animu media library’s concrete curves embrace the site’s existing landscape in porto-vecchio

Animu media library by dominique coulon & associes

 

Showing up to float previously mentioned its web site in Porto-Vecchio, Corsica, the Animu Media Library by Dominique Coulon & Associés (a lot more in this article) is designed to maintain the present landscape. The library, constructed in collaboration with Amelia Tavella Architectes (additional right here), is described by concrete curves that circumvent the rocks of the web page, as nicely as its several oak and olive trees. Reminiscent of a big sculpture, the task has neither a exact front nor back again, with its elevations going through in all instructions of the town. A light ramp sales opportunities buyers to a distinctive backyard garden, imagined of as a location for reading in the open air.animu media library's concrete curves embrace the site's existing landscape in porto-vecchio Dominique Coulon & Associésimages by Eugeni Pons

 

 

EMBRACING porto-vecchio’S Normal LANDSCAPE OF ROCKS AND TREES

 

With the guiding theory of the project currently being the preservation of the landscape, Dominique Coulon & Associés drew up a exact survey of just about every tree and each individual rock of the proposed web-site in Porto-Vecchio. ‘The shape of the developing is deduced from these attribute things, which we had been nervous to protect,’ describes the french architecture studio. The job embraces the trees and rocks by means of its concrete curves, forming out of doors and indoor areas that greatly enhance the landscape’s natural beauty. To the north, a sweeping curve encloses the open up air backyard garden, accessed by way of a ramp that makes its way by means of the trees, preserving the first topography. This open room characteristics an area for looking through, conviviality, exchanges and development. There, just one can come across a herb and botanical backyard, a sky observatory, an out of doors projection place, and a shaded terrace.

 

The project is formulated to deliver end users with generous and relaxed areas, linked both to city everyday living and the encompassing landscape. The inside is described by fluidity and transparency, with capabilities next one immediately after the other in a harmonious coexistence. Joyful and stimulating, the library’s areas aspect abundant pure light-weight even though featuring panoramic views of the city. ‘It is the things of the web-site that generate the plasticity of this project, echoing the landscape by revealing its elegance,’ notes Dominique Coulon & Associés.

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio
the animu media library is made to protect the site’s natural elegance

animu media library's concrete curves embrace the site's existing landscape in porto-vecchio Dominique Coulon & Associés
the developing appears to float over the ground

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio
a gentle ramp potential customers customers to a unique back garden

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio
the curves of the construction envelop the landscape

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio
the ramp preserves the unique topography

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio

animu media library's concrete curves embrace the site's existing landscape in porto-vecchio
the undertaking is merged with rocks and trees present on the website

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio
big openings permit ample all-natural gentle in just the library

dominique coulon animu media library's concrete curves embrace the site's existing landscape in porto-vecchio animu media library's concrete curves embrace the site's existing landscape in porto-vecchio

1/10

curves are also present in the library's interior spaces

curves are also present in the library’s inside spaces

animu media library’s concrete curves embrace the site’s existing landscape in porto-vecchio

 

animu media library’s concrete curves embrace the site’s existing landscape in porto-vecchio

 

animu media library’s concrete curves embrace the site’s existing landscape in porto-vecchio

 

the library building at nighttime

the library setting up at nighttime

project plan

venture approach

animu media library’s concrete curves embrace the site’s existing landscape in porto-vecchio

 

animu media library’s concrete curves embrace the site’s existing landscape in porto-vecchio

 

project sections

task sections

project elevations

job elevations

challenge information:

 

name: Animu media library

architect: Dominique Coulon & Associés

collaborator: Amelia Tavella Architectes
locale: Porto-Vecchio, Corsica, France
customer: Town of Porto-Vecchio [Corsica]
location: 1200 sqm

sofia lekka angelopoulou I designboom

sep 29, 2022

The art of design: Hotel Indigo infuses spaces with unexpected design details inspired by neighborhoods – 2021 – News & Media – Newsroom

Hotel Indigo illuminates the world within its neighborhood through authentic and unexpected design details.

The boutique hotel brand from IHG Hotels & Resorts blends design inspired by neighborhood nuances and bespoke touches from local creators to ignite guests’ sense of curiosity and discovery.

With a design-driven ethos rooted in the art of storytelling, Hotel Indigo is a force in illuminating the world within its neighborhood. Each hotel is inspired by its own unique story, thoughtfully infusing details to spotlight the authentic and the unexpected.

A locale’s distinct style and architecture, rich history, colorful personalities and culinary culture come together at Hotel Indigo, creating an aesthetic that stirs curiosity and discovery from the moment guests step inside. Just as no two neighborhoods are alike, no two Hotel Indigo hotels are designed alike. Every property is intended to inspire connection among visitors and locals alike, with stylish yet approachable gathering spaces that spark conversation. Signature to Hotel Indigo, local creators are meticulously woven into both the interior design and the experience itself to bring the neighborhood to life within the hotel walls.

Whether exploring the destination through the lens of a local, popping in for an after-work aperitif or staying on a brief business trip, the artful local touches imbued into these properties from Miami to Adelaide will make finding a reason to travel again simple and, perhaps, inspire you to discover your own neighborhood at home with new eyes.

