Grand Rapids artist captures Michigan’s natural beauty

Big RAPIDS — The Midwest is generally unfairly referred to as “fly-over” states by those people who do not reside in the spot, and even by some who do call the area their dwelling.

By way of his art, Jeff Wier is putting that certain title to mattress for fantastic, at minimum as far as the condition of Michigan is anxious.

Wier stopped by Artworks in Massive Rapids on Friday afternoon during its Brown Bag Sequence to screen some of his artwork, which was showcased in the venue’s Batdorff Gallery.

He presently resides in Hudsonville and originally hails from Grand Rapids, stated he is delighted to be capable to combine his passions of artwork, kayaking and woodworking into a single creative medium.


“I’ve generally beloved woodworking, and I applied to do it for a dwelling as a young dude, but then I bought out of it,” Wier stated. “Then I commenced kayaking, and I would see other people’s boats and resolved that I wanted to marry the two matters. I definitely like what I do.”

Wier also claimed that his passion for woodworking and his enthusiasm for kayaking are all he requirements to continue to be enthusiastic and go on his inventive enterprise.

In advance of he was capturing scenes reminiscent of one thing in a Natural Geographic journal, Wier owned his own transmission store, before ultimately promoting it in 2014.

“After that, I promised myself I would only do things in life that I wanted to,” Wier mentioned. “For me, that is kayaking, setting up kayaks, and images. I can do all of these jointly, along with camping and finding out to see Michigan.”

To day, Wier has made just one entire-sized kayak out of wooden, but has also taken a litany of pictures through the state, most showcasing a kayak with a scenic backdrop.

ARTIST SPOTLIGHT: SONIA ROBINSON’S WORK IS DOG GONE BEAUTIFUL

The only matter glowing brighter than Sonia Robinson’s identity are her wildly imaginative paintings. She creates whimsical and typically spiritually-encouraged compositions that are really mesmerizing. Robinson slings her paint seemingly non-end, largely on wooden panels – and sometimes on canvas – working with her signature, combined-media method, making her do the job like practically nothing else you are going to uncover. 

Robinson’s self-taught design and style helps to set her get the job done apart from that of other artists. She has a playful, childlike managing of her topics guaranteed to carry about inner thoughts of pleasure in the hearts and minds of viewers. 

Robinson was born in Fergus Falls, Minnesota and vacationed to the Keys back again in 1970. This began a really like affair with the islands that continues to this working day. These days, the Florida Keys are her second home and she evidently can make the most of her time right here.

Robinson’s expressionism incorporates aspects of blended-media collage together with occasional typography employed to further the favourable messages of appreciate, hope and kindness embedded inside of her creations. Acrylic paint is her main medium, but Robinson builds depth via vivid coloration mixtures and versions on thick (tactile) paint apps concluded with skinny washes of lessened regularity color and gloss. The finish outcome is only good. 

“I initially began my artwork occupation as a wonderful leather craftsman, and I’m continue to acknowledged these days as the ‘Leather Girl of Critical West,’” reported Robinson. “Over the yrs, I did collections for Fast Buck Freddie’s and even had my possess business on Greene Street. I moved into Guild Hall Gallery in the early 1980s and expanded into hand painted clothes. From there it was an quick leap to portray in the structure I use currently.”

Robinson has an unbelievably large physique of operate spanning topics from architecture and angels to lovable canines and curious kittens. With regards to the recurring topic of puppies, she stated, “My operate is ever-evolving and I paint what I like. My husband Gregg and I have normally had rescue canines and they clearly show up in much of my operate.” 

Robinson is an proprietor of Guild Corridor Gallery located at 614 Duval St. in Old City Crucial West. She welcomes guests to come join with her there and acquire the best piece of her artwork. “My biggest thrill is to be at the gallery and fulfill individuals buying my artwork. There is always a terrific story to go along with it and the connection is heartfelt for me. I am privileged to get up every working day and do what I really like.” 

The tropical flavor and bold and brilliant colors in her paintings combine with an unmistakable style adored by artwork enthusiasts and collectors through the Florida Keys and over and above. Make the journey down to Previous City Critical West and stop by her colorful creations today. Her paintings are available in just about every size and condition possible, from little 4-inch sq. panels to much larger-than-existence florals and still lifestyle paintings on stretched canvas. Price ranges on modest prints, playing cards and tiny paintings vary from $12 to $35, and her greater items are out there from $100 to $800.

