Best of Design 2023: This New Home is a Work of Art in More Ways that One

200 Buckingham4

It’s simple to suppose sure matters basically won’t perform collectively: Ultra-modern architecture cannot also have a warm, inviting vibe a property with mostly windowed walls can not accommodate an considerable artwork assortment the Pittsburgh weather isn’t conducive to a household designed all-around the notion of indoor/outside dwelling.

In Fox Chapel, an strange property has managed to defy all individuals assumptions by way of a complex structure that lends itself to a lived-in, welcoming space in which the outdoors play as much a purpose as every little thing occurring inside. It also wowed our judges, who named it their Most effective New House in this year’s Greatest of Style and design Contest.

200 Buckingham19

“I appreciated the custom made details that are executed in the course of the dwelling. The move of the indoor/outdoor practical experience is phenomenal,” claims Crystal DeCastro Knapik, a venture designer at Vocon, which has spots in Cleveland and New York City.

Indeed, each individual depth of the property — a collaboration in between the property owners (who want to continue to be anonymous), Chicago-centered architect Thomas Shafer and lead carpenter Mike Craig — carries meaning and objective, resulting in a seamlessness that can be both of those observed and felt.

“There will be those people who will have complications inserting this architecture inside of their definition of a ‘house,’” claims Shafer, principal at Shafer Crowe Kueck Architecture + Design. “It’s not a common brick-and-wooden-sided house. There is not a gable or a brick chimney. There are no columns, or turrets. It is not referential.

“What are those concrete partitions for? Is it a museum or a college? What particularly is it? It problems notions of ‘house.’ And nevertheless that was just it — the commencing position wasn’t to be prescriptive,” he suggests. “It was not an itinerary to in good shape within just a distinct glimpse or definition — rather the opposite.”

200 Buckingham30

The exterior by yourself has been regarded to quit passersby in their tracks. When the proprietors ended up creating the dwelling, a female driving by pulled around to talk to the house owner what the composition was likely to be. When he replied, “My dwelling,” she immediately responded: “It’s so unattractive!”

Perhaps she was thrown by the sweeping concrete wall major up to the driveway of the courtyard-type home, 1 of several that the two afford to pay for the residence privacy and allow any customer know they are not approaching anything at all standard to the Pittsburgh area.

200 Buckingham24

But any operate of artwork is intended to elicit a response, and all functions took the reaction in stride.

“Personally, I adore this story,” Shafer says. “It’s so appealing how a thing so wonderful and normal to one particular could be so alarming to an additional. It certainly was outside her convenience zone.”

It also was a strike with Ideal of Style and design judges, who praised the seamlessness amongst the indoor and outside areas as very well as the thoroughly clean lines uncovered in the course of the home.

“I like that this is Mid-Century Modern day design and style, but it however felt extremely warm and inviting,” says choose Katie Savakis, a challenge designer at Vocon in Cleveland.

200 Buckingham5

That was one of the most important aims for the householders, who had been specified about wanting a modern-day aesthetic but also desired to stay clear of it experience much too sterile or cold. They wanted a area where by they could occur household and place their ft up a put exactly where their puppies could operate about outdoors then curl up with them by the hearth a put exactly where friends didn’t feel like they experienced to continue to be standing and not dare touch anything.

To attain the preferred stability, Shafer relied on proportion, scale, shade and texture. Use of mild was possibly the most crucial element in infusing the property with its inviting come to feel, he says. As these, the floor-to-ceiling windows through the home immerse the occupants in the 1.5-acre house outdoor. Shafer also states the house is oriented to improve variations in gentle all through the days and seasons.

“It’s a living and at any time-altering sculpture,” he suggests. “In the tumble, the yellows and reds of the altering trees mirror into the household.”

200 Buckingham7

The 4,500-sq.-feet area was intended in volumes, each made up of a collection of cozy areas with guest quarters on just one close and the owner’s own quarters at the other the two are related in the middle by the key living areas. Shafer suggests the plan was to create locations in which day-to-day life could overlap but that also let for isolation when necessary.

“Several significant and vibrant pivoting ‘doors/panels’ assist in opening or closing off the spaces to make it possible for for these distinctive pursuits to occur,” he states. “These thresholds consistently modify dependent on who is there and/or what is going on. It breathes and modifications appropriately, not always the similar.”

