Ukrainian artist designed RED and Jacknife in bold way | Arts and Theater

As an only child with devoted parents, artist and interior designer Anastasiya Chepil Craig, who often goes by “Nastia,” fondly recalls her childhood in Ukraine.

Her parents sought the best education for her, and when she displayed interest in art or music or languages, they got her lessons.

Craig, 41, who designed the bold, contemporary interiors of RED sushi and its sister restaurant, Jacknife, two of the most distinctive places to dine in Madison, as well as the new Forage Kitchen in Middleton, said she became interested in art when she was 11. Her parents, she said, gave her opportunities to study with talented teachers.

“I’ve been really nostalgic about my hometown, which is Odesa. It’s on the Black Sea. It’s just a really, really beautiful place. It’s considered to be a resort town,” Craig said.







Anastasiya Chepil Craig

Anastasiya Chepil Craig runs her business, Pink House Designs, and produces her colorful, abstract collage art out of her pink house on Lakeside Street.




Odesa has a unique culture, and its people have unique personalities, she said. “I definitely miss that.”

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It was hard to leave home, she said, and she typically goes back every summer with her daughter, Ilyana, 11. She said she’s sad to miss returning this year because of the war with Russia.

Craig, whose ex-husband, a native Wisconsinite, lives in Madison, said she’s taken Ilyana to Odesa since she was 4 or 5, and they stay for a few weeks. Her parents, who have remained in Odesa, usually visit them each winter.

She came to the United States at 17 to study interior design at Cazenovia College in upstate New York, 20 miles southeast of Syracuse. After two years, she transferred to New York Institute of Technology, where she got her bachelor’s degree.







Anastasiya Chepil Craig

Artist Anastasiya Chepil Craig typically goes home to Odesa, Ukraine, every summer, but won’t be returning this year due to the war with Russia.




Craig said she studied abroad because interior design was not as prominent in Ukraine. The United States offered better opportunities, so she stayed.

She runs her business, Pink House Designs, and produces her colorful, abstract collage art out of her pink house on Lakeside Street on Madison’s South Side.

“My dream actually has always been to be an artist. I’ve always been creative … being a designer gave me an opportunity to be in the creative field and create visual experiences for people,” she said. “I felt like it would be a little bit more reliable rather than being an artist.”


A dream job at the intersection of fine arts and community recreation

I’m wondering what came first, the pink house that you live in, or the name of your business?

It was definitely the house. … I did not want to choose my own name. Maybe it would’ve been easy in some ways, but people always have a hard time pronouncing it.

When you bought the house was it already pink?

It was already pink. I didn’t choose that color.

Did you buy it because you liked the color? Was that part of your decision-making?

No, it was not, actually. I did not quite care for it in the beginning. Not because I don’t like bright colors because I do, it’s just that one would not be probably my choice. I would probably choose something a little raspberry, let’s say. But over time, it just really grew on me, and I liked how it was sort of distinct in the neighborhood and people always use it as a landmark.

What is it like for you to have your parents staying in Odesa and worrying about their safety?

It’s kind of hard to even put in words. First of all, sometimes I still feel like this whole war, it’s like a bad dream, like I’m going to wake up or something and this really is not happening because it’s just so unbelievable what’s going on there in this day and age. Of course, I worry like crazy. I’m happy that Odesa is at least not in the midst of the most fighting, but they do try shelling. They do try to throw missiles every single day. They do have a pretty good air defense system. So, most of the missiles get destroyed before they hit their target. But my parents, they hear air raid sirens every single day, sometimes a few times a night, so they have to wake up and go where it’s safer, so they don’t get to sleep a lot. They’re very tired. They’re constantly on the lookout, but at this point they’re already used to it, which I know sounds crazy, but the human brain, it gets used to everything, the human kind of experience.

Tell me more about what life has been like for them.

They have at least water and electricity and other things. They don’t have gasoline now (because of Russian strikes and panic buying). So, the driving is very, very limited right now. It’s been horrible. They are still there and they still refuse to leave, actually.

Could you bring them here?

I could, but they are still refusing, to be honest. … My mom has a business that is really struggling right now … but she’s doing what she can to save it. There’s a lot of people who work for her that she feels responsible for, including my cousin. He’s helping her with the business. She just doesn’t want to leave him on his own. And my dad’s health is not really good. So, it’s hard for him to move at this point.

What is your mom’s business?

She has a business where they sell eyewear, like glasses, and also a line of medical supplies and things like that.

How many other friends and family do you still have in Ukraine?

Well, everyone besides my daughter. I don’t have any family here. I’m the only child, but I have cousins, and uncles, their kids. Everybody I grew up with, they’re still there.

How often do you communicate with your parents?

Either every day or every other day. Usually, we don’t go without talking more than one day.

Is it hard for you to get through?