New art exhibit features work of Swedish artist visiting Granite Falls

On February 3rd, a new artwork show opens in the K.K. Berge developing titled “Verdant One”, showcasing the do the job of artist Anya Kalk. Kalk, from Sweden, has been browsing Granite Falls on a vacationer visa for the past three months, keeping with her boyfriend and assembly local artists. The thought was presented for her to generate an exhibit with her artwork early on in her continue to be, and she agreed. For the 3 months, Kalk suggests she labored to understand a new medium. “I’m generally a woodcarver, normally,” she says. “I started wooden carving in Sweden – green woodworking and standard woodworking. I’ve also examined classic costuming for a although. Which is how I acquired commenced with common crafts, mainly. I’ve also analyzed design and style and arts a very little little bit.” 

Philadelphia artist Sam Maitin’s studio and home have been sold

It’s under no circumstances uncomplicated to offer your childhood house, but think about if it includes the studio of a person after known as the “Mayor of the Arts” in Philadelphia.

For more than 40 several years, artist Sam Maitin worked out of the 1810 rowhouse near Seventh and Pine and lived upstairs with spouse, Lilyan, son, Izak, and daughter, Ani.

Sam died in 2004 and Lilyan in 2019, and up coming month, the dwelling is to have a new proprietor. Ani and Izak are sorting by a life span of reminiscences and doing the job to relocate their father’s collection.

“I did not want to market the house, but, as you can think about, it is truly costly to maintain up,” reported Ani, 53, who lives in Chestnut Hill. “The background of all the people that arrived by — to me, it has almost museum-like attributes.”

Maitin, identified for abstract murals and collages, is credited by many with bringing color to Philadelphia.

“From his public artwork sculptures and murals to his posters and prints, Sam was able to share his message of colour, attractiveness and justice to an incredibly vast viewers,” said artist Craig Stover, Maitin’s assistant from 1992 to 1999 and the former director of the Allens Lane Artwork Center in Mount Ethereal. “As soon as you turn out to be mindful of his perform, you notice it’s all over the place.”

In truth, hospitals, universities, personal houses, synagogues, and local community centers all in excess of Philadelphia have Maitins, as do art museums in the United States and Europe. Popular community performs include murals in the Annenberg University at the College of Pennsylvania and at the Academy Household on Locust Street. Maitin’s very last commission was an interactive piece for the relocated Be sure to Touch Museum.

Also a community activist, Maitin advocated for artists, protested injustice, and volunteered for nonprofits. As a function-from-residence dad, he served as the emergency speak to for neighborhood youngsters attending McCall College.

“He was a one of a kind civic spirit,” said William Valerio, director and CEO of the Woodmere Artwork Museum in Chestnut Hill. “He believed a wonderful city experienced to have a excellent cultural existence.”

As a younger artist, Maitin shared a studio with 5 other people for $60 a thirty day period close to 12th and Walnut Streets, normally sleeping on a cot. He longed for a ground-ground space of his personal.

He ordered the rundown Pine Street rowhouse in 1961 for $9,000 (that would be about $84,000 today). When he and Lilyan ended up married in the studio not very long afterward, they experienced to include holes in the floor so friends did not fall by.

The Maitins arrived at the advent of governing administration-driven “urban renewal” in the diverse, performing-course immigrant neighborhood — a few several years right before I.M. Pei’s now iconic Culture Hill Towers were being concluded.

“The community was truly different then,” Ani said. “There were actually a great deal of vacant heaps and deserted properties all over right here.”

There was a “friendly small bar” that Sam liked at Eighth and Lombard — “a ramshackle old put where by Blacks and whites, prosperous and lousy, could unwind and share ideas more than 15-cent beers,” he informed The Inquirer in 1979. And just at the rear of the Maitin house was an automobile store, where they often pushed their VW microbus for repairs.

Sam engaged his more mature brother Irving, a Penn- and Harvard-educated architect, to renovate and credited him with developing a gorgeous house out of “a dilapidated pile, many years prior to the tackle turned fashionable.”

Irving raised the roof 10 ft to create a loft suite, divided by a gigantic rolling barn doorway. He carved out skylights and strategically positioned transoms and home windows to improve pure light.

In distinction to the Federalist exterior, Irving selected midcentury modern decor inside of with brilliant splashes of shade, not contrary to Sam’s paintings.

» Study Much more: A Innovative-period property with a modern inside in Culture Hill

The kitchen photograph window disregarded what would come to be a courtyard when the Maitins bought an adjacent great deal in the 1970s. Sam laid “every solitary brick and Belgian block,” Ani explained, scavenged from nearby demolitions and street repaving.

