This Midcentury Modern Home Design in Hyde Park Is Stunning

How charming is this midcentury modern-day home? Photography by Winona Barton-Ballantine, @shelterupstate

Buy a Hyde Park dwelling that hadn’t been updated in above 60 years, sight unseen? Inside designer Ana Claudia Schultz was all in—and then some. The success had been nothing brief of extraordinary.

Growing up in Miami, Ana Claudia Schultz liked to re-do her bed room every single pair of decades and shift her home furnishings all around a lot—but she did not consider she was on to one thing occupation-wise. “My mother could’ve been a decorator, but she preferred to aim on her property and little ones,” says Schultz. Moreover, her mom thought that professionally adorned homes lacked the owner’s identity and character, which cooled any opportunity enthusiasm Schultz may possibly have had for the field. She selected to study business enterprise in college, then veered into architecture. “Later I worked in retail furnishings revenue, and that’s where I acquired passionate about materials and furniture layout,” suggests Schultz. “With my architectural qualifications and household furniture expertise, I understood that interiors was my legitimate calling, in particular when my retail consumers ended up inquiring me to style their residences.”

Living room

In the meantime, as her qualified lifestyle was taking condition, Schultz adopted the route of several university grads and moved to New York Metropolis. Her faculty roommate invited her to a Christmas party becoming thrown by her brother, Aaron Smyle. The two—who had never ever met, even with obtaining gone to the very same higher school—hit it off proper away.

Quickly ahead by means of a few many years of living together in Brooklyn, and Schultz and Smyle had been all set to get started scouting a weekend area. However she was their official structure professional and he was a tax accountant, Smyle has a sizable innovative bent, so they both experienced heaps of ideas. Their wide original search bundled Windham and The Poconos, but a couple of evenings at a B&B in Beacon sealed the offer for the central HV.

Ana Schultz

The very first home they bid on, in Hyde Park, was bought out from less than them by an all-funds buyer. Then Schultz recalled a nearby estate sale she’d long gone to and requested her realtor to find out if that house was going to be coming on the market. The solution was indeed. Loving the spot, established on a hill, and supplying crystal clear sights of the river, they acquired it without the need of ever placing foot inside of.

Built in the late 1950s, the midcentury-impressed 5-bed room and 3-bath property hadn’t been updated in six decades. “We did a gut reno in advance of shifting in,” states Schultz. They taken out inside stone walls dividing the kitchen area/dining and dwelling rooms to open up and brighten up the room, and entirely renovated the kitchen and two loos. They retiled the fireplace, replaced windows, and upgraded the insulation. The update built the household considerably far more match for existence in this century, with out losing any of its bones or organic integrity.

Living room with blue couch

Eye-catching colors are a recurring theme both inside of and out. A daring blue velvet sectional normally takes center stage in the residing area, giving loads of space to lounge and appreciate the impressive views. Green crops grace tabletops and peek from windows and corners. As for the crimson exterior, which is primary to the household, suggests Shultz. They imagined about portray it, but the color grew on them. “It’s effortless to say. ‘We’re the red house’ when we give our mates instructions,” she says.

Tour an Austin, Texas, Home Where Stunning Modernism Meets Traditional Design | Architectural Digest

It can be stated that a historic household is only as superior as its bones, but oftentimes, it usually takes a minimal digging to come across them. This sort of was the scenario for Carrie and Robert Hicks, who uncovered their dream residence in the type of a Tudor-influenced residence created in 1926 in one particular of Austin’s oldest neighborhoods.

“We 1st fell in enjoy with the site and the wonderful big entrance lawn. It was just a definitely great place,” remembers Carrie, an inside designer who lower her enamel in New York and West Hollywood ahead of settling down in Texas. The property experienced been by means of numerous fingers in the approximately hundred yrs right before the few, who have a few young little ones, took possession in 2015. Levels on levels of misguided renovations had taken their toll. “The bones were there, and the framework was there, so the plan was to convey in Paul to preserve the historic 1926 household,” she proceeds, referring to architect Paul Lamb, who was in charge of the remodel.

