Signe Nielsen on the New Horizons Now Possible for Landscape Architecture

As New York City rebuilds in the aftermath of a long pandemic year, Pratt students are partnering in the local Brooklyn community and beyond to support a better, more equitable future with innovative solutions. In the Making a Difference series, Pratt’s news page is highlighting ways in which students and faculty have been working towards positive change in areas including sustainability, climate change, social justice, civic engagement, and public health. This article is the fourth in the series.

Over the past months, outdoor spaces where people can safely gather and enjoy nature have been crucial in cities. Little Island, which opened this May at the former site of Manhattan’s Pier 54 on the Hudson River, offers a new experience for New Yorkers to explore trails through trees and plantings overlooking the water as well as enjoy spaces for both leisure and performance. The design is a collaboration between the UK-based Heatherwick Studio and the New York-based landscape architecture firm MNLA, led by Signe Nielsen, adjunct professor of undergraduate architecture.

Nielsen recently joined Pratt Presents for a panel discussion on the design of Little Island—a conversation which is available to watch online—and will be teaching in the Master of Landscape Architecture (MLA) program launching in January 2022. She answered a few questions on the importance of the School of Architecture starting a landscape architecture program now, her work on Little Island and other landscape projects, and the need to consider the impact of climate change on nature in public space.

Little Island is opening in a shifting time for the city when outdoor space is more crucial than ever. What does it offer to New Yorkers at this moment?

Little Island offers 2.5 acres of new waterfront park within Hudson River Park. For a neighborhood lacking in open space—I do not think the High Line, as beautiful and popular as it is for tourists and some New Yorkers, is viewed as a neighborhood park— it seamlessly marries nature and culture in forms that are rare to encounter in most public spaces.

Why is now an important time to start a landscape architecture program?

The time has never been more appropriate than now to start a new landscape architecture program. The field of landscape architecture is broad-ranging, which is what is needed at this moment to seek strategies and ideas to advance climate-positive design. Landscape architects are trained to think of systems rather than objects, and it is these environmental and human systems that need to be considered as integrated if we are going to make substantial, rapid progress towards addressing the acute impacts of climate change.

Working within the creative and innovative suite of world-class graduate programs at Pratt, the Master of Landscape Architecture program joins this esteemed company. Situated within New York City, the program will draw on this urban fabric as a laboratory, rich in both opportunities and challenges.

Are there design ideas reflected in the landscape of Little Island that you want to share with students through this program?

Little Island is the result of a unique set of circumstances bound in a particular place that is not easily replicated. That said, there are certain notions of public space design, the response of environmental forces including climate change, and the rethinking of the relationship of nature and art that offer fodder for scholarly and creative pursuits. There are equally questions pertaining to environmental justice and equity that also emerge from Little Island that also present opportunities for discourse.

How is Little Island looking ahead to the ecological shifts in climate change?

​Little Island is the first completed waterfront park that is substantially elevated above the year 2100 projected sea-level rise and storm surge. Additionally, the plants, particularly the trees, were selected to be adaptable to rising temperatures. Soils, slopes, and the drainage strategy were all designed for greater frequency and intensity of rainfall events and demonstrated their efficacy in Hurricane Ida in September.

Do you foresee more landscapes in the future needing to be designed for unconventional spaces?

​New York City, like many dense urban areas, is essentially out of readily available land waiting to be developed as parkland. This has been true for at least two decades, hence the need to look for sites that have been abandoned, neglected, underutilized, or contaminated, and imagine how they can be repurposed, reimagined, cleaned-up (decontaminated), and designed for a resilient future for both the environment and people. Many of these sites are along our waterfronts—former industrial, manufacturing, or warehousing areas—and others are complexly interwoven with surface and subsurface infrastructure.

Is there anything that the design of Little Island rethinks in terms of landscapes for parks and public space?

One important aspect of Little Island is that the park’s design asks you, the visitor, to choose how to experience the place. Unlike most parks that offer playgrounds, sports courts, fitness equipment, and such, Little Island has no such designated activities. True, there are scheduled and impromptu cultural events in the amphitheater and Glade (a grassy slope facing a performance area), but these are neither year-round nor all-day long.

