Chelsea. Items transform below actually swiftly.

The end of the 1960s was a kind of opening in the art planet for black artists. In ’68, for case in point, Al Loving was getting his first solo at the Whitney.

Very well, it was a slight improve. Al Loving, William T. Williams, Melvin Edwards, Jack Whitten. They were being all there with me, a era older than me.

How was your connection to them?

They weren’t actually mentors. As if they felt like, “Well, they are going to get a single or two of us and it is likely to be me.” It was competitive. I attempted to embrace them, and every reacted, “Look, you are on your own and I’m on my have.” It wasn’t a group activity. Jack Whitten had the clearly show at the Whitney, but he didn’t get into a gallery out of it. In any case, it was a instant, but it did not final.

They had been the Black artists painting primarily abstraction. On the other side there were being individuals who ended up applying figuration, like Romare Bearden, and earning additional overtly political operate, if I may say so. Did you discover a link to the other side?

I realized Bearden, but he was undoubtedly an older era. He had a area on Canal Road where I lived at first. In the black world we all knew each and every other, but we were form of like separate worlds.

Did you know each other’s function nicely?

There were reveals of Jack’s I went to, but until Jack went to Hauser and Wirth, you under no circumstances definitely observed how wonderful he seriously was. You observed a piece in this article, a piece there, but you didn’t get to see the full depth of the operate.

You ended up residing different lives.

We had been wonderful to every single other, but all people was just struggling—because you’re seeking to make your art, you are struggling economically and you’re observing your white buddies accomplishing seriously well. It is remarkable how much terrific artwork these artists did with no support. Ed Clark—he went to Paris and labored, he went to China and worked, he went to Brazil and labored. Jack Whitten had a location in Greece, he spoke Greek and he went to Greece in the summertime and saved his mental overall health. Individuals really struggled. We have been in our studios, but we had been form of loners. Even myself, as significantly as I knew Jack, I never ever observed the sculptures he did in Greece right up until the present at Hauser, it was remarkable! He was the dude who did all this get the job done with small guidance watching all his white peers by means of the years carrying out truly perfectly, and putting up with that, with the mental exhaustion of that. It was a challenging time for every person.

A new curiosity shop in Colorado Springs shows the beauty of dead butterflies | Arts & Entertainment

The sight of dead things usually doesn’t bring a love song to mind.

Walking into this new downtown Colorado Springs shop, there’s a black Christmas tree covered with skeleton ornaments in the corner. Framed and unmoving insects hang on the walls alongside paintings inspired by horror movies.

It’s the owners, two bearded guys sometimes dapperly dressed up in flowery button down shirts, vests and ties, who make you want to play a Kacey Musgraves tune called “Butterflies.”






010122-hg-cronk 02

ABOVE: A framed orb-weaver spider art piece by Andrew Cronk at Cronk Art & Curiosities. “Every kid has a bug phase,” Cronk says. “I never left the bug phase.”




Maybe it’s because of all the butterfly artwork around the shop, but it’s also these lyrics: “And out of the blue, I fell for you.”

That’s how their love story unfolded.

Andrew Cronk and Chris Dantzler met on Sept. 14, 2020, for a lunch date. A month later on a Halloween trip to Salem, Mass., Cronk asked Dantzler to be his partner. By April, they had bought a house together in Monument. With so much going on, they forgot about a shared goal that came up earlier on in their whirlwind romance: Opening a store together.

For Cronk, the dream started as a child.

“Every kid has a bug phase,” Cronk, a Colorado Springs native, said. “I never left the bug phase.”

His bug phase slowly crawled into a career managing a local garden center and making art inspired by his love for nature.

Cronk found a knack for preserving critters and turning them into art, by carefully pinning them against a backdrop and adding Tarot cards or splashes of paint and frames. Of all the insects, butterflies are his favorite.

While working at Phelan Gardens for the last 11 years and as his art sales took off, Cronk thought about one day opening his own shop.

When Dantzler entered the picture, he already had an affinity for butterflies. It goes back to the death of his grandmother in 2005. Every time Dantzler went to drive somewhere that summer, he was greeted by a butterfly perched on his driver’s side mirror.

“I always associated the butterfly with her watching over me,” Dantzler said. “They’ve always been near and dear to me.”

Then he met a man who strived to keep the butterfly’s beauty alive. And who happened to give him butterflies (you know, the other kind).

Dantzler, who has a tech and business background, saw big potential in his partner’s creations.

“I’ve seen people pin butterflies left and right, but nowhere near to the quality that he does,” Dantzler, 35, said. “I see his talent and his artistry and I’m like, ‘Cool. I’m going to push this guy to his limits.’”

As Musgraves sings in “Butterflies,” sometimes it takes one person to bring you out of your chrysalis.

As for Cronk, “one day” turned into “let’s do this.”

“It was always an idea, a dream of mine,” Cronk, 29, said. “Then I met this guy. And he gave me that push to do it.