1 of the most important worries with fashionable houses is the lack of trim, in accordance to the owners. That signifies everything has to line up there is nowhere to cover any disconnect or flaw. The ceilings and the overhangs are on the identical plane. Steel beams achieve exterior with no noticeable disruption. Charred Shou Sugi Ban partitions designed from Japanese cypress carry from the inside out to line the home’s exterior. The crew also created a Mid-Century Modern day corduroy siding detail for particular exterior walls, which wraps into the dwelling and blends into walnut cabinets.

Throughout the residence, hardwood was preferred for flooring about stone to incorporate warmth it also enhances and softens the aluminum curtain wall, Shafer claims. The home’s playful shade palette ranges from heat grays and whites, to soft blues and sage greens, to even the occasional pop of vermillion.

200 Buckingham2

From the rows of guitars adorning the wall of the property place of work to the pieces by common Pittsburgh artist Burton Morris in the key-ground gym, artwork also infuses the dwelling with identity. Residing in a residence of mostly windows also did not restrict the householders from displaying their intensive assortment. For occasion, a tryptich of Damien Hirst artwork is embedded inside of the glass curtain wall of the dwelling place to get the job done with the open up space all around it.

Lighting decisions also spotlight the all-natural setting, these as the bronze wire Moooi piece over the eating desk that illuminates although nevertheless making it possible for the eye to move through to the outside the house. Higher than the customized blackened steel hearth, fabricated by Jorg Gerlach and his team at Echt Style Solutions, a wall of polished Venetian plaster dances with gentle when the sunlight hits it.

200 Buckingham9

In the kitchen, the granite of the substantial island will come alive as it demonstrates golds and blues new tones are discovered from every single vantage issue as ample natural light-weight skims across the surface. A relaxed take in-in nook with seating for two is the great location to sip coffee and glance out into the private zen backyard. A glass enclosure separating a place from the walk-in closet is supposed for a saltwater fish tank.

Even though Shafer says he does not assume the house owners anticipated to end up living in a concrete, aluminum, wooden and glass property, their willingness to acquire quite a few odds resulted in a property not like any other.

“A profitable venture is a consequence of a exceptional customer, and [the homeowners] were being surely distinctive,” Shafer says. “They were curious and engaged and remained open up-minded each and every stage of the way. They dependable the procedure and suspended disbelief. It was a distinctive collaboration, and frankly, is the very rationale it turned out to be these kinds of a successful challenge.”


Suppliers

Architectural Style: Tom Shafer, Shafer Crowe, Kueck Architects, Chicago, IL
Inside Layout: Tom Shafer, Marian Leventon Interiors 
Landscape Architect: Frank Dawson, J.Frank Studios
General Contractor: Hainer Construction Team
Website Operate: J.A. Martin Enterprises
Structural Metal: MultiMetal Inc.
Home windows and Doorways: SCHÜCO Home windows
HVAC: Climatech
Electrical: S& L Electric powered
Plumbing: East Conclusion Plumbing & Mechanical
Cabinetry/Casework: The Kitchen area Gallery
Paint Get the job done: Rieger’s Painting
Customized Millwork: Allegheny Millwork
Counter tops: Greatest Granite, Morrow Brothers Countertops
Tile Function: Mandy’s Tile Service
Ornamental Steel Fabricator: Echt Design and style Services
Landscaping: Evanovich, Inc.

Casa Azucar is a tropical home with a modern twist

Casa Azucar was born from a client’s dream to dwell in a ‘habitable yard pavilion’. Situated in Costa Rica, the new dwelling was conceived as a lush eco-friendly getaway for its house owners. Its architects, San José-based Studio Saxe, obliged, crafting a tropical retreat with a solid up to date twist that ticks all the appropriate boxes. 

hero exterior with flowers of casa azucar by studio saxe

(Graphic credit rating: Andres Garcia Lachner)

Casa Azucar by Studio Saxe

The property’s plot is located in the coronary heart of the city of Nosara, which meant that while it is shut to the seaside and nearby facilities, the perception of seclusion and verdant environment the shoppers were being right after were being probably trickier to recreate. The remedy to this problem came in the condition of a compact seasonal creek that operates across the web site and serves as a wildlife corridor. ‘We decided to emphasis our focus on making the feeling of a secluded oasis, merging architecture and landscape design to cautiously body all sights toward the creek and the wildlife that spawned from there. The property in change is conceived more like a habitable back garden pavilion,’ the architects produce.