But maybe Lamb sums it up very best himself: “You know that tale about inheriting grandpa’s axe?” He inquires in his smooth Texan twang. “First, the tackle presents out, and he replaces the cope with. Then, a pair of many years later the head gives out, so he replaces the head. But it is however grandpa’s axe.”

In spite of the a long time of successive remodels, they were being established to maintain the home’s unique allure and also channel a modern day come to feel. “What seriously caught my interest was that they appreciated the experience of this Tudor house, but Carrie’s favorite architect is Mies van der Rohe,” Lamb points out of conversations they had in the early levels of the design and style system. His resolution was to maintain the existing framework and construct a Mies van der Rohe–inspired addition. They made a decision on a minimal metal and glass volume that sits atop brick columns and protrudes from the again façade. “I like that kind of problem,” Lamb states, “trying to make opposites chat to every other.”

Inside, the architect opened up what he describes as a “rat’s nest of rooms,” to make a obviously flowing flooring prepare centered about a grand entranceway, which, he claims, references the clean traces of Modernist villas. From there, the entryway potential customers to the dining place, where by Carrie combined modern day pieces with eighties icons, like a Memphis-era Ultrafragola mirror by Ettore Sottsass, which appears to be more than an asymmetrical Selection Particulière eating table, Rose Uniacke Hoof console tables (whose legs resembled horses’ hooves), beige-toned Puffball sconces by Faye Toogood, and a classic crystal chandelier.

“I truly wanted the home to have a mix of artwork, layout, and real everyday living,” she says of her mission for the property. “But we have 3 youngsters, a puppy, and a busy lifetime, so we wished the place to be usable but still enjoyment.” In the initial floor living space, that intended pairing a plush custom sofa—perfect for household sport nights—with eye-catching classic parts, like a shiny and streamlined Marc Newson Orgone chair from the ’90s and a midcentury wood armchair by Guillerme et Chambron. Covetable artwork by Ed Ruscha—whose turmeric-coloured portray hangs over the hearth—and work by Dutch photographer Hendrik Kerstens was also extra to the blend.

Teen art sensation Makenzy Beard turns to the beautiful game for stunning new painting

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Jimmy Jenkins & Mike @ fifty percent-time by Makenzy Beard

The youthful Welsh artist who has taken the art entire world by storm has revealed a glimpse of her most current portray, and correct to sort it is breathtakingly ‘on the ball.’

The portray entitled ‘Jimmy Jenkins & Mike @ fifty percent-time’ is of Jimmy Jenkins who is Makenzy’s soccer coach at Swansea University girls and Talycopa where his daughter Macy is a teammate of Makenzy.

Jimmy is proven along with assistant mentor Mike Phelps all through a 50 {6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} time converse when they have been 1- up in a genuinely tense match. Mike’s daughter Anna is the staff goalie.

Makenzy concluded the painting in March working from an first photograph was taken by her mum and the objective was to present the depth and generate they have during a crew communicate.

Revealing the impression on her Twitter feed, Makenzy came in for a lot of praise for the comprehensive realism and capabilities, with a person commentator saying:  “I can nearly hear them speaking.”

Not minimal to artwork and soccer, Makenzy is also a gifted hockey player, representing Wales at less than 16s stage.

The younger Welsh painter’s rise has been one thing of a phenomenon due to the fact her work went viral previous yr following her painting of a regional farmer named John Tucker was posted on Twitter by her college.

The very lifelike portrait capturing the farmer in a hi-vis jacket and a knitted hat was chosen for exhibition at the Royal Academy Young Artists’ Summer time Exhibit in London.

In Oct Makenzy unveiled a painting of her grampa, Bernard Davies, after much more sending shockwaves by means of social media to unanimous acclaim.

In December The Makenzy Beard Selection grew to become obtainable to purchase from the Blackwater Gallery in Cardiff. The sequence of restricted version prints and authentic paintings showcasing the 15-yr-old’s astonishing artwork bundled her two most renowned paintings to date.

The Makenzy Beard charm

Final week a restricted edition print by Makenzy went up for sale in a silent auction to elevate money for the men and women of Ukraine.