Around the one-year mark of when they met, the pair found themselves renovating a storefront near The Old Depot on Sierra Madre Street. Their store, called Cronk Art & Curiosities, opened Sept. 30.






010122-hg-cronk 04

An array of oddities at Cronk Art & Curiosities in Colorado Springs Andrew Cronk and his partner Chris Dantzler opened their shop on Sept. 30, in a storefront next to The Old Depot on Sierra Madre Street in Colorado Springs.




Maybe it’s a little weird to move so fast. But Cronk and Dantzler say they’ve always been a little weird.

Their shop shows that off before you even walk in the door. A sign outside reads, “Don’t you deserve something weird?”

Inside is an array of oddities, such as moth earrings, necklaces made out of pocket knives and spooky socks.

And there’s Cronk’s framed artwork. A big bright blue butterfly against a white backdrop. A smaller red butterfly creeping the corner of a frame with vintage black-and-white Tarot cards in the center. Two swallowtails, a golden one and black one, pinned so their black wings carefully overlap.

You can often find Cronk behind the counter with a case of deceased butterflies and moths, as he carefully works on the painstaking pinning process. The butterflies are so perfectly preserved that customers ask if Cronk painted them.






010122-hg-cronk 06

Cronk

rings up customer Candice German at his new store in downtown Colorado Springs




When he explains that they’re real insects, he gets to dive into one of his favorite conversation topics.

“It opens people’s eyes to conservation,” Cronk said. “That’s really important to me. You talk about your process and people think, ‘Maybe I should be more mindful about the natural world around me.’”

It seems Colorado Springs has an appetite for such things. A shop with similar vibes, called Novis Mortem Collective, opened in 2020 in hopes of “bringing a little bit of weird” to downtown Colorado Springs.






010122-hg-cronk 03

A paper skeleton seahorse available at Cronk Art & Curiosities in Colorado Springs. Andrew Cronk and partner Chris Dantzler opened their shop last fall.




The shop on East Bijou Street has partnered with Cronk Art & Curiosities and Phelan Gardens to support the Southern Colorado Pollinator Paradise, a 4,000 square-foot pollinator habitat being constructed in Colorado Springs.

“If you think the art is cool, hopefully you’d want to protect that thing,” Cronk said.

Plenty of other fun conversations happen at the shop, prompted by all kinds of weird items.

“Our goal is to have things you’re not going to find everywhere,” Dantzler said. “It’s a safe place for the weirdos.”

Broken glass makes beautiful art – Rochester Minnesota news, weather, sports

Damaged glass in the alley isn’t commonly found as artwork, but local mosaic artist Debra DSouza has used damaged glass to make wonderful mandalas gracing a person of Rochester’s downtown alleys. If an individual glanced up at the next tale in the alley guiding The Castle, 121 N. Broadway, they may possibly discover a selection of shining and boldly coloured circular mosaics lined in intricate repeating styles.

Functioning with Threshold Arts and numerous previous college students, DSouza finished 12 glass mandalas that have been put in as portion of the Alley Activation Task in 2020. Some of the mandalas are as massive as 3 ft in diameter, and they are scattered all through the alley corridor at places like the Bleu Duck Kitchen area.

DSouza’s love of glass artwork stretches back again to the 1970s when she took conventional stained glass-generating classes from Mike and Stephanie Podulke and even began to make some commissioned windows and teach her own lessons.

“Once my sons bought a bit older, I went off on a various route, but saved my glass with the intentions of returning to it one particular working day,” she suggests.

In 2012, DSouza returned to her love of glass in a a little distinctive type when she built her 1st mosaic.

“Once I designed my 1st few jobs on my very own,” she clarifies, “I was hooked and started off taking courses and workshops with mosaic folks any where I could go.”

DSouza sometimes employs the classic Italian smalti method of producing mosaics. This approach requires cutting irregular glass with a hammer and a unique chisel referred to as a hardi. She also makes use of hand tools like a glass cutter, a wheeled nipper, glass pliers and tweezers.

“I really like the full method of doing work with the glass and the resources that assist make the visuals,” she suggests.

With a Bachelor of High-quality Arts diploma in Studio Art concentrating on portray, DSouza usually thinks of her mosaic work as portray with glass.

“Painting with glass is no different than mixing the paint and laying it on to the surface,” she claims. “I have just changed paint with glass.”

From planets to pears, DSouza’s mosaics depict a selection of topics, but they all have to have her consideration to depth and focus. They can variety in dimension from very small micro mosaics that could be worn as jewellery to functions that are several toes extensive.

DSouza states she needs to keep a huge supply of glass on hand to nourish her creativeness. Some of her glass arrives all the way from Venice. Right after she attended a workshop there, she delivered property 300 lbs . of Italian smalti glass which is frequently characterised by gorgeous irregularities like bubbles, colour variants and shifting textures.