The house’s large ceilings and white partitions proved fantastic to display Sam’s do the job, and to help you save on gallery fees, the Maitins generally hosted artwork shows there.

The at-household shows “were never massively effective,” Ani said, “but they were very fun.”

A painter, printmaker, sculptor, muralist, and graphic designer, Maitin was a prolific artist, occasionally to the dismay of his dealers — and his wife.

He had major exhibitions in London, Paris, Frankfurt, Tel Aviv, and Tokyo, and his work is in collections at the Tate in London, the Nationwide Gallery in Washington, and MoMA in New York, as properly as at the Philadelphia Museum of Art and Woodmere.

But he also devoted hrs to producing posters, invites, and emblems for nonprofits and civic corporations these as the YMHA. He when created attractive ceiling tiles for a radiation remedy place for cancer individuals..

“Dealers inform me not to do posters. It makes your do the job offered to everyone for very little,” Maitin told the Everyday Information in 1993. “Well, I despise the elitism of art. … Artwork is an endeavor at a reward. It is an supplying.”

Maitin under no circumstances built substantially funds, Ani mentioned. More than the many years, her mom worked administrative positions at SmithKline, Hahnemann Hospital, and the town faculty district “to continue to keep us in the home.”

Maitin was born in 1928 earlier mentioned the grocery retail store run by his Russian Jewish immigrant mother and father at 18th and Oxford in North Philadelphia, and grew up there. He attended Simon Gratz Large School and won an artwork scholarship to Philadelphia Faculty of the Arts (now University of the Arts) and also attended the College of Pennsylvania.

He later taught at both alma maters, as properly as at Moore College or university of Art and Fleisher Art Memorial. Among his college students was prize-successful children’s e book illustrator Jerry Pinkney, who died previous fall.

Maitin loved to collaborate. While designing a mural for a wing of Children’s Clinic of Philadelphia, he scrapped his initial style just after a brainstorming session with a dozen clients, ages 4 to 14.

“The strategy of distributing my get the job done to young children is not new to me. I’ve always accomplished it with my very own young children,” Maitin reported in 1991. “Children are trustworthy, and from time to time I have to have their help.”

Izak, now 55, who functions for the city and lives in Pennsport, remembers his father often stopping him on his way out the doorway to search for an belief on which parts to clearly show a vendor. “He’d have every thing lined up in the hallway, or maybe the studio … and you’d wind up becoming late for college.”

As soon as, Ani recalled, she was irritated at being waylaid, so she explained to Sam she did not like a portray that he’d been operating on for weeks. When she returned household, she was mortified to discover he had painted about the full track record in black to commence around.

“So each individual time I see that a single, I really feel a little little bit ill,” she claimed, “because I essentially seriously thought it was attractive, but I was just mad at him.”

In the 1970s, Maitin tapped “his ability as a printmaker and his penchant for phrasemaking” to turn his protests versus war, poverty, and injustice into a fine-art kind, historian Willard Randall wrote in an Inquirer article titled “Is Philadelphia Prepared for Sam Maitin?”

Maitin weighed in on everything from the Vietnam War to Philadelphia assist for the arts to the gentrification of Culture Hill.

The Maitins helped Dorothy Miller — Miss Dot, their beloved corner crossing guard — in her 10-calendar year fight to keep very affordable housing in Culture Hill.

The city’s redevelopment plan, championed by famed planner Edmund Bacon, broke from the prevalent demolition that characterised a great deal article-Environment War II redevelopment. Instead, houses would be preserved, and greenways added to make a much more livable community.

“In all those times,” Sam recalled in 1979, “it was not shocking to go to a civic meeting and locate your self sitting down future to an eminent historian, a younger banker, a former mayor, a realized professor … and younger folks like myself with out an additional dollar in our pockets or goals of building a real estate killing.”

When extra of Modern society Hill’s structures were being preserved than was common of city redevelopment, a lot of residents could not afford to renovate their houses to the stringent requirements essential, and practically 600 families were displaced, 20{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} of whom were Black and a lot of some others of Jap European descent.

Miller, a lifelong community resident, sued to block evictions and contain reduced-money housing.

“When we was combating for these properties, you know who was with me at all periods? Sam,” Miller told Preserving Society Hill’s oral historians in 2006. “You much better believe it. I beloved him. Sam was my buddy.”

In the finish, 14 rental models were created on Sixth Road, and Miller and her daughter moved again.