The silent auction ends at 9am BST on 5 April and bids in GBP can be submitted by e-mail throughout that time. The winning bidder will be notified by electronic mail when the auction closes.

Bids can be submitted by emailing Hello there@BLACKWATERGALLERY.CO.Uk

More specifics about the print and the celebration can be identified right here.


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Stunning Black and White Landscape Photos of the Western U.S.

Black and White Photography by Lynn Radeka

“Storm From Shoshone Pt.,” 1995. Grand Canyon Nationwide Park, Arizona

Journey posters can assistance commemorate the terrific sites that men and women have frequented. And for all those who have still to go to a locale, a journey poster can entice them to visit. In the late 1980s, photographer Lynn Radeka arrived up with the notion of producing posters featuring his black-and-white visuals of the National Parks in the western area of the United States. The thought was to supply a “fine art” interpretation of the parks, which was different than the color posters usually available to site visitors.

The resulting pictures are stunning monochromatic portraits of the incredible rock formations and canyons in southern Utah, Arizona, California, and over and above. Radeka failed to quit there, however, and has ongoing to shoot black and white photos considering that then. 3 of his most placing photos span a long time and are of Horseshoe Cayon in Canyonlands Countrywide Park, Land of Standing Rocks (also in Canyonlands), and Monument Valley, correct on the border of Utah and Arizona.

Even though the landscape portraits depict diverse areas, Radeka has united them in his visual language. Each image, regardless of whether it’s a shot of a much-off vista or one thing much nearer, has a specific duality to it. There are components of really hard and delicate, coarse and delicate. Chunks of rock, for instance, rise from the flat floor but are surrounded by fluffy clouds. In Radeka’s Horseshoe Canyon piece, we get an up-near seem at the carved rock punctuated with the beautiful elegance of bristly desert crops. This is produced additional noticeable since the images are in black and white, as we can admire the type of the landscape more than its coloration.

Scroll down for more perform by Radeka—including his recollections of a few of his illustrations or photos. If you’d like to learn to shoot like him, he has images workshops heading on in the course of 2022.

Photographer Lynn Radeka captures beautiful black and white pics of the western location of the U.S., and he is shared his recollection of three of his attractive photos:

Black and White Photography by Lynn Radeka

“Storm Clouds, Monument Valley,” 2015. Southern Utah

“As I was driving north from Arizona, a spectacular financial institution of thunderheads have been shifting fast in the length. I observed the big monolith regarded as Agathla Peak and viewed as the wonderful storm clouds moved nearer. Promptly pulling off the highway, I jumped out of my vintage Bronco and established up my Sony A7R electronic digicam on a tripod. I keep in mind getting 2 or 3 exposures but then the positioning of the clouds above the peak became even a lot more great. In a hurry in opposition to time I quickly moved the tripod to get a superior situation and created a 4th publicity at the correct next when every little thing appeared just correct.

I used this 4th exposure and transformed the Uncooked file to black and white utilizing OnOne Fantastic B&W software. I optimized the file in Photoshop. In my viewpoint, this image in black and white is far top-quality to the initial coloration Raw edition.”

 

Black and White Photography by Lynn Radeka

“Horseshoe Canyon,” 1985. Canyonlands Countrywide Park, Utah

“I built this graphic employing 4×5 Tri-X film and Kodak HC-110 developer. I utilised a yellow filter with a large-angle lens. The filter helped keep the brightness of the cottonwood tree which had dazzling yellow autumn leaves.

The print is created using a quality 3 paper and many film distinction masks for neighborhood refinement of different parts. The ensuing print from this negative is abundant and fully in-depth. I like the visual irony in this image—delicate vs. really hard, shiny from darkish, and substantial towards tiny.”

 

Black and White Photography by Lynn Radeka

“Land of Standing Rocks,” 1988. Canyonlands National Park, Utah

“In 1988, I fixed to make the journey into the Maze District of Canyonlands Countrywide Park. The “Jeep” street is very long and extremely rough, definitely necessitating 4WD and high clearance.