Hotel Indigo Lower East Side – Lobby Artwork

Hotel Indigo Miami Brickell – Guest Room

Hotel Indigo Miami Brickell in Florida

Situated in Mary Brickell Village, the new Hotel Indigo Miami Brickell tells stories of its neighborhood, where a symphony of Latin, Spanish, Native American and American folk influences are embraced and celebrated. The neighborhood itself is a mosaic of old and new – from ancient treasures to gleaming high-rises nestled beside bungalows. Hotel Indigo Miami Brickell was designed by internationally renowned architect and fashion designer Angel Sanchez of Coleman+Sanchez Studio. Guest room artwork and circular rugs draw inspiration from the Miami Circle, an archaeological site considered to be the only known evidence of an ancient structure built by the Tequesta around 2,000 years ago.

Hotel Indigo Lower East Side in New York

The Lower East Side is one of New York City’s most storied and dynamic neighborhoods, enriched with the culture of its first immigrant inhabitants passing through Ellis Island as well as the music, art and dance legends who have come to define generations. It is the birthplace of vibrant graffiti art that covered city streets in the 1980s and 1990s, including the works of legendary graffiti artist and Lower East Side native Lee Quinones. Music icons, including Blondie, the Ramones, Madonna and the Rolling Stones, have all spent time, gained influence and made an impact on this bold, energetic neighborhood. Today, the Lower East Side continues to inspire visitors and city dwellers to explore, play, create and thrive.

Hotel Indigo Lower East Side New York’s design captures the vibrant, edgy and artistic spirit of its surroundings. Graffiti, found objects and street art motifs are infused throughout the hotel, just as they permeate the neighborhood. Upon entering, guests will be met with impactful sculptural art and intricate ironwork.

The hotel commissioned street artist Lee Quinones to help bring the distinctive neighborhood to life in the hotel experience. Quinones is one of the originators of street art in the 1970s and was instrumental in bringing the movement above ground. From a custom life-sized mural on the ceiling of the 14th floor sky lobby to the unique wall art within guestrooms and elevator lobbies, his work vividly brings the storied past and present of the Lower East Side to life.

Mr. Purple, the hotel’s rooftop bar and restaurant designed with an artist-loft ambiance, pays homage to the artists and musicians who took up residence in the neighborhood in the 1960s, transforming it into a realm of art and creativity.

Hotel Indigo Belgrade – Brutalism-Inspired Guest Room

Hotel Indigo Stratford Upon Avon – Guest Room

Hotel Indigo Venice-Sant’Elena – Savor Restaurant and Bar

Hotel Indigo Belgrade in Serbia

Like its Old Town surroundings, the recently-opened Hotel Indigo Belgrade’s architecture showcases the mishmash of cultures and styles born from the city’s fascinating history. Serbia’s capital sits at the meeting point of the Sava and Danube rivers and was historically a highly connected crossroad between east and west Europe used by traders, missionaries, tourists, ambassadors and craftsman. Landing in Belgrade, travelers from various empires, including the Romans, the Goths, the Huns, the Ottomans and the Austro-Hungarians, often left their own particular imprint on the city.

Hotel Indigo Belgrade’s 46 boutique rooms feature two distinct design styles. Drawing inspiration from the Brutalist architecture found in the city, the hotel’s Brutalism-inspired room style has concrete walls contrasted by unique artwork and textiles with unusual geometric shapes. The second room style was designed to evoke the Art Deco period of the city, with muted pastel colors and arches in the headboard mimicking the design influence of the era.

Guests are greeted by an eye-catching reception specially designed to mirror the shape of a local monument, Knez Mihailo, with locally made Serbian rugs hanging above. The use of gold throughout the lobby, reception area and elevator reference the nearby National Museum, originally built as a bank. Those who look closely will notice the elevator walls are covered in hidden poems by some of the nation’s most famous poets. The hotel’s living room pays homage to the union of trade routes with an eclectic mix of styles through the ages, from Pirot rugs, a national treasure from Southern Serbia, to 70’s inspired floor lamps.

Hotel Indigo – Stratford Upon Avon in the UK

Paying homage to the town’s heritage and a slice of bygone England, Hotel Indigo – Stratford Upon Avon thoughtfully infuses classic English materials such as wool and raw wood into the interior design of each guest room. A combination of antique furniture pieces and modern fixtures create a contemporary space that celebrates the past with a modern twist. Guests will also discover a carefully curated selection of contemporary artwork, murals and, as the birthplace of William Shakespeare and home to the Royal Shakespeare Theatre, artifacts inspired by Shakespeare throughout the property.

Hotel Indigo Venice – Sant’Elena in Italy

Venice is filled with beauty and history, but despite its immense popularity, there are still pockets of the city yet to be discovered. The Sant’Elena neighborhood is a global hub for modern art and culture, nearby the Venice International Film Festival, the Murano Glass Factory and the Giardini della Biennale, a year-round hub for modern art and culture that truly comes alive during the Venice Biennale.

Hotel Indigo Venice – Sant’Elena, a converted 1930s monastery, is nestled among the palaces, cathedrals, and museums of its fairy-tale city. The hotel’s interior design and bespoke touches speak to the historical importance of the building and its surroundings. This peaceful sanctuary is composed of two wings joined in the center by a former chapel and boasts an interior courtyard and large windows with high ceilings, evocative of the neighborhood’s existing architecture.