» Read More: When did Society Hill develop into a metropolis condition unto by itself? | Inga Saffron

In time, Maitin retreated from community meetings, describing himself in 1979 as getting “bone-weary of listening to discussion about bricks and trees and residence values. Which is not what introduced me down below.”

He lamented artists all-around the location remaining priced out by “their psychiatrists and medical doctors, adopted by their lawyers and accountants … followed by their bankers and brokers” — an problem artists deal with today in these neighborhoods as Northern Liberties and Kensington.

In 2021, houses in Maitin’s zip code offered for $160,000 to $3.1 million, with a median selling price of $416,000, according to Brilliant MLS. His household was listed for $1.55 million and is underneath contract to settle in February.

Ani Maitin experienced dreamed of retaining the Pine Avenue house to make a museum and educating institute.

Although providing is “completely gut-wrenching,” reported Ani, who operates in wellbeing treatment and is married with two teenage young children, “I wasn’t completely ready to devote my lifetime to executing a little something like that.”

As an alternative, with Stover’s enable, the spouse and children structured one final in-household art show past weekend to rejoice Maitin’s daily life and raise money to protect his selection for foreseeable future generations. Friends recalled the intellectual, salon-like debates that had occurred in the walls.

Stover termed doing work with Maitin “a significant privilege,” crammed with joy and publicity to hundreds of artists.

“Sam confirmed me that there was extra than one particular way to reside your lifetime as an artist,” Stover explained. “It was achievable to have a huge effects on the planet by getting new approaches to share his eyesight.”

My Hero Academia Artist Shares Spicy New Art of Mirko

A single of the artists behind My Hero Academia’s manga has dropped some spicy new artwork for the Rabbit Hero Mirko! The professional hero has been a single of the important fan most loved standouts at any time due to the fact she was very first released in the course of the Professional Hero Arc, and has even been a favourite of the initial series creator, Kohei Horikoshi (who has shared several fun sketches that includes the hero at any time given that she initial popped up). This is all regardless of how little she had been found in both the manga or anime over-all, and that is what helps make every single new sketch of the hero all that additional particular.

Yoko Akiyama, the illustrator powering the My Hero Academia: Staff Up Missions spin-off series, has taken to Twitter to share some enjoyable new sketches for Mirko in the previous, and the exact can be mentioned for their newest illustration of the character as well. Imagining the pro hero in a considerably different setting as she becomes a teacher alternatively, the new sketch provides a window into a whole kind of new planet wherever we would get to see much extra from this professional hero in action. You can examine it out beneath: 

My Hero Academia: Staff Up Missions at present has a pair of volumes now out thanks to Viz Media, and supporters can at this time find the most recent chapters of the series through the digital Shonen Jump library with a membership. This spin-off even features considerably much more of Mirko at the center of the action many thanks to Izuku teaming up with her for one of these titular missions for a small time, so followers of the hero will absolutely want to seem into it further more. The collection is officially explained as these:

“The aspiring heroes of My Hero Academia team up with pro heroes for motion-packed missions! The bold Crew-Up Missions Software pairs groups of aspiring heroes with professional heroes to go on motion-packed missions! Whilst Izuku Midoriya and his U.A. Significant buddies are thrilled to participate, there is certainly just one particular catch—there’s no telling who will be teamed up with whom! From top rated heroes to pupils from other classes and educational institutions, any one could be on the exact staff. Midoriya is energized for his very first staff-up mission till he learns that his crew features the explosive Bakugo. The professional hero they have been matched with is also a actual wild card. Can this makeshift group cooperate, or will Midoriya’s initially mission be his very last?”

What do you believe? How do you sense about this Mirko makeover? Where does she rank between your most loved heroes in the series general? Enable us know all of your feelings about it in the reviews! You can even access out to me instantly about all things animated and other awesome stuff @Valdezology on Twitter!

Jon McNaughton art: Controversial artist launches Trump NFT collection

At first glance, Jon McNaughton’s in-home studio looks like any other.

A stool sits in front of an easel. A desk to one side is covered in brushes and splotched palettes. Framed paintings dot the walls, including a mountain landscape, a portrait and a modern rendering of “Washington Crossing the Delaware.”

But upon closer inspection, it becomes clear that McNaughton’s space is uniquely his own — the rendering of “Washington Crossing the Delaware,” for instance, features the former president Donald Trump instead of Washington — and the crew in the boat paddles across a swamp, with the U.S. Capitol rotunda glowing in the background.