About 5 miles ahead of the Doll Residence camp region, photogenic standing rocks and wonderful buttes stuffed the vast length. I seen some thunderhead clouds in the distance and a curved band of clouds was shifting from remaining to appropriate. I acknowledged the probable for a very good photograph but had to act rapidly for the reason that the clouds were going incredibly rapid. In a near-worry manner, I targeted my 4×5 check out digicam, attached a yellow filter to my Schneider 121mm Tremendous Angulon lens, calculated the publicity, and shot the graphic on Tri-X movie. I tried to replicate the exposure but time was not on my aspect.

Since of the nature of this issue, the print is extremely tough to make. In get to satisfy my vision for the print, I now use a series of pin-registered film contrast masks to coax unique local contrasts and to sleek out the impression. This impression was applied as a poster for Canyonlands National Park.”

 

Radeka’s pictures span many years and locales.

Black and White Photography by Lynn Radeka

“Zion Canyon, Autumn,” 1994. Canyonlands Countrywide Park, Utah

Black and White Photography by Lynn Radeka

“Pinyon Pine and Sandstone,” 2004. El Malpais Nationwide Monument, New Mexico

Black and White Photography by Lynn Radeka

“Sunrise In the vicinity of Manufacturing facility Butte,” 2018. Southern Utah

Black and White Photography by Lynn Radeka

“Sunrise, Angel Arch,” 1985. Canyonlands National Park, Utah

Stunning Black and White Landscape Photos of the Western U.S.

“Forms, White Pocket,” 2015. Vermillion Cliffs Wilderness, Arizona

Zion Black and White Photo

“Ponderosa Pine, Angels Landing,” 1994. Zion Nationwide Park, Utah

Black and White Photography by Lynn Radeka

“Little Wild Horse Canyon,” 1987. San Rafael Swell, Utah

Death Valley Photography

“Moon Over Zabriskie Position,” 1980. Dying Valley Countrywide Park, California

Lynn Radeka: Site 

My Present day Satisfied granted authorization to feature shots by Lynn Radeka.

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Student’s stunning paintings on book edges go viral on TikTok

An artwork historical past college student has long gone viral on TikTok for her remarkable artwork: stunning paintings on the edges of e-book webpages. 

Maisie Jackson, 22, from England, has posted quite a few movies on her TikTok account @maisie_matilda, showing her intricate get the job done – known as fore-edge painting – on copies of literary classics this kind of as the “Harry Potter” collection, “The Lord of the Rings” trilogy and the “Dune” trilogy. 

Several of Jackson’s films have reached hundreds of thousands, which includes a movie demonstrating Jackson portray a photograph of Hogwarts on the edges of all 7 “Harry Potter” publications authored by J. K. Rowling. That footage was seen a lot more than 8.1 million instances. 

1 video of Jackson painting a scene of Aragorn and Arwen in Rivendell on the edges of a duplicate of “The Lord of the Rings” was considered far more than 7.4 million moments.

Jackson advised Fox Information by using e-mail that she begun carrying out fore-edge painting last summer season, while she has been a painter for lots of several years. 

Her initial endeavor at fore-edge painting was on a duplicate of J.R.R. Tolkien’s “The Hobbit,” on which she painted the well known graphic of a hobbit hole. 

Jackson reported she posted the video on TikTok “just for a little bit of fun” and assumed nothing at all of it until eventually the following day, after her early morning shift at perform when she saw the clip previously experienced 100,000 sights. As of Friday, it has been considered far more than 411,200 times.  

Maisie Jackson has gone viral on TikTok for painting scenes from series such has Harry Potter, Lord of the Rings and Dune on the books themselves.
Maisie Jackson has long gone viral on TikTok for portray scenes from series this sort of has Harry Potter, Lord of the Rings and Dune on the textbooks themselves.
Tiktok
Maisie Jackson said that she started doing fore-edge painting last summer, though she has been a painter for many years.
Maisie Jackson explained that she started carrying out fore-edge painting past summer months, however she has been a painter for quite a few decades.
TikTok

Jackson stated she especially enjoys undertaking fore-edge painting on copies of Tolkien’s operate. 