aerial view of casa azucar by studio saxe in costa rica

(Impression credit score: Andres Garcia Lachner)

So the architecture staff not only highly regarded the existing trees and ecosystem, but sought to additional assistance and enrich it, guaranteeing the construction feels really embedded on its web site and, in time, results in being engulfed in nature. This ‘bridges the best of both of those worlds: closeness to all the things and solitude in the forest’, the group demonstrate. 

swimming pool at costa rica house casa azucar

(Graphic credit score: Andres Garcia Lachner)

In phrases of the architecture, the Studio Saxe designers, headed by founder Benjamin G Saxe, are deft arms at producing domestic experiences that mix within and outdoors, modern tropical modernism, and local supplies and design tactics – previous illustrations contain the light-weight Jungle Body Residence, and the much more recent Raintree Residence, both of those in Costa Rica. The same approach was adopted here the household is dominated by large open up spaces with glazed walls or generous windows, and exterior parts. 

kitchen at costa rica house casa azucar by studio saxe

(Picture credit history: Andres Garcia Lachner)

At the exact same time, the studio provides: ‘This household is a apparent reflection of our client’s temperament [they] preferred to create a thoroughly clean beach-like experience, so the colors, textures, and materials preferred ended up light and gentle. This method gave us the prospect to put into practice a fashionable inside style that is the two reliable and rooted in the earlier as effectively.’

open living space at costa rica

(Graphic credit score: Andres Garcia Lachner)

bedroom at casa azucar

(Graphic credit rating: Andres Garcia Lachner)

bedroom side view at costa rica

(Impression credit score: Andres Garcia Lachner)

front door entrance at casa azucar

(Picture credit: Andres Garcia Lachner)

open plan living space at casa azucar in costa rica

(Picture credit history: Andres Garcia Lachner)

studiosaxe.com (opens in new tab) 

River view, gilded ceilings and lush landscaping at this $4.8 million Placer County home

(KTXL) — Rural Placer County is acknowledged to have multi-million dollar residences in gated communities with lush landscaping, but this $4.8 million mansion is an mind-boggling case in point of decadence and splendor.

Built in 2006, 9692 Sterling Pointe Court docket in Loomis features a 7,194-square-foot 5-bed room, 5-toilet dwelling, a 6-auto garage, a pool, gardens and ponds more than a 2.80-acre property.

Video clip higher than: Sacramento Kings themed Oreos

Did we mention the see even though? No? Well, it is amazing. A spectacular check out of the North Fork of the American River, just ahead of it flows into Folsom Lake and the bordering hills greats these who make their way into the stunning backyard.

Before chatting about the yard although, let us return to the entrance of the home the place a massive metal gate opens to a rotunda with a landscaped fountain at the centre.

On your left is a big coy pond with many coy fish and on your appropriate is one more pond with a manicured tree-lined path.

Just after generating your way up the stairs, by the glass-pained entrance doorway and into the primary atrium, a breathtaking picket double-curved staircase frames the see towards the seating space and the significant windows experiencing the yard.

Each place has a signature style to it that evokes the sensation of Old Entire world Europe and the continuous splendor of the dwelling.

Some of the most breathtaking rooms are the learn bedroom, kitchen, eating home and library.

Gilded ceilings, heated flooring, towel warmers and two stroll-in closets are just some of the luxuries showcased all over the residence.

Going again exterior the in depth landscaping of the front lawn breaks away to give place for an infinity edge pool, sizzling tub, many outside seating areas, firepits, a large pergola, vineyards and more.

According to the home’s Zillow listing the household has been on the internet site for practically 130 times, has nearly 4,300 sights and much more than 120 will save.

The property is detailed with Guide Authentic Estate which specializes in luxurious houses and has office spots in Roseville, Midtown and East Sacramento.

This Midcentury Modern Home Design in Hyde Park Is Stunning

How charming is this midcentury modern-day home? Photography by Winona Barton-Ballantine, @shelterupstate

Buy a Hyde Park dwelling that hadn’t been updated in above 60 years, sight unseen? Inside designer Ana Claudia Schultz was all in—and then some. The success had been nothing brief of extraordinary.