Hotel Indigo Venice – Sant’Elena’s interior design blends the building’s original features with oriental influences inspired by local tradition and history, with touches of modern elements contrasting the classic Venetian style. Sumptuous velvet pillows are layered atop leather seating while brass lighting scattered throughout the hotel plays contrast to the deep wood paneling of the lobby walls and the emerald green marble bar top. Public areas are dotted with ebru paintings, a reference to the city’s history of introducing the marbleized papers into their famed repertory of woodblock prints, copperplate engraving and book leather binding.

To the delight of diners, Savor Restaurant and Bar calls upon the 16th century trade relationship of the Venetian and Ottoman Empires with handmade Les Ottomans wall plates adorning its walls, depicting figures of Ottoman Empire royalty.

Hotel Indigo Dubai Downtown – 10th Floor Hallway Artwork

Hotel Indigo Dubai Downtown in the United Arab Emirates

An art and design-lover’s paradise, Hotel Indigo Dubai Downtown is perched along the banks of Dubai Creek, just minutes from the glitzy, avant-garde Dubai Design District. Historically, Dubai has grown in parallel with the development and extension of the Dubai Creek. The Creek’s journey is a story of the transformation of Dubai from a trading post to the city of the future, which has influenced the hotel’s architectural and interior approach.

Every detail of Hotel Indigo Dubai Downtown has been thoughtfully designed, with striking works of art showcased throughout. The hotel features over 200 curated pieces of art with the intention of building a collection that helps tell the hotel’s neighborhood story. It has partnered with local creatives through associations with the Alserkal Cultural Foundation, Tashkeel and XVA gallery, and each floor is dedicated to one artist, giving guests an opportunity to enjoy the art on the way to their contemporary rooms. Featured artwork is not only from local artists, but also from Dubai-based expatriates who have drawn inspiration from the city, the Emirati culture and the heritage of local vernacular.

Each of the four food and beverage outlets showcase dynamic works of art as well. The Bakala Jooos juice bar and concept store is surrounded by creative artwork, from a printed wallpaper commissioned by artist Daniel Wegera to woven tapestry rugs. Open Sesame, the property’s social eatery, features a breathtaking entrance with fabrics designed by French fashion designer Christian Lacroix. The result is a modern take on Emirati heritage with souk-inspired stalls and embroidered abaya patterns in the entrance.

Hotel Indigo Adelaide Markets – Brick Archway

Hotel Indigo Hakone Gora – Lobby

Hotel Indigo Kuala Lumpur on the Park

Hotel Indigo Adelaide Markets

Marking the brand’s Australian debut, the 145-room Hotel Indigo Adelaide Markets welcomes visitors with deep connections to the neighborhood and intriguing design features. Housed on the site of a former textile factory, the property’s “Raw and Refined” design ethos celebrates the neighborhood’s commercial past with an exciting blend of heritage-listed and modern architecture as well as eye-catching contemporary details throughout. The hotel’s public spaces feature striking brick archways mimicking those in Adelaide Central Market circa-1900 grand façade, colorful street art-inspired murals by acclaimed Australian collage artists, including Tristan Kerr, and an exposed terracotta brick feature wall etched with intriguing neighborhood references such as “Six o’clock Swill” and “Mad March” – the name given to Festival month in the city. Continuing its cultural tribute, exclusive Adelaide Festival-inspired poster art is featured in the corridors and rooms, while a rotating selection of artworks create an engaging, ever-changing backdrop in public spaces.

Hotel Indigo Hakone Gora in Japan

Hakone Gora is a town of two tales. In its 100-year history, Japan’s intellectuals and socialites have escaped from bustling cities to experience vibrant nature and pastel-colored onsens (hot springs) while creating a modern neighborhood filled with contemporary museums, digital art and the perpetual draw of the cherry blossoms. These stories form the Hotel Indigo Hakone Gora neighborhood experience, where guests can immerse in the history through the hotel’s artwork and design.

The hotel’s interior design is influenced by Hakone Gora’s past. Ancient patterns from local Yosegi-zaiku woodwork have inspired wood patterns throughout the hotel’s lobby while parquetry woodwork decorates the ceilings and guest rooms. Contemporary artwork references Hakone’s nature through ukiyo-e paintings, fireflies, fallen leaves and mountainous landscapes. Nostalgia and novelty sit at the core of the guest room design, with playful headboard artwork from Studio Café SHIMA that reflects the early Showa-period scenery of Gora. Photography features quirky motifs, including a courier dressed in traditional costume holding a ‘selfie stick,’ a classic bus painted with the Yosegi-zaiku pattern, soccer players, and a UFO or drone mid-flight.

Hotel Indigo Hakone Gora offers a modern twist on the onsen ritual with traditional wood finishes reminiscent of the Meiji-period bathhouses contrasted with a dramatic digital art wall installation. The installation represents Hakone’s four seasons with rotating expressions of warmth, new life and the location’s natural landscape through colorful digital lighting.