“Tolkien is effective finest for me, as I was often predominantly a landscape painter, and Center Earth is full of an astounding selection of landscape mountains, forests, rivers and wonderful architectural principles,” Jackson mentioned.

A usual portray can Jackson any place among a couple of hours and a couple of days to finish, based on how in-depth the portray is, Jackson mentioned, adding: “I often get very carried absent with the details.”

Jackson said she posted the video on TikTok "just for a bit of fun" and thought nothing of it until the next day and she had gone viral.
Jackson explained she posted the video clip on TikTok “just for a little bit of fun” and considered very little of it right until the following working day and she had absent viral.
TikTok
Maisie Jackson A typical painting can go anywhere between a few hours and a few days to complete, depending on how detailed the painting is.
Maisie Jackson A typical portray can go any where in between a few hours and a few times to complete, relying on how comprehensive the painting is.
Tiktok

Jackson is also finishing her closing year of higher education learning artwork history, which implies she only has limited time to do fore-edge paintings, she claimed. On the other hand, she explained she hopes to continue on her artwork complete time – and offer the creations on Etsy – once she graduates.

“My major aim is to deliver fore-edge portray again into well-liked visual lifestyle,” she explained. “It is now deemed ‘critically endangered’ by the Heritage Craft Affiliation British isles.”

Jackson claimed that as she’s been undertaking fore-edge painting and putting up the video clips on TikTok, she’s viewed her self-assurance and her ability expand.

The stunning winners of a landscape photography contest that has strict rules on photoshopping

Here’s a landscape photography competition that’s keeping it real.

The Natural Landscape Photography Awards has revealed its 2021 winners, with each entrant adhering to strict rules on photoshopping and editing so that viewers ‘would not feel deceived by the end result if they were to see that original scene themselves’.

The founders of the contest strive to promote ‘realism’ in landscape photography, saying: ‘Digital adjustments are allowed with the understanding that the integrity of the subject should be maintained.’

Utah-based landscaper photographer Eric Bennett takes the top spot in the first year of the contest, winning Photographer of the Year and trumping 13,368 entries from 47 countries.

Bennett says of his win: ‘As a photographer who strives to show people the value of wilderness, I have always enjoyed seeing and creating more subtle and personal photographs that portray nature in a realistic manner. As these kinds of images tend to have a quieter impact, they often end up being largely ignored in most photography competitions. This is why I have not entered many competitions in the past, since I felt my artwork would be judged based on factors that I do not value myself. However, I decided to submit my photographs for the Natural Landscape Awards because I liked that the competition was focused on awarding images based on composition, lighting, and originality as opposed to post-processing techniques or outlandish compositing.’

The contest adds: ‘The results are a fantastic showcase of not only the photographers involved, but also the true wonder of the landscape in a way that people can trust.’ Below is MailOnline Travel’s pick of the winning pictures – scroll down to the bottom to see an image from Photographer of the Year Bennett’s portfolio…

This beautiful wintry scene was captured in Zion National Park, Utah. The photograph, titled 'Unforeseen', was taken by Ben Horne, a runner-up in the Photographer of the Year category. Horne, who documents landscapes across Western America, says of his work: 'We¿re surrounded by beauty in nature, but it¿s only when we slow down, release our expectations, and truly observe our surroundings that we become more aware of the opportunity that surrounds us'

This beautiful wintry scene was captured in Zion National Park, Utah. The photograph, titled ‘Unforeseen’, was taken by Ben Horne, a runner-up in the Photographer of the Year category. Horne, who documents landscapes across Western America, says of his work: ‘We’re surrounded by beauty in nature, but it’s only when we slow down, release our expectations, and truly observe our surroundings that we become more aware of the opportunity that surrounds us’ 

Hampshire-based photographer Carl Smorenburg is behind this breathtaking image, which was captured in the Ukhahlamba-Drakensberg Park in South Africa and forms part of his 'The Drakensberg' series, the runner-up in the Project category. He says of the collection of photographs: 'All were taken over the past decade and offer a glimpse into the beauty to be found in these mountains'

