On an October day bookended by weekend trunk shows in New York, Minneapolis potter Ginny Sims will take a crack to converse about her work—colorful handmade parts, which include cups encouraged by the Staffordshire pottery custom of England. Her design at the minute, 25 years in the building, is wildly popular, with lovers quickly snapping up parts in periodic on the internet profits.  ​But it also carries deep meaning, reflecting on the industrialization of ceramics and how the maker’s touch was lost. “These colourful very little landscapes or scenes [on my pieces] can be bleak or sense rubbed out,” she states. “They contact on the darkness of that time.”  ​Sims appreciates…