I am very supportive of public spaces that challenge and inspire the visitor to create their own experience, which I think Little Island does. Whether one is interested in strolling, jogging, gaining a new perspective on the cityscape and river, or enjoying an immersive landscape with perhaps a musical accompaniment—say, on a day of rehearsals—or evening getting together with friends over a drink, then the flexibility and inclusiveness of Little Island is the attraction.

Read additional stories in the Pratt Making a Difference series: Putting the Community First in Planning for a Brooklyn Neighborhood’s Future, School of Architecture Advocates for Climate Education with Pavilions & Projects on Governors Island, and Architecture Students Explore How Aquaculture Could Transform Industrial Brooklyn with Oysters and Algae.

Say Hello to the Scientist Harvesting Clues About Ancient Gourds and Maize | Smithsonian Voices

A pile of gourds spilling out of a tipped over container onto a brick floor with a bale of straw in the background.
Modern gourds like pumpkins typically taste sweet, while their wild relatives are incredibly bitter. At the Smithsonian’s National Museum of Natural History, archaeobotanist Logan Kistler studies how cultivated gourds gained their flavor.
Bunches and Bits Karina, CC BY-NC-ND 2.0

There’s always that friend who goes gourd-crazy in the fall. But for some, this seasonal obsession is a lifelong profession.

At the Smithsonian’s National Museum of Natural History, one scientist has made a career of studying ancient gourds and other crops to understand more about the roots of plant domestication.

In this “Meet a SI-entist,” archaeobotanist Logan Kistler shares how he became interested in plant and human relationships and the knowledge he’s harvested along the way.

What started you down the path to researching ancient plants and their genomes?

I grew up in Kentucky near Mammoth Cave, which is an important geologic and cultural site. I did some archaeological research there as part of my college coursework. I also worked there as a park ranger for a couple summers. It started to show me how we can learn about people who lived in the past from the material remains they left behind.

Later, I became intrigued by the crops that feed the world. Almost everybody relies on them. Plant domestication has been such an important process in humanity worldwide. It enabled the social changes that inspired technological development for ancient humans. So, combining archaeology and plant science came naturally to me as I worked on understanding the past.

None

Logan Kistler conducts research on gourd evolution across South America. One of his sites is based in Brazil.

Mato Grosso

You are an archaeologist who studies ancient plants, or an archaeobotanist. But you also look at ancient plant DNA. How do these three fields — archaeology, botany and genomics — overlap?

Archaeology is using material remnants of past societies to learn more about people in different times and places. Archaeobotany is examining all the little pieces of plants people have used in the past, like traces of seeds at archaeological digs, to study past diets. It involves thinking about how patterns in plant use reflect changes over time. And archaeogenomics is using those same plant tissues preserved in archaeological sites and extracting their genetic material to see how they evolved.

So, archaeobotany tracks plants’ changes through their physical characteristics and archaeogenomics looks to the genome to understand what happened to plants in terms of natural selection and evolution.

All of these can tell us more about human-environment interactions and how non-human species have evolved alongside people.

One common example of a human-environment interaction is plant domestication. But that process hasn’t been quick or easy historically. What does it involve?

Overall, plant domestication is a process where humans first change a landscape. Then, plants move into that landscape and evolve to be more fit in the human environment. It’s a mutualistic evolution of plants in a human environment — or a symbiotic relationship. Humans get a stable food supply and plants are reliably planted, ensuring their species exists for another generation.

You’ve done a lot of research on the modern gourds we eat today and their non-cultivated counterparts. How did crops like pumpkins, butternut squash and spaghetti squash evolve through this type of mutualistic interaction?

None

Ancient megafauna like mastodons ate wild gourds. Through their dung, they spread gourd seeds around the Americas.

Regina Hart, no changes made, CC BY 2.0

A few years ago, we were looking into the domestication of squashes and pumpkins, which come from all over the Americas and show up pretty early in the archaeological record, about 10 thousand years ago. If you look at gourds in the wild, they’re about the size of baseballs and are hard as a rock. They’re extremely bitter and moderately toxic. But from these horrible things, you get today’s squashes, gourds and zucchini.