Most of the time? No. The quality of the call can be pretty bad now. But most of the time it’s working fine, which is so amazing. I’m so grateful that we have the modern methods of communication that were not available when I came to this country.

Mamoru Hosoda Honors Pixar’s Turning Red With New Art

Mamoru Hosoda, the famed creator behind feature movies such as Belle, Summer Wars, Digimon Experience Our War Sport! and much more has celebrated the launch of Pixar’s most recent film, Turning Purple, on Disney+ with a unique new sketch! The latest Disney/Pixar energy has at last hit the Disney+ streaming assistance and lovers have now discovered how there are some small allusions and shouts outs to the anime planet. 1 noteworthy scene in specific is basically influenced by the works of Mamoru Hosoda as Turning Red’s director Domee Shi confirmed in a modern interview with Hosoda as nicely to rejoice the movie’s around the world launch.

Disney introduced a unique job interview involving Mamoru Hosoda and Domee Shi as the two of them opened up about their perform with Belle and Turning Pink respectively. It was discovered that Turning Purple in truth has a direct shout out to Hosoda’s The Lady Who Leapt By Time and Hosoda praised Shi’s work with CGI animation and crafted a wholly exceptional story as a creator. As portion of the celebration for the interview, Hosoda introduced the two worlds alongside one another with a special sketch featuring Turning Red’s Mei-Ling and Belle’s having along as one would count on! Check out it out together with the interview below as shared by Comic Natalie: 

Turning Red is now streaming on Disney+ and Belle will be releasing on digital platforms on Could 3, and will strike Bluray + DVD on May possibly 17th. Which include the two the Japanese and English audio variations of the movie, the English dub cast of the movie contains the likes of Chace Crawford, Manny Jacinto, Kylie McNeill, Hunter Schafer, Paul Castro Jr., David Chen and quite a few far more. GKIDS formally describes Belle as these: 

“From the celebrated Academy Award-nominated director Mamoru Hosoda and Studio Chizu, creators of Mirai, Wolf Small children, Summer Wars, and far more, arrives a fantastical, heartfelt story of expanding up in the age of social media. Suzu is a shy, daily superior school pupil living in a rural village. For yrs, she has only been a shadow of herself. But when she enters “U”, a substantial virtual planet, she escapes into her on the internet persona as Belle, a attractive and globally-beloved singer. One particular working day, her concert is interrupted by a monstrous creature chased by vigilantes. As their hunt escalates, Suzu embarks on an psychological and epic quest to uncover the identification of this mysterious “beast” and to learn her real self in a globe exactly where you can be any one.”

What do you assume? Have you checked out Turning Pink or Belle yet? Are you even much more curious to check out the the two of them out now? Let us know all of your feelings about it in the responses! You can even arrive at out to me right about all factors animated and other cool stuff @Valdezology on Twitter!

In Robert Houle’s ‘Red Is Beautiful’ at the AGO, ‘a good way to look back at the history of this place’

Saulteaux and Anishinaabe artist Robert Houle was leading a group of journalists around “Red Is Beautiful,” the new retrospective at the Art Gallery of Ontario devoted to his half-century-long career, when he stopped in front of his 1998-99 work “Sandy Bay.”

Houle, an uneasy public speaker, took a moment to steady himself before addressing the abstract and figurative piece, which bares his reflections of the residential school where he spent weekdays throughout his childhood.

In viewing “Sandy Bay” in light of the recent discovery of thousands of unmarked graves near residential schools, Houle explained, he now sees in its assemblage of photographs and large canvases a divergent path his life could have taken. “I had tuberculosis,” he recalled, and it was only by the grace of his mother’s connections that he was able to get to the hospital in time.

“Otherwise,” he said, “that could have been me.”

Since 1970, Houle has made the evolving reckoning between Indigenous and Western culture a cornerstone of his work. Throughout the retrospective — titled after the artist’s 1970 abstract painting, his first to be sold to a museum — over 90 pieces offer not only an overview of one of the most important contemporary Canadian artists, but also a unique modernist lens through which to view that ever tenuous bond.

“I think it’s really important that people see the massive contribution (Houle) has made,” said Wanda Nanibush, the AGO’s curator of Indigenous art. “He created a new trajectory in modernism: towards the organic, towards the feminine, towards the Indigenous. That’s something that no one did before him.

“Also, because he’s covered all the major events that have happened in our country, (the retrospective) is a good way to look back at the history of this place,” she added.

As an example, Nanibush points to Houle’s 1992 multi-canvas work “Kanata,” in which he reframes Benjamin West’s “The Death of General Wolfe” by dulling the scene in bistre wash then reanimating the First Nations figure in red and blue conté crayon, and flanking the image with monochromatic red and blue canvases, representing the British and French, respectively.

“In thinking about how he centres the native figure and stripes everybody else of colour, he gave us a whole new way of thinking about Indigenous understandings of the history of the country,” Nanibush said. “But also the colours are amazing; they’re gorgeous, you could just bathe in them. So it’s also just physically inspiring.”