Growing up in Miami, Ana Claudia Schultz liked to re-do her bed room every single pair of decades and shift her home furnishings all around a lot—but she did not consider she was on to one thing occupation-wise. “My mother could’ve been a decorator, but she preferred to aim on her property and little ones,” says Schultz. Moreover, her mom thought that professionally adorned homes lacked the owner’s identity and character, which cooled any opportunity enthusiasm Schultz may possibly have had for the field. She selected to study business enterprise in college, then veered into architecture. “Later I worked in retail furnishings revenue, and that’s where I acquired passionate about materials and furniture layout,” suggests Schultz. “With my architectural qualifications and household furniture expertise, I understood that interiors was my legitimate calling, in particular when my retail consumers ended up inquiring me to style their residences.”

Living room

In the meantime, as her qualified lifestyle was taking condition, Schultz adopted the route of several university grads and moved to New York Metropolis. Her faculty roommate invited her to a Christmas party becoming thrown by her brother, Aaron Smyle. The two—who had never ever met, even with obtaining gone to the very same higher school—hit it off proper away.

Quickly ahead by means of a few many years of living together in Brooklyn, and Schultz and Smyle had been all set to get started scouting a weekend area. However she was their official structure professional and he was a tax accountant, Smyle has a sizable innovative bent, so they both experienced heaps of ideas. Their wide original search bundled Windham and The Poconos, but a couple of evenings at a B&B in Beacon sealed the offer for the central HV.

Ana Schultz

The very first home they bid on, in Hyde Park, was bought out from less than them by an all-funds buyer. Then Schultz recalled a nearby estate sale she’d long gone to and requested her realtor to find out if that house was going to be coming on the market. The solution was indeed. Loving the spot, established on a hill, and supplying crystal clear sights of the river, they acquired it without the need of ever placing foot inside of.

Built in the late 1950s, the midcentury-impressed 5-bed room and 3-bath property hadn’t been updated in six decades. “We did a gut reno in advance of shifting in,” states Schultz. They taken out inside stone walls dividing the kitchen area/dining and dwelling rooms to open up and brighten up the room, and entirely renovated the kitchen and two loos. They retiled the fireplace, replaced windows, and upgraded the insulation. The update built the household considerably far more match for existence in this century, with out losing any of its bones or organic integrity.

Living room with blue couch

Eye-catching colors are a recurring theme both inside of and out. A daring blue velvet sectional normally takes center stage in the residing area, giving loads of space to lounge and appreciate the impressive views. Green crops grace tabletops and peek from windows and corners. As for the crimson exterior, which is primary to the household, suggests Shultz. They imagined about portray it, but the color grew on them. “It’s effortless to say. ‘We’re the red house’ when we give our mates instructions,” she says.

The Cringiest Home Decor Trends, According to YouTubers and TikTokers

Kiva cites the difficult routine maintenance of these areas as 1 reason to not go for the maximalist trend. “You have to be so tactful with exactly where you area things so that it appears stunning and there is space for every thing else,” she says. 

To prevent going way too deep into a cluttercore hole, Classic HQ founder Heather Hurst, broadly known on TikTok and Instagram as @Pigmami, indicates the pursuing: “Microdose things of recent traits that excite you, when leaving things of your earlier taste and jobs that you nonetheless keep dear.” 

Monochrome-on-monochrome aesthetics starving for personality 

Equivalent to maximalism, too much of a single color can be overdoing it. For Caroline Winkler, a Washington, DC–based interior decorator, YouTuber, and host of the podcast Not For Everyone, monochrome-on-monochrome does small to satiate the design hunger that people today have for a small assortment in the kind of saturation and sample. “White-on-white is a matter of the past, and every little thing is heading to be all right,” she reassures. 

Kiva sees a slight advancement in going from all-grey, all-white, or all-greige interiors to all-brown with a slight caveat. “There’s a incredibly wonderful line amongst getting heat, brown interiors and then it seeking like a man cave, which is not always a superior factor,” she notes. 

Designer dupes that truly feel even worse than they glimpse very good

With the proliferation and democratization of style, thanks in component to social media, it can be tempting to see an It furnishings item and straight away covet it. Much better nevertheless, there are dupes of designer parts offered at acceptable rates. On the other hand, most of the material creators that we consulted are more than it. (And so had been we when we incorporated “duped to death” patterns in our “out” traits for 2023.)