To understand gourd domestication, our team ran several analyses. The findings suggested the natural history of the plant was that it was dispersed by large megafauna herbivores, like mastodons, through their dung. But when megafauna went extinct, the gourds were left without an ecological partner to eat them and distribute their seeds across the landscape. Onto the scene came humans, creating disturbed habitats and developing a new niche for these wild gourds. This arrival offered an opportunity for the gourds to adapt. So, the plants evolved to be palatable for humans to ensure they’d continue to be planted and survive.

Crop survival is a hot topic now because of the climate crisis. Where does your work on past plant domestication and biodiversity fit into the ongoing conversation about agriculture challenges in our rapidly warming world?

While research we do on the past will not solve the climate crisis, it does highlight how traditional Indigenous farmers have maintained biodiversity, prioritized ecological management and created sustainable food systems in part by using biodiversity.

From our research, we can see that the knowledge and activities of traditional farmers led to a situation where most domesticated plants we now cultivate have as much diversity as they originally did in the wild. There was very little loss of diversity during this process. It’s more of a re-shaping of populations.

None

Analyzing ancient DNA from maize has allowed Logan Kistler and his colleagues to understand more about how the plant species was domesticated.

Thomas Harper, The Pennsylvania State University

Take domesticated maize, which evolved in landscapes over millennia, and has significant genetic diversity. Compare that to the corn grown in the Midwest. That corn is hugely important worldwide, but has low genetic diversity, which makes it vulnerable. It’s the same principle as what happened with the potato famine in Ireland. When you grow from a very small genetic subset of a crop, you have no natural resistance to threats sometimes.

Basically, there is resilience in genetic diversity. That’s one of the most important lessons that we should be thinking about today. We should be looking to Indigenous knowledge and expertise in this space, because folks have been managing sustainable food systems while maintaining ecological biodiversity for millennia. Biodiversity is not the only solution to food security as our climate crisis intensifies, but it’s an important piece of the puzzle.

This interview has been edited for length and clarity.

Meet a SI-entist: The Smithsonian is so much more than its world-renowned exhibits and artifacts. It is a hub of scientific exploration for hundreds of researchers from around the world. Once a month, we’ll introduce you to a Smithsonian Institution scientist (or SI-entist) and the fascinating work they do behind the scenes at the National Museum of Natural History.

Related Stories:
How Ancient DNA Unearths Corn’s A-maize-ing History
Our Thanksgiving Menu has Lost a Few Crops
Safety Suit Up: New Clean Room Allows Scientists to Study Fragile Ancient DNA
This Thanksgiving, Try the Real Paleo Diet

32 Best Winter Nail Design Trends You’ll Love

Minerva agrees about the jewel tone trend. Additionally, Chanel’s Le Vernis in Rhythm is a stunning jewel-toned blue, while Sundays L.03 is a pleasant milky blue.

Chanel Le Vernis in Rhythm

Essie Nail Lacquer in Off Tropic

Gucci Vernis À Ongles Nail Polish in Goldie Red

Minimalist Accents

Although Stone is seeing lots of excitement towards adventurous nail designs, she still thinks people love a minimalist manicure sometimes, as a way to compliment their look but having a standout nail—leaning towards “metallic accents, dainty gemstones or pearls, swirls, or a colorful French tip.”

Festive Press-Ons

If you’re low on time, try press-ons. Stone says that “Signet Beauty has created some of the most beautiful nail art press-ons I have ever seen—perfect for any holiday party!”

Signet Beauty Instant Manicure Kit in Cold Foam

Vibrant Hues

“Trending colors for the winter are brown, deep green, red (with blue undertones), and burgundy,” says Queenie Nguyen. She recommends the Chanel Le Vernis polish in Rouge Noir for burgundy or the shade Emblématique for a deep, blue-toned red. Essie’s Nail Lacquer in Take The Espresso is her pick for a chocolatey brown shade Pine-ing For You by Orly is her favorite rich, jewel-toned green.

Chanel Le Vernis in Rouge Noir

Chanel Le Vernis in Emblématique

Essie Expressie Quick-Dry Nail Polish in Take The Espresso

Orly Breathable Treatment + Color in Pine-ing For You

Traditional Neutrals

Nguyen builds that neutral colors like black or nudes are always good go-tos. For a pink-ish nude mani, the artist recommends OPI’s Nail Lacquer in Do You Take Lei Away.