Hotel Indigo Kuala Lumpur on the Park in Malaysia, Opening Fall 2022

Hotel Indigo will make its debut in the heart of Malaysia’s capital city with a 180-room property located at the base of the picturesque Bukit Nanas. Kuala Lumpur’s multicultural influences will be embedded in the hotel’s DNA through a visionary design that captures the historical cham of local heritage buildings and the breadth of nearby modern architecture. With greenery from one of the country’s oldest forest reserves woven throughout the hotel to bring the forest inside, memorable features include an interactive Green Wall in the lobby and a spot of quiet serenity amidst the bustle of the city found in the concrete sky jungle and a Secret Garden. From the use of distinctive local ingredients in its dining selection through to graffiti walls made in collaboration with local artists, Hotel Indigo Kuala Lumpur on the Park promises to provide guests with an inspiring mix of cultures and experiences.

Hotel Indigo Suzhou Grand Canal – Lobby

Hotel Indigo Diqing Moonlight City – Lobby

Hotel Indigo Diqing Moonlight City

Atop the commanding heights of Dukezong Ancient Town, Hotel Indigo Diqing Moonlight City takes its Neighborhood Story inspiration from Shangri-La, epitomizing the legendary lost paradise of idyllic beauty and tranquility. The ancient town of Dukezong, with its labyrinthine lanes laid out in the shape of an eight-petal lotus flower, is one of the oldest and culturally rich places in Shangri-La. Shaded by sensuous greenery that’s symbolic of the surrounding nature, the hotel entrance features a ceiling with a hollowed design by which natural lights collect and illuminate the hotel lobby to reawaken the esoteric tales of the Ancient Tea Horse Road.

Hotel Indigo Suzhou Grand Canal

As the first Hotel Indigo in China’s Jiangsu province, Hotel Indigo Suzhou Grand Canal exudes its own distinctive ambiance that encourages guests to explore and experience the surrounding neighborhood – a rich blend of vibrant modernity together with the ancient Beijing-Hangzhou Grand Canal. The hotel’s charming interior design concept by HBA Design-works is inspired by Prosperous Suzhou, a renowned 18th century masterpiece painting depicting the bustling urban life of Souzhou. The meticulous interior further draws upon the deep architectural and cultural influences of Suzhou’s history and fuses them into a characteristically contemporary style.

Continue the art and design journey on Instagram at @HotelIndigo or through Hotel Indigo’s newest and upcoming properties, including Hotel Indigo NYC Downtown – Wall Street, Hotel Indigo Omaha Downtown in Nebraska, Hotel Indigo Vancouver Downtown – Portland Area in Washington, Hotel Indigo Bintan in Indonesia as well as Hotel Indigo Karuizawa and Hotel Indigo Inuyama Urakuen Garden in Japan.

To learn more about Hotel Indigo, visit www.hotelindigo.com.

Pamplin Media Group – Geren’s under new ownership with same name, small-town feel

Gresham-based Van Zant family bought Sandy farm supply store on Wednesday, Dec. 1

PMG PHOTO: BRITTANY ALLEN - Sheila and Jerry Van Zant took ownership of Geren's on Dec. 1. For more than 40 years, Kathy and Les Geren of Geren’s Farm Supply have served the Sandy and Boring communities livestock feed needs. Now, they have finalized the sale of the business so a new family can fill that niche.

On Dec. 1, Jerry and Sheila Van Zant took the helm at Geren’s, keeping the name but expanding the merchandise at the store. The Van Zants live in Gresham for now and also own a landscaping supply company called All About Stone.

Because of this landscaping connection, the Gerens’ daughter, Roz Rushing, said the sale seemed to bring the family’s experience full circle.

“Ma and Pa started as entrepreneurs in the landscaping business and now it’s coming back to the Geren’s name,” Rushing said. “I’m very excited for this next chapter and to see the Van Zant family continue and expand the family (business). I feel like Dad helped bring them to us.”

Kathy is staying aboard for a while to help ease the transition for the Van Zants, staff and the community.

“It was our goal to sell, so I’m glad we’re at this point,” Kathy explained. “Now is time for a new phase in life. We’ve had a lot of customers ask if Geren’s was going to stay a feed store and they are happy it will. I’m excited we didn’t have to liquidate. It’ll stay a store and they’re going to put their own touch on it and see how it goes.”

The Van Zants will blend the current retail and feed options of Geren’s with landscaping supplies, and potentially more outdoor supplies like barbecues and coolers, besides keeping what Geren’s has historically supplied for customers.

Jerry Van Zant said one of the appeals of buying Geren’s was that it’s a “well-known, well-established and well-liked business.”PMG FILE PHOTO: BRITTANY ALLEN - The Gerens opened the farm supply store on Kelso Road and Highway 26 more than 40 years ago. Les passed away on Sept. 12, but Kathy will spend her retirement 'able to do more of the things I want to do.'

The Van Zants have retained all of the staff of the Geren’s and are happy to have the help of those long-time employees.

“Sandy is a growing community nowadays,” Sheila Van Zant added. “We know that we definitely have a lot to learn and (the staff) will be our best teachers. Besides the building and land, they’re our best asset.”

Though the Van Zants don’t yet live in Sandy, both of their children do, and their daughter-in-law Maggie will help with the business.