While Kellie is all for accessibility in design, she’s not a enthusiast of “really horrible reproductions of legendary items that experience form of bastardized,” like the beloved Ultrafragola mirror. Not to point out how several of the household furniture dupes are not-so-incredibly unpleasant. Arvin Olano, a Las Vegas– and California-centered inside stylist, was after duped by a dupe that created him come to feel like he was sitting down on plywood. “Instead of purchasing a dupe of a designer piece, probably find one thing that’s equally as incredible from the exact period which is designed very well, made with genuine wood, or just get a piece which is a nod to that bulbous Camaleonda couch that you like, but it’s possible not the correct exact same,” he advises. 

Heather is also very on board with this professional suggestion. “If you are head-above-heels for a big expenditure piece, use it as inspiration to request lesser regarded designer pieces, go classic, or hold out until eventually it’s passé and rating a deal on it!” Emphasizing the importance of individual design above trends, Kellie believes that “the cringiest thing you can do is to be a follower compared to figuring out what really makes you happy and speaks to you.” As she so eloquently puts it, “What I do not like does not necessarily issue to you if you appreciate it. I often say, If you love it, place it in your residence. You have to search at it, you have to love it.” We could not concur a lot more!

Go away the unpleasant, blobby furniture in the funhouse

While sculptural and curvaceous pieces have been en vogue for a whilst now, both of those Kiva and Nick pressured the degree of distress from these if not fashionable pieces. In a current YouTube online video, Kiva jokes about needing an elevator to achieve the low seat of the aforementioned Mario Bellini couch: “It’s pretty lower! You simply cannot lay on it! I want to be ready to take a 10-hour nap on my couch if I want to.” 

Home Grown | Landscape Architecture Magazine

A mid-Atlantic design/build firm is converting homeowners into native plant advocates, one lawn at a time.

By Jared Brey

A well-grown natural habitat lawn
Refugia specializes in transforming lawns into pollinator-friendly habitats. Photo by Kayla Fell for Refugia.

Jeff Lorenz stood under the mid-June sun at FDR Park, monitoring the final touches on his company’s exhibit for the Philadelphia Flower Show. The exhibit space, ordinarily an asphalt parking lot, had been covered in mulch and lined with displays, all in the final moments of construction.

Teams of employees scuttled about in branded T-shirts—“REFUGIA: Functional Design for the American Landscape”—placing trees, shrubs, grasses, moss, and flowers in clumps for planting the next day.

The plants were native, as they are in all of Refugia’s projects. You could find them throughout the coastal plain, Lorenz said: pitch pine, gray birch, bald cypress, Atlantic white cedar, wax myrtle, blueberry, swamp milkweed, giant coneflower, hay-scented fern.

A small, sloping path made of Pennsylvania bluestone would flow with water when the show opened the next night. The boardwalk was made from bald cypress boards. Part of the space was enclosed beneath a mycelium roof made of lion’s mane and reishi mushrooms.

It was Refugia’s seventh year exhibiting at the Philadelphia Flower Show—a great tool for marketing and recruiting, Lorenz says. But as interest in Refugia’s work has accelerated, Lorenz quietly confided, he’d begun to wonder whether it was a distraction. “We’re slammed,” he said. “Every aspect of our business is overwhelmed right now.”

A lovely natural-wood shelter in a lush garden
Refugia, a firm focused on residential landscapes in the Philadelphia region, is building a greenway of native gardens. Photo by Rob Cardillo for the Pennsylvania Horticultural Society.

Lorenz founded Refugia in 2015. The company began with small jobs in the Philadelphia suburbs, helping homeowners incorporate native, pollinator-friendly plants into their lawns and gardens. Gradually, the business has grown, with several landscape architects and designers on staff and an expanding network of residential gardens and public commissions under its belt.

Refugia’s growth has mirrored an explosion of interest among homeowners in native plants and pollinators. In particular, over the past few years, a movement to kill the grass lawn and replace it with ecologically beneficial flora has taken hold in certain parts of the American suburbs.

Refugia is headquartered on the Main Line, a network of Philadelphia suburbs connected by commuter rail that’s among the wealthiest places in the United States. Among the area’s manicured lawns, Refugia’s approach has found detractors as well as enthusiasts.

