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Inside a Historic Marfa Home Transformed by AD100 Designers
Reflecting on Marfa in 1985, Donald Judd wrote: “The area of West Texas was fine, mostly high rangeland dropping to desert along the river, with mountains over the edge in every direction. There were few people and the land was undamaged.” Decades later, that spellbinding beauty and sense of exquisite isolation remain, albeit juxtaposed with the artist’s own legacy—the Judd Foundation (anchored by The Block, his former home) and the Chinati Foundation, the army base he transformed into a museum for contemporary art. Today’s Marfa is a contradiction: a tumbleweed town and an international pilgrimage site, where Judd’s visions of unified art and architecture reached their apotheosis. Timber bookshelves in…
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In Brussels, a Designer’s Home Awash With His Own Vibrant Creations
WHEN THE SWISS textile designer and artist Christoph Hefti worked for the Belgian fashion designer Dries Van Noten in Antwerp from the late 1990s to 2010, he was involved in many parts of the process, from fabric design to budgets to collaborating with Italian printmakers. “It was rewarding,” says Hefti. “As part of the team, we built a vision with a great deal of concentration and mutual understanding.” When Hefti left the company to freelance, he eventually became frustrated — he found himself missing Van Noten’s holistic approach: “I design the fabric but someone else develops it into the final product, and I began to realize that wasn’t enough. I…
Beautiful Art Of Landscaping