“When I walked into Geren’s for the first time, I knew this was me,” Jerry Van Zant said. “This is an amazing location. People should look for changes. It’s going to be fun (though) it’s going to be hard to fill (the Gerens’) shoes.”

The Van Zants also plan to continue events like the annual tractor show, among other new opportunities.

“It’s a lot off of my shoulders,” Kathy Geren said of her retirement. “I’ll start being able to do things I want to do.”

Kathy plans to spend time tending to the home garden she and Les planted and cared for together.

“It was a good run, a good time in life,” Kathy added. “But we were both ready to move on. I’m just sad that he doesn’t get to do it with me. We appreciate the community’s support over the years; they’ve been good to us and we tried to reciprocate.”


You count on us to stay informed and we depend on you to fund our efforts. Quality local journalism takes time and money. Please support us to protect the future of community journalism.

Social media and deep learning capture the aesthetic quality of the landscape

  • 1.

    Daniel, T. C. et al. Contributions of cultural services to the ecosystem services agenda. Proc. Natl. Acad. Sci. USA 109, 8812–8819. https://doi.org/10.1073/pnas.1114773109 (2012).

    ADS 
    Article 
    PubMed 
    PubMed Central 

    Google Scholar
     

  • 2.

    Gobster, P. H., Nassauer, J. I., Daniel, T. C. & Fry, G. The shared landscape: What does aesthetics have to do with ecology?. Landsc. Ecol. 22, 959–972. https://doi.org/10.1007/s10980-007-9110-x (2007).

    Article 

    Google Scholar
     

  • 3.

    Abraham, A., Sommerhalder, K. & Abel, T. Landscape and well-being: A scoping study on the health-promoting impact of outdoor environments. Int. J. Public Health 55, 59–69. https://doi.org/10.1007/s00038-009-0069-z (2010).

    Article 
    PubMed 

    Google Scholar
     

  • 4.

    Rice, W. L. et al. Changes in recreational behaviors of outdoor enthusiasts during the COVID-19 pandemic: Analysis across urban and rural communities. J. Urban Ecol. https://doi.org/10.1093/jue/juaa020 (2020).

  • 5.

    Venter, Z. S., Barton, D. N., Gundersen, V., Figari, H. & Nowell, M. Urban nature in a time of crisis: Recreational use of green space increases during the COVID-19 outbreak in Oslo, Norway. Environ. Res. Lett. 15, 104075. https://doi.org/10.1088/1748-9326/abb396 (2020).

    ADS 
    Article 
    CAS 

    Google Scholar
     

  • 6.

    Maes, J. et al. Mainstreaming ecosystem services into EU policy. Curr. Opin. Environ. Sustain. 5, 128–134. https://doi.org/10.1016/j.cosust.2013.01.002 (2013).

    Article 

    Google Scholar
     

  • 7.

    Paracchini, M. L. et al. Mapping cultural ecosystem services: A framework to assess the potential for outdoor recreation across the EU. Ecol. Indic. 45, 371–385. https://doi.org/10.1016/j.ecolind.2014.04.018 (2014).

    Article 

    Google Scholar
     

  • 8.

    Hein, L. et al. Progress in natural capital accounting for ecosystems. Science 367, 514–515. https://doi.org/10.1126/science.aaz8901 (2020).

    ADS 
    Article 
    PubMed 
    CAS 

    Google Scholar
     

  • 9.

    Díaz, S. et al. Assessing nature’s contributions to people. Science 359, 270–272. https://doi.org/10.1126/science.aap8826 (2018).

  • 10.

    Martínez-Harms, M. J. & Balvanera, P. Methods for mapping ecosystem service supply: A review. Int. J. Biodiv. Sci. Ecosyst. Serv. Manag. 8, 17–25. https://doi.org/10.1080/21513732.2012.663792 (2012).

    Article 

    Google Scholar
     

  • 11.

    Raymond, C. M., Kenter, J. O., Plieninger, T., Turner, N. J. & Alexander, K. A. Comparing instrumental and deliberative paradigms underpinning the assessment of social values for cultural ecosystem services. Ecol. Econ. 107, 145–156. https://doi.org/10.1016/j.ecolecon.2014.07.033 (2014).

    Article 

    Google Scholar
     

  • 12.

    Bateman, I. J. et al. Bringing ecosystem services into economic decision-making: Land use in the United Kingdom. Science 341, 45–50. https://doi.org/10.1126/science.1234379 (2013).

    ADS 
    Article 
    PubMed 
    CAS 

    Google Scholar
     

  • 13.

    Hernández-Morcillo, M., Plieninger, T. & Bieling, C. An empirical review of cultural ecosystem service indicators. Ecol. Indic. 29, 434–444. https://doi.org/10.1016/j.ecolind.2013.01.013 (2013).

    Article 

    Google Scholar
     

  • 14.

    Hermes, J., Albert, C. & von Haaren, C. Assessing the aesthetic quality of landscapes in Germany. Ecosyst. Serv. 31, 296–307. https://doi.org/10.1016/j.ecoser.2018.02.015 (2018).

    Article 

    Google Scholar
     

  • 15.