For his part, Houle says he was skeptical when Nanibush approached him about the retrospective two years back, but the pair found themes, groupings and pairings they felt were representative of the now 74-year-old artist’s artistic evolution, from ascribing a new voice to abstract expressionism to works of historical reclamation and political interaction, all guided by what Nanibush describes as “the way in which (Houle) understands the spiritual nature of colour itself.”

Walking through the finished exhibition, which follows its time at the AGO with engagements at Contemporary Calgary and the Winnipeg Art Gallery before spending a year at the Smithsonian’s National Museum of the American Indian, Houle said he was finally able to find a well-earned calm amongst his works of turmoil.

“I actually relive the anxiety, the abuse and the racism that is geared toward who I am,” he said. “But (I am no longer the child) that is forced to go to confession for worshipping a false god. I’m an adult. I can talk about it.”

Likewise, Nanibush said, “Red is Beautiful” is proof that the art world has become “more welcoming” of Houle’s and, indeed, Indigenous art in general.

“It’s a completion,” Houle agreed. “It’s a realization that you’ve not only established yourself as a serious artist but also that you can attract an audience who will look, appreciate and understand your work.”

Robert Houle’s “Red Is Beautiful” is at the Art Gallery of Ontario, 317 Dundas St. W., until April 18, 2022.

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New art classes offered at Red Rock | News, Sports, Jobs

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Higher than: On Tuesday afternoon an art education class took position in the new artwork space at Pink Rock Heart for the Arts in Fairmont. Ela Walters-Hinz, 10, remaining, rolls clay by way of a clay conditioning machine. Beside her Violet Olson, 6, and Elise Schmidt, 7, also function with clay.

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FAIRMONT — The Crimson Rock Center for the Arts in Fairmont has a new art place in the lessen stage and on Tuesday the to start with artwork education and learning class of the year took location there.

“We seriously want to present alternatives in all regions, visible, performing and arts education,” explained executive director Sonja Fortune.

Commonly the Red Rock has only held artwork courses in the summertime, but when anything was shut down for the duration of Covid, Fortune explained they discovered people today relished performing artwork instruction in smaller sized groups.

“We adopted the school risk-free studying program. When we weren’t in a position to maintain live shows, we could do art courses as lengthy as kids have been socially distanced and wore a mask. We located that folks were being psyched and fascinated in art classes,” she reported.

When they had been shut down, and with the help of further grant cash, Fortune said they decided to target a lot more on art schooling. They transformed a reduce stage conference room into an artwork area.

“With our ground project and ongoing pandemic, we type of resolved we’re not heading to do a entire great deal this winter season as considerably as performances and visible arts, but we come to feel like we can proceed to do arts schooling,” Fortune said.

She stated they do get some support from the Martin County Youth Foundation and other grant cash so they’re equipped to offer you the courses for a reduced price.

Fortune explained persons need to have to realize that they are paying out an instructor and require to make enough funds to address the price of the instructor and the price tag of the materials, which are supplied. Having said that, via neighborhood companions they also offer scholarships.

“If there’s an interest, families are welcome to apply for the scholarships. We do know generally times artwork schooling is crushed by sporting activities and we think that creativeness and opening up your head to exploring is equally as vital as sporting activities,” Fortune stated.

She mentioned they want to have funds obtainable so that individuals can do the two arts and sport.

Proper now their courses are geared toward younger children, but Fortune stated their intention is to get far more individuals associated, the two in lessons and as teachers.

“Not automatically with a skilled system. Our objective is to have pleasurable and imaginative ordeals in a enjoyable atmosphere,” Fortune explained.

Fortune explained they presently have one committed instructor, Jen Wedel, who has taught the summer time young children courses for decades as her passion lies with early childhood.

Fortune explained they’re also working on being ready to give birthday social gathering packages exactly where persons can make a undertaking with an instructor. They also want to start off adding adult lessons in the potential. Fortune explained they are hoping to kick start off an artwork club for grownups.

“We want this to be a neighborhood art centre. Alternatively of achieving out to instructors from Mankato and beyond, we genuinely want to see persons in our own local community occur ahead to share their skills,” Fortune explained.

Correct now they are providing courses by way of CER, but Fortune stated they strategy to increase lessons and promote them on their web page, redrockcenter.org, and on their Facebook website page.

“We hope that there will be plenty of of an curiosity that we can give 12 months-spherical classes,” Fortune mentioned.

Open Studio Day is also a new providing. On the second Saturday of the thirty day period, the artwork space will be open up from 9 a.m. to midday so that youthful artists can arrive into the studio and check out. Prompts will be established up to promote creative imagination and personnel will be there to assistance facilitate initiatives. The first one will consider position this Saturday, Oct. 9.

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