But its portfolio is growing fast. On its website, the company claims an ecological “Greenway Network” of more than 75 native gardens it has completed within five miles of its home base in Narberth, Pennsylvania. And many more are in the works. Lorenz says he wants the company to be “just big enough” to meet the demand for native gardens in the area and, in the process, help make the suburbs more efficient with stormwater and more beneficial to bees, birds, butterflies, caterpillars, and, by extension, humans.

“The whole goal of our business is to pepper the suburbs and urban areas with habitat,” Lorenz says. “If there’s any direct way that we can all say we’re doing something about the changing climate and species collapse and all these things, it’s on private property.”

Ecological Links

Lorenz, whose father taught sustainable engineering at Villanova University and cofounded the sustainability consultancy Environmental Resources Management, tries to proselytize for native species without being preachy.

He frequently cites the author Doug Tallamy, an entomologist who has called native gardening “a grassroots solution to the extinction crisis.” In his books Bringing Nature Home and Nature’s Best Hope, Tallamy has framed the nation’s suburban yards as the last, best chance to restore some of the ecological function of the developed landscape and promoted “a suburban ecosystem that is complex enough to keep itself going without micromanagement on our part,” as he wrote in Bringing Nature Home (see “Big Tree, Small World,” LAM, September 2021).

A stone pathway through a green garden
The firm sources plants found in the Atlantic coastal plain primarily from local nurseries. Photo by Ngoc Minh Ngo.

Refugia’s Greenway Network is a small version of Tallamy’s “Homegrown National Park,” an advocacy effort to create 20 million acres of native plantings around the United States, representing about half the privately owned lawn space in the country.

Refugia’s website includes a testimonial from Tallamy, and at one time, Lorenz regularly handed out Tallamy’s books to potential clients, says Kayla Fell, Refugia’s creative content manager (and Lorenz’s wife). Increasingly over the past few years, the process has reversed, Fell says: Homeowners, already converted to the cause, approach Refugia looking for help making their gardens more functional and beneficial to insects. 

On a Tuesday morning in June, Lorenz drove with Amy Matusheski, a summer intern, to visit a potential client at a three-story stone house in Wynnewood, a Main Line suburb. The owner, Dan Mercer, had moved from the city in 2016 with his wife, Swati, and their 10-year-old daughter. When he bought the house, Mercer said, the front lawn had been mostly grass, with “mountains of mulch” surrounding planted areas.

Mercer had gradually removed the lawn and the mulch and covered the front yard in native plants, some of which he planted and some of which grew on their own, including boneset (Eupatorium perfoliatum), obedient plant (Physostegia virginiana), and bee balms. He’d established a series of rain gardens with sweet-scented joe-pye weed (Eutrochium purpureum), swamp milkweed (Asclepias incarnata), eastern bluestar (Amsonia tabernaemontana), and woodland sunflower (Helianthus divaricatus), which captured almost all the runoff from his house. But there was one downspout that still spilled into the driveway. He called Refugia looking for ideas about how to divert the remaining water into the garden. And he was also looking for ways to redesign the back patio and develop the backyard garden.

In the garden at his last house, Mercer told Lorenz, he’d had grapevines, which were nice until the fruit got heavy and dropped, rotted, and attracted bees and wasps. Was there a native vine that grew in a similar fashion? Lorenz recommended trumpet honeysuckle (Lonicera sempervirens) or crossvine (Bignonia capreolata), both of which would cover a trellis and produce big, colorful flowers in the spring and summer.

“And they don’t have tendrils, so they won’t adhere to it; they just wind around,” he told Mercer. “They won’t destroy the structure.”

Long luscious grass surrounds an outdoor firepit area
The native plant movement has grown since Refugia’s founding in 2015. Photo by Kayla Fell for Refugia.

Mercer became interested in native plantings after seeing how much flooding affected local trails in Wissahickon Valley Park, where he volunteers. The stormwater runs off suburban lawns and overwhelms the local creeks. Mercer wanted to be part of a solution.

“I’m not going to save any parks or anything like that. It’s just me. It’s a small lot,” he says. “But, you know, a lot of simple efforts could add up to something significant.”

Local Network

Whenever possible, Refugia sources plants from a small web of local growers, including Natural Landscapes Nursery, Quality Greenhouses, North Creek Nurseries, Sam Brown’s Wholesale Nursery in Pennsylvania, and Pleasant Run Nursery in New Jersey. They also pull some species from Pizzo Native Plant Nursery in Illinois.