    Uuemaa, E., Antrop, M., Roosaare, J., Marja, R. & Mander, U. Landscape metrics and indices: An overview of their use in landscape research. Living Rev. Landsc. Res. 3, 1–28. https://doi.org/10.12942/lrlr-2009-1 (2009).

    Article 

    Google Scholar
     

  • 16.

    Schirpke, U., Tasser, E. & Tappeiner, U. Predicting scenic beauty of mountain regions. Landsc. Urban Plan. 111, 1–12. https://doi.org/10.1016/j.landurbplan.2012.11.010 (2013).

    Article 

    Google Scholar
     

  • 17.

    Tveit, M., Ode, Å. & Fry, G. Key concepts in a framework for analysing visual landscape character. Landsc. Res. 31, 229–255. https://doi.org/10.1080/01426390600783269 (2006).

    Article 

    Google Scholar
     

  • 18.

    Ode, Å., Tveit, M. & Fry, G. Capturing landscape visual character using indicators: Touching base with landscape aesthetic theory. Landsc. Res. 33, 89–117. https://doi.org/10.1080/01426390701773854 (2008).

    Article 

    Google Scholar
     

  • 19.

    de Groot, R. S., Alkemade, R., Braat, L., Hein, L. & Willemen, L. Challenges in integrating the concept of ecosystem services and values in landscape planning, management and decision making. Ecol. Complex. 7, 260–272. https://doi.org/10.1016/j.ecocom.2009.10.006 (2010).

    Article 

    Google Scholar
     

  • 20.

    Schröter, M., Remme, R. P., Sumarga, E., Barton, D. N. & Hein, L. Lessons learned for spatial modelling of ecosystem services in support of ecosystem accounting. Ecosyst. Serv. 13, 64–69. https://doi.org/10.1016/j.ecoser.2014.07.003 (2015).

    Article 

    Google Scholar
     

  • 21.

    Tenerelli, P., Püffel, C. & Luque, S. Spatial assessment of aesthetic services in a complex mountain region: Combining visual landscape properties with crowdsourced geographic information. Landsc. Ecol. 32, 1097–1115. https://doi.org/10.1007/s10980-017-0498-7 (2017).

    Article 

    Google Scholar
     

  • 22.

    Wood, S. A., Guerry, A. D., Silver, J. M. & Lacayo, M. Using social media to quantify nature-based tourism and recreation. Sci. Rep. 3, 1–7. https://doi.org/10.1038/srep02976 (2013).

    Article 

    Google Scholar
     

  • 23.

    van Zanten, B. T. et al. Continental-scale quantification of landscape values using social media data. Proc. Natl. Acad. Sci. USA 113, 12974–12979. https://doi.org/10.1073/pnas.1614158113 (2016).

    ADS 
    Article 
    PubMed 
    PubMed Central 
    CAS 

    Google Scholar
     

  • 24.

    Tenerelli, P., Demšar, U. & Luque, S. Crowdsourcing indicators for cultural ecosystem services: A geographically weighted approach for mountain landscapes. Ecol. Indic. 64, 237–248. https://doi.org/10.1016/j.ecolind.2015.12.042 (2016).

    Article 

    Google Scholar
     

  • 25.

    Richards, D. R. & Tunçer, B. Using image recognition to automate assessment of cultural ecosystem services from social media photographs. Ecosyst. Serv. 31, 318–325. https://doi.org/10.1016/j.ecoser.2017.09.004 (2018).

    Article 

    Google Scholar
     

  • 26.

    Sinclair, M., Mayer, M., Woltering, M. & Ghermandi, A. Valuing nature-based recreation using a crowdsourced travel cost method: A comparison to onsite survey data and value transfer. Ecosyst. Serv. 45, 101165. https://doi.org/10.1016/j.ecoser.2020.101165 (2020).

    Article 

    Google Scholar
     

  • 27.

    Antoniou, V. et al. Investigating the feasibility of geo-tagged photographs as sources of land cover input data. ISPRS Int. J. Geo-Inf.https://doi.org/10.3390/ijgi5050064 (2016).

    Article 

    Google Scholar
     

  • 28.

    Mancini, F., Coghill, G. M. & Lusseau, D. Quantifying wildlife watchers’ preferences to investigate the overlap between recreational and conservation value of natural areas. J. Appl. Ecol. 56, 387–397. https://doi.org/10.1111/1365-2664.13274 (2019).

  • 29.

    Hollenstein, L. & Purves, R. Exploring place through user-generated content: Using Flickr tags to describe city cores. J. Spatial Inf. Sci. 1, 21–48. https://doi.org/10.5311/JOSIS.2010.1.3 (2010).

    Article 

    Google Scholar
     

  • 30.

    Donahue, M. L. et al. Using social media to understand drivers of urban park visitation in the Twin Cities, MN. Landsc. Urban Plan. 175, 1–10. https://doi.org/10.1016/j.landurbplan.2018.02.006 (2018).

    Article 

    Google Scholar
     

  • 31.

    LeCun, Y., Bengio, Y. & Hinton, G. Deep learning. Nature 521, 436–444. https://doi.org/10.1038/nature14539 (2015).

    ADS 
    Article 
    PubMed 
    PubMed Central 
    CAS 

    Google Scholar
     

  • 32.