If you feel McNaughton’s artwork is politically provocative and polarizing, the artist agrees. “I actually gauge the success now of the painting by how much backlash I get,” McNaughton muses.

By that metric, McNaughton’s latest release was a smashing success. “The Magnificent Seven” — the name pays homage to the classic 1960 Western film — depicts Washington, Jefferson, Lincoln, Roosevelt, Kennedy and Reagan holding rifles and flanking a serpent-crushing Donald Trump. The piece sparked a firestorm on Twitter and was sarcastically lauded by New York Magazine as “something to behold.”

McNaughton, for his part, doesn’t spend much time on social media (he says his original Twitter account was taken down), but he hears enough to dish out his own critique: People take his artwork too seriously. “That’s what drives the left crazy, because they look at me, like, ‘that guy’s serious,’” he elaborates. “And I’m laughing the whole time I paint this thing.”

But the left isn’t the only group taking McNaughton seriously.

The main audience invested in his work is the MAGA-wing of today’s Republican Party. Take, say, political commentator Nick Adams, who considers McNaughton to be the “Vincent van Gogh of the 21st century,” or Fox News personality Sean Hannity, who paid tens of thousands of dollars for two McNaughton originals (the artist reciprocated by painting Hannity as Paul Revere).

Herein lies the puzzle of McNaughton. His paintings are loud and often ludicrous, but McNaughton is personally soft spoken and gentle. His art sometimes portrays Trump as a demigod-like figure, even though McNaughton was initially slow to join the Trump camp and is more than willing to acknowledge Trump’s missteps. While each new painting circulates on social media, and as critics fume, McNaughton remains cheerfully at his easel, toiling away.

As McNaughton prepared to launch his latest venture — a series of Trump-themed originals published as crypto-based NFTs (non fungible tokens) — I traveled to McNaughton’s studio to understand America’s most controversial artist. What I encountered was a self-portrait of paradox: an artist who says his work is taken too seriously when it generates uproar, but one whose remarkable success feeds off the controversy.


Art experts can’t seem to reach a consensus on McNaughton. New York Magazine called his work “visually dead as a doornail,” but other critics describe him as an “accomplished craftsman” and “talented.”

Even more mixed is the assessment of McNaughton’s motives.

Why would an unpretentious, once modestly-successful landscape artist dive headfirst into a minefield of politics-by-paintbrush? A piece in The Atlantic speculates that his work is primarily for future generations, nothing more; others say he’s merely holding a mirror up to our own political age.

When I asked McNaughton directly about his motives, he told me he paints for himself, not for external approval. But, of course, there’s no hiding that he also makes good money doing it. One of his originals is valued at over $300,000.

I asked if McNaughton does this for the money, and he joked that he’d actually have more financial success if he were a liberal — he’d be more mainstream, he says, contending his Twitter would not have been suspended nor his Facebook ads blocked. “I never did this because I was trying to get approval,” he tells me. “I just did it for myself. I don’t try to get (Trump) to approve or anything.”

But McNaughton has an uncanny ability to generate political gasps, and therefore attention; much like, well, the same former president McNaughton features so prominently in his recent works.

When left-leaning comedian Stephen Colbert poked fun at McNaughton’s “One Nation Under Socialism,” back in 2012, McNaughton says he just laughed — not only because Colbert missed some of the painting’s symbolism, but because the segment only served to spike McNaughton’s sales, he says. The same was true after MSNBC’s Rachel Maddow hosted a tongue-in-cheek caption contest for his painting “The Forgotten Man.”

McNaughton’s website crashed due to the subsequent influx of traffic.

“I just kind of get a kick out of reading these negative articles, especially when they get art critics to chime in,” McNaughton told me. “Because I’m like, you know, if I’m really that bad, why did they take the time to even critique me?”

In some respects, the strong reactions to McNaughton’s pieces have made him one of the most politically transgressive artists at work today. “You don’t often associate rightists with ‘political art’ or, come to that, with art much at all,” one writer in The New Yorker admitted, noting that much of the artistic world leans progressive.

That’s what sets McNaughton apart. A writer for Salon once dubbed McNaughton the “greatest” and “most important” artist of our era because he serves as a “human vacuum-cleaner bag stuffed full of cultural and political carpet lint from the last several decades (if not centuries).”


Artist Jon McNaughton poses for a portrait at his studio in Utah County on Monday, Nov. 22, 2021.