Neighborhood jobs have been a central element of DSouza’s mosaic creations. For illustration, this yr she has been doing work on a “50 by 50+” task that is at the moment getting exhibited at the Rochester Art Centre. It will be on screen right until Jan. 30. The venture resulted from a grant and associated DSouza training 50 grown ups who ended up 50 yrs outdated or older in 7 mosaic workshops. Every single of DSouza’s 50 pupils developed and created their personal glass mosaic mandala.

DSouza has her will work for sale at Threshold Arts and other regional art galleries.

In addition, her mosaic function “Transitions” is at this time on display at the Rochester Airport as component of the Arts Elevated Plan. “Transitions” is a round do the job 4 feet in diameter that features both of those stained glass and fused glass, glass that has been melted in a kiln.

Several hospitals have commissioned DSouza’s functions.

She lately done 9 personal mosaics, some that includes landscapes and some that includes mandala designs for the Penn State Hospital’s ALS clinic.

“This project has specific indicating for me as 1 of my shut buddies is at this time living with this disease,” she suggests.

A massive “Solar System” mosaic is a undertaking she done for the Stanford College Children’s Medical center. DSouza offers her commissions as a result of her web page

debradsouza.com

.

20211201-MOSAIC-ARTIST-009.jpg

Debra DSouza takes advantage of the hammer and hardie approach to reduce tile as she operates on a mosaic project Wednesday, Dec. 1, 2021, at her dwelling in Austin. Traci Westcott / Put up Bulletin

Traci Westcott

Portion of the purpose DSouza is drawn to making mosaic artwork is that the medium retains the natural beauty of glass while keeping away from its fragility. She notes that there has been a renaissance of mosaic works in airports and subways.

DSouza says she will never tire of the mosaic medium simply because there are so several elements and examples of the art form. While she’s discovered her fantastic medium, she needs the exact joy for some others.

“Everyone is an artist,” she suggests, “it just requires the right spark to gentle that hearth and curiosity to generate.”

20211201-MOSAIC-ARTIST-026.jpg

Debra DSouza, a mosaic artist Wednesday, Dec. 1, 2021, at her residence in Austin. Traci Westcott / Publish Bulletin

Traci Westcott

02-20211201-MOSAIC-ARTIST-042.jpg

Debra DSouza is effective on a mosaic challenge Wednesday, Dec. 1, 2021, at her house in Austin. Traci Westcott / Article Bulletin

Traci Westcott

20211201-MOSAIC-ARTIST-039.jpg

Debra DSouza is effective on a mosaic task Wednesday, Dec. 1, 2021, at her house in Austin. Traci Westcott / Write-up Bulletin

Traci Westcott

Alicia Cardenas, killed in shooting spree, painted dozens of murals around Denver

DENVER (KDVR) — Alicia Cardenas is getting remembered as a chief in Denver’s art local community.

“I cannot imagine she’s absent,” Sara King advised FOX31. 

On Monday, Cardenas was shot and killed around 1st and Broadway outside the house Sol Tribe, the tattoo shop she owns.

“Knowing how it occurred in her own company it’s — there’s no phrases,” King reported. 

King stated she initially achieved Cardenas in 2016 when she walked into Sol Tribe to get her very first tattoo. Because then, Cardenas went on to train King about operating a tattoo shop and the two turned good friends.

“I’m so grateful I obtained tattooed by her and she’ll often be with me. She usually has been. But now it’s way more significant,” she said. 

King claims Cardenas fought to legitimize the tattoo company and even assisted craft condition guidelines and specifications bordering it.

In accordance to her web page, she had been an teacher with the Countrywide Basic safety Council due to the fact 1999 teaching classes on blood-borne pathogens to aspiring tattoo artists and piercers. She also served on the board of directors for the Association of Professional Piercers, a position she identified as “one of her proudest achievements.”

Outside the house of becoming a tattoo artist, Cardenas was a muralist. 

“Art is gorgeous. Art is all over the place. It would make existence significant. But when that human being that’s creating that art is like Alicia, it’s so significantly much more powerful,” King stated.

Just one of her most popular is effective is a mural at 27th and Larimer Road that Cardenas painted throughout the Crush Walls 2020 celebration. She has commissioned functions at 8th and Federal, Simms and Colfax and numerous other locations throughout the Denver metro region. 

“Her art justifies to reside on for the reason that she showed imagery by indigenous populations and how potent that is, how we have to have to give interest to that. She was an advocate for that,” King reported.

King explained Cardenas also experienced a enthusiasm for operating with small children and instructing them artwork. 

In 2021, she worked with Babe Partitions and the City of Arvada to make a wall of 19 mini-murals painted by children. The wall is located on the recreation route in close proximity to Ralston Highway and Lamar Street. 

“She was a staple of Denver. Not only was she proficient but she held so lots of people up. She was a significant mom to so numerous. She served me,” King reported.

Aside from her get the job done, Cardenas leaves behind a 12-12 months-outdated daughter.

You can obtain a lot more about Alicia’s mural and others in this article.