Some plants are bought in bulk and stored at Refugia’s headquarters, especially hardy shrubs and small trees, Lorenz says. Delicate perennials and fungus-prone grasses they tend to buy once they have a planting plan for a specific project. The company includes a year of landscape stewardship for most of its installations, and in the course of maintenance, workers regularly pull cuttings to propagate in Refugia’s greenhouse. Occasionally they’ll make adjustments to the soil at a certain site, but typically they choose a plant palette based on existing conditions.

Over the past year, pandemic-related supply chain issues have mostly sorted themselves out for Refugia’s needs, Lorenz says. But sudden shortages have continued to occur as local demand for native plants spikes, especially on civic projects. The native-plant movement is growing for a few reasons, says George Coombs, the director of horticulture at the Mt. Cuba Center, a botanical garden focused on native plants in Hockessin, Delaware. One is that the idea of helping insects like monarch butterflies, which are “cute and fuzzy and charismatic,” is a relatively easy sell. The other is that planting natives is less of an act of sacrifice than other actions taken on behalf of the environment.

“So many conservation behaviors require you to give up something—less water, less electricity,” Coombs says. “But you don’t have to do that with plants. You can add native plants, keep all the ones you’ve always loved, and still have a really beneficial impact.”

Clusters of carefully-planted wildflowers in a residential lawn
Refugia’s gardens feature clusters of native plants, a contrast to the monochromatic lawns that have traditionally defined suburbia. Photo by Kayla Fell for Refugia.

Landscape architects deserve some credit for pioneering the use of native species in public and private gardens, says Andrew Bunting, the vice president of horticulture for the Pennsylvania Horticultural Society, which puts on the Philadelphia Flower Show. In particular, Andropogon, based in Philadelphia, and Oehme, van Sweden, based in Washington, D.C., were early proponents of the native plant movement, he says. The use of natives has become much more commonplace since those firms began using them in the 1980s. And while natives can be used in many of the same formal styles as traditional ornamentals, they’ve also become strongly associated with a particular meadow aesthetic. Some people want that. Others, including some in Philadelphia’s wealthy suburbs, don’t.

“For a lot of people, probably, the lawn and the shrubs [have] more to do with control,” Bunting says. “There’s something there that’s not necessarily horticultural. So, to get people to shift to the prairie or meadow style—for most people, that’s a major shift.”

In addition to hosting the greenway map on its website, Refugia posts street-facing signs on the native gardens it plants. It’s a marketing tool, but Fell says it’s also “designed to tell people why it looks like this.”

Rob Gladfelter, ASLA, the director of operations at Refugia, joined the company in 2021 after getting a bachelor’s in landscape architecture at Temple University. Before that, he’d worked in landscaping and horticulture for more than a decade. It’s been exciting to see a shift toward native plants in public gardens, he says, and to work for a company that has a mission to address the climate crisis. And one that stands by its principles, he says, including being willing to get fired by a client for refusing to plant a rosebush. He’s happy to plant a traditional garden with hedges, he says, as long as they are native.

“We really want everybody to do it,” Gladfelter says. “The whole idea is we really want to change people’s perception of what a healthy landscape looks like.”

Lorenz says he tries to follow the native ethos when it comes to hardscaping, too. He sources bald cypress boards from local lumberyards, and he’s an enthusiast of Pennsylvania bluestone, a sedimentary sandstone used for landscape steps and pavers that he sources from HEPCO Quarries, which has a stone yard in West Chester, Pennsylvania. It’s a unique stone that only occurs in a small area of northeastern Pennsylvania and southern New York, says Brad Hepler, a co-owner of HEPCO Quarries. The layers vary in size, from the five-foot-thick “saw rock” that’s processed and used for wall caps, mantels, hearths, and lintels to the more delicate, irregular slabs used for steps. It takes a lot of forethought and planning to extract and market all parts of the rock, Hepler says, and not all quarries do it. HEPCO operates on a 205-acre plot of land in Windsor, New York, according to Hepler, who says the company has been actively quarrying the same 10-acre section of it since 2005.

The bluestone slabs that Refugia used for the Philadelphia Flower Show were an opportunistic purchase, Lorenz says—two pallets had been prepared for another client who canceled. “We just try to have our materials be in the same world as the plants we use,” he says.

Jared Brey is a freelance reporter in Philadelphia and a contributing editor to the magazine.