Hampshire-based photographer Carl Smorenburg is behind this breathtaking image, which was captured in the Ukhahlamba-Drakensberg Park in South Africa and forms part of his ‘The Drakensberg’ series, the runner-up in the Project category. He says of the collection of photographs: ‘All were taken over the past decade and offer a glimpse into the beauty to be found in these mountains’ 

Another spectacular image from Smorenburg's series. Sharing the story behind the project, he says: 'These photos were taken during long, arduous hikes in the Drakensberg mountains, with elevation gains of more than 1,500m  (4,921ft)  in a single day not being uncommon. It is very remote, isolated from the real world with little mobile phone reception. Most of the photographs were taken on the escarpment edge at around 3,000m (9,843ft) above sea level'

Another spectacular image from Smorenburg’s series. Sharing the story behind the project, he says: ‘These photos were taken during long, arduous hikes in the Drakensberg mountains, with elevation gains of more than 1,500m  (4,921ft)  in a single day not being uncommon. It is very remote, isolated from the real world with little mobile phone reception. Most of the photographs were taken on the escarpment edge at around 3,000m (9,843ft) above sea level’

A third scenic shot of the 'majestic Drakensberg mountains' by Smorenburg. 'Even though each hike was hard, it was always an adventure and so rewarding,' he recalls of his time spent in the mountains

A third scenic shot of the ‘majestic Drakensberg mountains’ by Smorenburg. ‘Even though each hike was hard, it was always an adventure and so rewarding,’ he recalls of his time spent in the mountains 

A fourth and final image from Smorenburg's stunning body of work. He adds: 'The Ukhahlamba-Drakensberg Park is a Unesco World Heritage Site and I really hope my photos can showcase the raw beauty and splendour of the Drakensberg to those who have not yet seen it for themselves'

A fourth and final image from Smorenburg’s stunning body of work. He adds: ‘The Ukhahlamba-Drakensberg Park is a Unesco World Heritage Site and I really hope my photos can showcase the raw beauty and splendour of the Drakensberg to those who have not yet seen it for themselves’ 

New Zealand-born photographer Paul Hoelen secured this shot while flying in a fixed-wing aeroplane over the 'vast desert areas' in the southwest of Australia. It wins first place in the Aerial category. 'Australia is the flattest continent on earth and from the ground it can stretch into an almost featureless plane,' Hoelen says. 'As you rise into the sky all its remarkable structures and hidden intricacies begin to reveal themselves in greater complexity and depth. The true immensity of the landscape, interconnectivity of nature and perhaps even an echo of the dreamtime stories of its creation are brought to light.' The photographer adds: 'The image presented here as you see it, is basically straight out of camera'

New Zealand-born photographer Paul Hoelen secured this shot while flying in a fixed-wing aeroplane over the ‘vast desert areas’ in the southwest of Australia. It wins first place in the Aerial category. ‘Australia is the flattest continent on earth and from the ground it can stretch into an almost featureless plane,’ Hoelen says. ‘As you rise into the sky all its remarkable structures and hidden intricacies begin to reveal themselves in greater complexity and depth. The true immensity of the landscape, interconnectivity of nature and perhaps even an echo of the dreamtime stories of its creation are brought to light.’ The photographer adds: ‘The image presented here as you see it, is basically straight out of camera’

Above you'll see the El Capitan rock formation in Yosemite, California, as captured through photographer Michael Frye's lens. The image claims the top spot in the Grand Landscape category. Recalling the build-up to the shot, Frye explains: 'I¿ve lived in or near Yosemite for over 35 years, so I know the park intimately, and have photographed it in every season, in almost every conceivable weather. After so many years, it can be challenging to find fresh ways of photographing this place. I had visited this view of El Capitan on perhaps a dozen occasions, hoping for some exceptional light.' He finishes: 'Usually I had gone home disappointed. But on this March afternoon, after a small snow squall moved through the valley, I was treated to some of the most beautiful light and mist I¿ve ever seen on El Cap'