Artist Jon McNaughton poses for a portrait at his studio in Utah County on Monday, Nov. 22, 2021.
Shafkat Anowar, Deseret News

McNaughton is, by most technical measures, an accomplished artist — he attended Brigham Young University on an art scholarship, and before he ever considered political paintings, he had a small gallery in the Provo mall showcasing his natural scenes and religious works. A Deseret News story from 2010 showcasing local “inspirational art” described McNaughton as being “known for his landscapes.”

But McNaughton’s foray into political artwork wasn’t accidental. His first true political work still hangs in his office — 6-feet long, 412-feet wide. The original takes up most of the wall directly across from his easel.

The gargantuan painting, “One Nation Under God,” portrays Jesus centered between the U.S. Capitol and the Supreme Court with the U.S. Constitution in hand. Surrounding him are throngs of people: Founding Fathers, soldiers from notable U.S. wars, and Davy Crockett, among others. On Christ’s right hand is a marine and a schoolteacher; on his left, a Hollywood actor and a “liberal” journalist.

When I ask about it, McNaughton’s eyes open wide. The painting’s prominent position on the wall allows him to tell me the backstory and gesture toward the details.

It was 2008, and McNaughton felt wholly frustrated. To him, the presidential election was between two candidates, neither of whom merited his vote.

“I​​ was in my studio, and I had kind of an epiphany,” he told me, his eyebrows raised behind his glasses. “As I looked at my easel, I saw that painting finished in my mind.” The painting became McNaughton’s first big hit. It was also his first controversy.

A writer in Mother Jones mocked elements of the piece, but also admitted that the details are “impressive” and “painstaking.” The piece served as a launching pad for a pair of bestselling sequels: “One Nation Under Socialism,” in which Obama, not Jesus, holds the Constitution, this time in flames; and “The Forgotten Man,” where Obama stands with one foot atop the Constitution with a downtrodden man to his right.

The trajectory of McNaughton’s artistic journey, in many ways, follows the last two decades of conservative politics. But even McNaughton sees incongruencies on the right. “Conservatives are more divided than the left, in my opinion,” he observes.

As evidence, he points out how much backlash he receives any time he includes Abraham Lincoln in a painting. “There’s a good percentage of conservatives who can’t stand the guy.”

But many of McNaughton’s bestsellers today share a common theme: Trump. Trump on a Harley; Trump playing football; Trump at an easel painting Monet’s “Water Lilies.”


A pillow printed with a sketch of former President Donald Trump is pictured on the couch in artist Jon McNaughton’s studio in Utah County on Monday, Nov. 22, 2021.

A pillow printed with a sketch of former President Donald Trump is pictured on the couch in artist Jon McNaughton’s studio in Utah County on Monday, Nov. 22, 2021.
Shafkat Anowar, Deseret News

Toward the end of our conversation, we began discussing the news of the day: COVID-19, the economy, Kyle Rittenhouse. At the mention of Rittenhouse, McNaughton tells me he did a painting, but hasn’t released it. It was too dark, he explains.

“Do you want to see it?” he asks.

I obliged, and he handed me a small, letter-sized canvas. At the center, a distraught Rittenhouse screams, tied to a burning stake, blood dripping from his eyes. Surrounding him are a sea of fists, raised in the air.

“It’s called ‘Peaceful Protest,’” McNaughton says. “Not a lovely painting, but I don’t always do things that I think are gonna sell,” he concludes.

McNaughton relies on the left for publicity, and the right for profitability; he wants viewers to chuckle at his art, but then to also consider whatever message he intends to convey. He points to “The Magnificent Seven,” still on the easel, as an example. “The first reaction is, you know, that’s funny. And then you think, you know, our country’s a mess.”

“I know they’re provocative,” McNaughton admits about his art.

So, too, are many political cartoons, though they rarely seem to draw consistent ire like McNaughton’s work. Perhaps the difference is McNaughton’s technical skill, and the medium in which he works. But when I ask if people take his artwork too literally, he answers affirmatively, then backtracks slightly.

“They see into it what they want to see into it,” he says. At another point, he describes his artwork as “a parable, or a parody, or some kind of visual metaphor,” some of which is “almost outrageous.” But if they see the “underlying message,” he continues, “they’ll see the seriousness of it.”

McNaughton chooses not to hang his political works in his home, even while right-leaning households throughout America buy them up. Art is part mystery, and so, too, is McNaughton. Whether he is holding a mirror to our political landscape or just trying to turn a buck, his controversial art is here to stay — regardless of which side is taking it more seriously.