    Naik, N., Kominers, S. D., Raskar, R., Glaeser, E. L. & Hidalgo, C. A. Computer vision uncovers predictors of physical urban change. Proc. Natl. Acad. Sci. USA 114, 7571–7576. https://doi.org/10.1073/pnas.1619003114 (2017).

  • 33.

    Toivonen, T. et al. Social media data for conservation science: A methodological overview. Biol. Conserv. 233, 298–315. https://doi.org/10.1016/j.biocon.2019.01.023 (2019).

    Article 

    Google Scholar
     

  • 34.

    Zhang, F., Zhou, B., Ratti, C. & Liu, Y. Discovering place-informative scenes and objects using social media photos. R. Soc. Open Sci. 6, 181375. https://doi.org/10.1098/rsos.181375 (2019).

    ADS 
    Article 
    PubMed 
    PubMed Central 

    Google Scholar
     

  • 35.

    Srivastava, S., Vargas Muñoz, J. E., Lobry, S. & Tuia, D. Fine-grained landuse characterization using ground-based pictures: A deep learning solution based on globally available data. Int. J. Geogr. Inf. Sci. 34, 1117–1136. https://doi.org/10.1080/13658816.2018.1542698 (2020).

    Article 

    Google Scholar
     

  • 36.

    Egarter Vigl, L. et al. Harnessing artificial intelligence technology and social media data to support cultural ecosystem service assessments. People Nat. 3, 673–685. https://doi.org/10.1002/pan3.10199 (2021).

    Article 

    Google Scholar
     

  • 37.

    ScenicOrNot. ScenicOrNot Dataset (2015). http://scenicornot.datasciencelab.co.uk.

  • 38.

    Seresinhe, C. I., Moat, H. S. & Preis, T. Quantifying scenic areas using crowdsourced data. Environ. Plan. B Urban Anal. City Sci. 45, 567–582. https://doi.org/10.1177/0265813516687302 (2017).

    Article 

    Google Scholar
     

  • 39.

    Chesnokova, O., Nowak, M. & Purves, R. S. A crowdsourced model of landscape preference. In 13th International Conference on Spatial Information Theory (COSIT 2017), vol. 86. https://doi.org/10.4230/LIPIcs.COSIT.2017.19 (2017).

  • 40.

    Seresinhe, C. I., Tobias, P. & Moat, H. S. Using deep learning to quantify the beauty of outdoor places. R. Soc. Open Sci.. https://doi.org/10.1098/rsos.170170 (2017).

    MathSciNet 
    Article 
    PubMed 
    PubMed Central 

    Google Scholar
     

  • 41.

    Workman, S., Souvenir, R. & Jacobs, N. Understanding and mapping natural beauty. In 2017 IEEE International Conference on Computer Vision (ICCV), vol. 4, 5590–5599. https://doi.org/10.1109/ICCV.2017.596 (2017).

  • 42.

    Marcos, D. et al. Contextual semantic interpretability. In Proceedings of the Asian Conference on Computer Vision (2020).

  • 43.

    Arendsen, P., Marcos, D. & Tuia, D. Concept discovery for the interpretation of landscape scenicness. Mach. Learn. Knowl. Extract.https://doi.org/10.3390/make2040022 (2020).

    Article 

    Google Scholar
     

  • 44.

    Levering, A., Marcos, D. & Tuia, D. On the relation between landscape beauty and land cover: A case study in the U.K. at Sentinel-2 resolution with interpretable AI. ISPRS J. Photogram. Remote Sens. 177, 194–203. https://doi.org/10.1016/j.isprsjprs.2021.04.020 (2021).

    ADS 
    Article 

    Google Scholar
     

  • 45.

    Havinga, I., Bogaart, P. W., Hein, L. & Tuia, D. Defining and spatially modelling cultural ecosystem services using crowdsourced data. Ecosyst. Serv. 43, 101091. https://doi.org/10.1016/j.ecoser.2020.101091 (2020).

    Article 

    Google Scholar
     

  • 46.

    Oteros-Rozas, E., Martín-López, B., Fagerholm, N., Bieling, C. & Plieninger, T. Using social media photos to explore the relation between cultural ecosystem services and landscape features across five European sites. Ecol. Indic. 94, 74–86. https://doi.org/10.1016/j.ecolind.2017.02.009 (2018).

    Article 

    Google Scholar
     

  • 47.

    Englund, O., Berndes, G. & Cederberg, C. How to analyse ecosystem services in landscapes—A systematic review. Ecol. Indic. 73, 492–504. https://doi.org/10.1016/j.ecolind.2016.10.009 (2017).

    Article 

    Google Scholar
     

  • 48.

    Zhou, B., Lapedriza, A., Khosla, A., Oliva, A. & Torralba, A. Places: A 10 million image database for scene recognition. IEEE Trans. Pattern Anal. Mach. Intell. 40, 1452–1464. https://doi.org/10.1109/TPAMI.2017.2723009 (2017).

    Article 
    PubMed 

    Google Scholar
     

  • 49.

    Patterson, G., Xu, C., Su, H. & Hays, J. The SUN attribute database: Beyond categories for deeper scene understanding. Int. J. Comput. Vis. 108, 59–81. https://doi.org/10.1007/s11263-013-0695-z (2014).