Above you’ll see the El Capitan rock formation in Yosemite, California, as captured through photographer Michael Frye’s lens. The image claims the top spot in the Grand Landscape category. Recalling the build-up to the shot, Frye explains: ‘I’ve lived in or near Yosemite for over 35 years, so I know the park intimately, and have photographed it in every season, in almost every conceivable weather. After so many years, it can be challenging to find fresh ways of photographing this place. I had visited this view of El Capitan on perhaps a dozen occasions, hoping for some exceptional light.’ He finishes: ‘Usually I had gone home disappointed. But on this March afternoon, after a small snow squall moved through the valley, I was treated to some of the most beautiful light and mist I’ve ever seen on El Cap’

This powerful picture is the overall winner in the Nightscape category. Taken by Switzerland-based photographer Paul Hammett, it shows the Matterhorn mountain in the Alps, which straddles the Italy¿Switzerland border. 'The 30 minutes spent taking this image was like no other time with a camera,' Hammett says of the picture. 'Setting up my tripod as thunder boomed around me, hopes of getting an image turned to excitement as the storm moved over the Matterhorn.' He adds: 'Each lightning strike gave me the shivers. When these two hit the summit, I knew I had something special in the camera'

This powerful picture is the overall winner in the Nightscape category. Taken by Switzerland-based photographer Paul Hammett, it shows the Matterhorn mountain in the Alps, which straddles the Italy–Switzerland border. ‘The 30 minutes spent taking this image was like no other time with a camera,’ Hammett says of the picture. ‘Setting up my tripod as thunder boomed around me, hopes of getting an image turned to excitement as the storm moved over the Matterhorn.’ He adds: ‘Each lightning strike gave me the shivers. When these two hit the summit, I knew I had something special in the camera’

This poignant photograph shows bushfires raging below the peak of Stacks Bluff in Tasmania, Australia, in 2019. It is from 'Ash', a series by Australian photographer Mark Palmer, which wins the top spot in the Project category. Describing the series, the photographer says: 'The project documents the destruction of these fires, the thin line between survival and destruction, and the re-emergence of life, albeit affected by a habitat that has lost many fire-vulnerable species'

This poignant photograph shows bushfires raging below the peak of Stacks Bluff in Tasmania, Australia, in 2019. It is from ‘Ash’, a series by Australian photographer Mark Palmer, which wins the top spot in the Project category. Describing the series, the photographer says: ‘The project documents the destruction of these fires, the thin line between survival and destruction, and the re-emergence of life, albeit affected by a habitat that has lost many fire-vulnerable species’

A second, more hopeful, image from Palmer's series. It shows a lone tree recovering from the bush fires on Scotts Peak mountain in South West Tasmania

A second, more hopeful, image from Palmer’s series. It shows a lone tree recovering from the bush fires on Scotts Peak mountain in South West Tasmania

This vibrant picture was captured in the Alabama Hills, a range of hills and rock formations in California. It was taken by Jai Shet, whose portfolio wins first place in the Youth category

A towering wall of rock in Yosemite National Park was the subject for this striking photograph, which is the runner-up in the Youth category. Lance Wilson, who is just 14, was behind the lens

LEFT:  This vibrant picture was captured in the Alabama Hills, a range of hills and rock formations in California. It was taken by Jai Shet, whose portfolio wins first place in the Youth category. RIGHT: A towering wall of rock in Yosemite National Park was the subject for this striking photograph, which is the runner-up in the Youth category. Lance Wilson, who is just 14, was behind the lens

Feast your eyes on the winner of the Intimate and Abstract category, captured by California-based photographer Franka Gabler. The pastel-hued photograph shows a forest in the Eastern Sierra Nevada mountains. Gabler says: 'The scene made me feel melancholic ¿ that¿s why I titled the photograph ¿Autumn Blues".' She explains: 'One of my favourite scenes to photograph is when aspen trees are almost bare ¿ their fair bark glows, and the surrounding vegetation has a chance to show off its subtle hues. On this crisp autumn morning, I was drawn to this quiet scene, observing nature preparing for rest. I was alone, at dawn, waiting for the light to become bright enough to capture subtle colours and textures. There was just a tiny amount of yellow foliage left on the aspen trees, adding a discrete splash of warm colour, contrasting mostly cool hues of the Sierra willow brush'

