-
‘Alice Neel: People Come First’ Review: Imperfect Beauty at de Young
And while the paintings in Folks Come 1st are undeniably Alice Neel paintings, the individuals depicted are also wholly them selves an equivalent feeling of personhood is granted to each of her sitters. Some are domestic names (artist Robert Smithson), whilst other people are regarded to us only because Neel painted them (a Black Vietnam War draftee named James Hunter). To me, it is the directness of Neel’s painting that helps express that humanity. She seldom relied on preliminary drawings, as an alternative placing down lines (usually with blue paint) at the start off of each and every session. A highlight of the de Young exhibition is the pairing of…
-
Artist Kehinde Wiley: ‘The new work is about what it feels like to be young, Black and alive in the 21st century’ | Painting
Kehinde Wiley has a love-hate relationship with western art history. “There’s something glorious about the portraits that you see of aristocrats and royal families. Something beautiful in those expansive imperialist landscapes.” But there’s a dead end. Such paintings, from the baroque, rococo, renaissance and Dutch golden age eras, are ultimately displays of European power, wealth, and beauty. “What I wanted to do was to take the good parts, the parts that I love, and fertilise them with things that I know to be beautiful – people who happen to look like me.” Wiley, 44, beloved by hip-hop superstars, signed to a Hollywood talent agency, and the first Black, gay artist…
Beautiful Art Of Landscaping