    Article 

    Google Scholar
     

  • 50.

    Lee, H., Seo, B., Koellner, T. & Lautenbach, S. Mapping cultural ecosystem services 2.0—Potential and shortcomings from unlabeled crowd sourced images. Ecol. Indic. 96, 505–515. https://doi.org/10.1016/j.ecolind.2018.08.035 (2019).

    Article 

    Google Scholar
     

  • 51.

    Ulrich, R. S. Visual landscapes and psychological well-being. Landsc. Res. 4, 17–23. https://doi.org/10.1080/01426397908705892 (1979).

    Article 

    Google Scholar
     

  • 52.

    Cordingley, J. E., Newton, A. C., Rose, R. J., Clarke, R. T. & Bullock, J. M. Habitat fragmentation intensifies trade-offs between biodiversity and ecosystem services in a heathland ecosystem in Southern England. PLOS ONE 10, e0130004. https://doi.org/10.1371/journal.pone.0130004 (2015).

    Article 
    PubMed 
    PubMed Central 
    CAS 

    Google Scholar
     

  • 53.

    Newton, A. C. et al. Impacts of grazing on lowland heathland in north-west Europe. Biol. Conserv. 142, 935–947. https://doi.org/10.1016/j.biocon.2008.10.018 (2009).

    Article 

    Google Scholar
     

  • 54.

    Tveit, M. S. Indicators of visual scale as predictors of landscape preference; A comparison between groups. J. Environ. Manag. 90, 2882–2888. https://doi.org/10.1016/j.jenvman.2007.12.021 (2009).

    Article 

    Google Scholar
     

  • 55.

    Frank, S., Fürst, C., Koschke, L., Witt, A. & Makeschin, F. Assessment of landscape aesthetics—validation of a landscape metrics-based assessment by visual estimation of the scenic beauty. Ecol. Indic. 32, 222–231. https://doi.org/10.1016/j.ecolind.2013.03.026 (2013).

    Article 

    Google Scholar
     

  • 56.

    Graham, L. J. & Eigenbrod, F. Scale dependency in drivers of outdoor recreation in England. People Nat. 1, 406–416. https://doi.org/10.1002/pan3.10042 (2019).

    Article 

    Google Scholar
     

  • 57.

    Ryo, M. & Rillig, M. C. Statistically reinforced machine learning for nonlinear patterns and variable interactions. Ecosphere 8, e01976. https://doi.org/10.1002/ecs2.1976 (2017).

    Article 

    Google Scholar
     

  • 58.

    Karasov, O., Vieira, A. A. B., Külvik, M. & Chervanyov, I. Landscape coherence revisited: GIS-based mapping in relation to scenic values and preferences estimated with geolocated social media data. Ecol. Indic. 111, 105973. https://doi.org/10.1016/j.ecolind.2019.105973 (2020).

    Article 

    Google Scholar
     

  • 59.

    Foltête, J.-C., Ingensand, J. & Blanc, N. Coupling crowd-sourced imagery and visibility modelling to identify landscape preferences at the panorama level. Landsc. Urban Plan. 197, 103756. https://doi.org/10.1016/j.landurbplan.2020.103756 (2020).

    Article 

    Google Scholar
     

  • 60.

    Labib, S. M., Huck, J. J. & Lindley, S. Modelling and mapping eye-level greenness visibility exposure using multi-source data at high spatial resolutions. Sci. Total Environ. 755, 143050. https://doi.org/10.1016/j.scitotenv.2020.143050 (2021).

    ADS 
    Article 
    PubMed 
    CAS 

    Google Scholar
     

  • 61.

    Li, H. & Wu, J. Use and misuse of landscape indices. Landsc. Ecol. 19, 389–399. https://doi.org/10.1023/B:LAND.0000030441.15628.d6 (2004).

    Article 

    Google Scholar
     

  • 62.

    Weather, U. K. UK seasonal weather summary—Winter 2009/2010. Weather 65, 99. https://doi.org/10.1002/wea.601 (2010).

    Article 

    Google Scholar
     

  • 63.

    Lenormand, M. et al. Multiscale socio-ecological networks in the age of information. PLOS ONE 13, e0206672. https://doi.org/10.1371/journal.pone.0206672 (2018).

    Article 
    PubMed 
    PubMed Central 
    CAS 

    Google Scholar
     

  • 64.

    Li, L., Goodchild, M. F. & Xu, B. Spatial, temporal, and socioeconomic patterns in the use of Twitter and Flickr. Cartogr. Geogr. Inf. Sci. 40, 61–77. https://doi.org/10.1080/15230406.2013.777139 (2013).

    Article 
    CAS 

    Google Scholar
     

  • 65.

    Uuemaa, E., Mander, Ü. & Marja, R. Trends in the use of landscape spatial metrics as landscape indicators: A review. Ecol. Indic. 28, 100–106. https://doi.org/10.1016/j.ecolind.2012.07.018 (2013).

    Article 

    Google Scholar
     

  • 66.

    Daniel, T. C. Whither scenic beauty? Visual landscape quality assessment in the 21st century. Landsc. Urban Plan. 54, 267–281. https://doi.org/10.1016/S0169-2046(01)00141-4 (2001).

    Article 

    Google Scholar