Feast your eyes on the winner of the Intimate and Abstract category, captured by California-based photographer Franka Gabler. The pastel-hued photograph shows a forest in the Eastern Sierra Nevada mountains. Gabler says: ‘The scene made me feel melancholic – that’s why I titled the photograph “Autumn Blues”.’ She explains: ‘One of my favourite scenes to photograph is when aspen trees are almost bare – their fair bark glows, and the surrounding vegetation has a chance to show off its subtle hues. On this crisp autumn morning, I was drawn to this quiet scene, observing nature preparing for rest. I was alone, at dawn, waiting for the light to become bright enough to capture subtle colours and textures. There was just a tiny amount of yellow foliage left on the aspen trees, adding a discrete splash of warm colour, contrasting mostly cool hues of the Sierra willow brush’

Cast your eyes above and you'll see the Photograph of the Year, snared by North Carolina-based photographer Steve Alterman. Describing the setting of the picture, Alterman says: 'Fellsfjara is the black sand beach opposite the famous glacial lagoon in southeastern Iceland. As icebergs from the lagoon wash out to sea, many of them are stranded on the beach, destined to melt away.' He continues: 'Early one morning, I encountered a small, fairly flat, iceberg close to the ocean. Small waves occasionally broke over it and disappeared into the black sand. After watching this particular scene for a few minutes, I noticed that the early morning sun sparkled on the small pebbles on the beach and that the tip of the iceberg, coupled with the small orange rock and the pebbles, created a stunning graphic'

Cast your eyes above and you’ll see the Photograph of the Year, snared by North Carolina-based photographer Steve Alterman. Describing the setting of the picture, Alterman says: ‘Fellsfjara is the black sand beach opposite the famous glacial lagoon in southeastern Iceland. As icebergs from the lagoon wash out to sea, many of them are stranded on the beach, destined to melt away.’ He continues: ‘Early one morning, I encountered a small, fairly flat, iceberg close to the ocean. Small waves occasionally broke over it and disappeared into the black sand. After watching this particular scene for a few minutes, I noticed that the early morning sun sparkled on the small pebbles on the beach and that the tip of the iceberg, coupled with the small orange rock and the pebbles, created a stunning graphic’

Drum roll please... this is a photograph from Photographer of the Year Eric Bennett's portfolio. Titled 'Dark Brilliance', it was captured in Wyoming in the summer of 2020, during Bennett's travels 'over 140 miles in some of the most remote mountains of the United States'

Drum roll please… this is a photograph from Photographer of the Year Eric Bennett’s portfolio. Titled ‘Dark Brilliance’, it was captured in Wyoming in the summer of 2020, during Bennett’s travels ‘over 140 miles in some of the most remote mountains of the United States’

THE NATURAL LANDSCAPE PHOTOGRAPHY AWARDS RULES IN FULL 

It is expected that common digital adjustments will be made by the photographer such as changes to: white balance, exposure, colour and contrast as well as dust spot and flare corrections. These changes can be made across the whole image and/or locally (such as dodging and burning) . Some of these changes may be significant as long as the ‘golden rule’ is met – ‘The integrity of the subject should be maintained’.

Black and white conversions are allowed. Heavy contrast and dodging and burning may be used as long as these techniques are not used to effectively ‘clone out’ image content by simply darkening it to black or brightening it to white.

Cropping is allowed, even significant cropping just as long as the image remains sufficiently detailed to produce a high quality print at up to 24in on the long edge.

Compositing or other techniques may be permitted for reasons such as:

  • Creating panoramas
  • Exposure bracketing
  • Improving the technical quality of the image (image stacking/averaging, focus stacking)
  • Removing lens flare
  • Removing dust spots

Post-processing remains a critical part of realizing the potential of an image and the vision of the photographer. 

Taken from: naturallandscapeawards.com/rules