OPI Nail Lacquer in Do You Take Lei Away?

Winter Maximalist

Nguyen lists that “reflective glitter, tortoiseshell, gold foil, subtle candy cane patterns, and a 3D sweater effect” are nail designs we should see all winter long.

Modern Nail Stickers

If you want an at-home design, Nguyen thinks ManiMe has a great selection of stick-on gel decals. “They come in many different colors and modern nail designs that are designed by talented nail artists.”

ManiMe Stick-On Gels in Peach Nectar

Rich Blues

“Blue, silver, and cream are everywhere this winter,” says Chanel nail artist Betina Goldstein, who is a fan of Mischo Beauty’s pale blue polish in Undaunted. For a rich navy blue, look towards Nails Inc.’s Plant Power nail polish in Spiritual Gangster.

Mischo Beauty Nail Lacquer in Undaunted

Nails Inc. Plant Power Nail Polish in Spiritual Gangster

Crystal Accents

“It’s no surprise that people love some sparkle for winter; with all the holiday parties and get-togethers, nail art is a great way to add a little something to your outfit,” says Goldstein. “An easy way to do that is by adding some Swarovski crystals to your manicure. If you want to go a little more subtle, try using silver nail polish instead.” Essie’s Nail Polish in No Place Like Chrome for a silver swash, or Chanel’s Le Vernis in Canotier for gold will do the trick.

Essie Metallics Nail Polish in No Place Like Chrome

Chanel Le Vernis in Canotier

Playing With Finishes

“Mixing textures with matte and high gloss is also a great way to change up your nails for winter,” Goldstein continues. Try Sundays’ matte top coat to add a little texture to your next at-home mani.

Deep Nature Tones

This winter, Jolene Brodeur is anticipating lots of deep browns and berries like Olive & June’s sable brown nail polish in shade CN or Zoya’s rich purple nail polish in Leighton. Also, the manicurist is seeing shades of orange too—notably OPI polishes in Suzi Needs a Locksmith or My Italian is a Little Rusty.

Olive & June Nail Polish in CN

Zoya Nail Lacquer in Leighton

OPI Nail Lacquer in Suzi Needs A Loch-Smith

OPI Nail Lacquer in My Italian Is A Little Rusty

Remixed French Manicure

Brodeur explains that variations of the traditional French manicure will be big this winter, whether it’s “the French Revolution, a new twist on the French Manicure” or “deep French, using trending colors that have an accent color to accentuate the V and tonal combinations.”

Mix and Match

Not sure which color or design to choose? Brodeur also notes that mix and match nails are fun, too—”it is okay if all the nails do not match.”

Pearl Sheens

Natalie Minerva has been seeing a lot of pearl sheens—just think of festive creamy whites with a hint of glimmer perfect for the holidays. OPI’s Nail Lacquer in Kyoto Pearl is the ultimate shimmery white satin.

OPI Nail Lacquer in Kyoto Pearl

3D Design

In terms of design, Minerva says, “It’s all about texture and 3D! The more obscure and abstract, the better! It’s been really fun to see nail art take such an unexpected and creative turn lately.”

Wait until May to plant tropicals for pool landscaping, but use some evergreens as well | Home/Garden

We are just completing the installation of a new pool at our home and are now ready to plant some tropical landscaping. The planting area will get full afternoon sun. I’ve heard you say November is the best time to plant trees — does this also apply to palm trees? What type of palm trees are the hardiest and which would you recommend? What other types of smaller tropicals (palms, bananas, etc.) do you advise? — Paul Baranova

Fall planting applies to hardy trees and shrubs that are not bothered by winter freezes, not tender tropical plants. Palms fall into the tropical plant group and are best planted from May to August. They root best when the soil is warm. The August cutoff date is so that newly planted palms will have time to make root growth and settle in before winter. Palms planted late are at more of a disadvantage should we have significant freezes like we did last February. Among the hardiest palms are cabbage palms (Sabal palmetto) and windmill palms (Trachycarpus fortunei), and these are nice palms to plant around pools as the heads are not so large. Queen palms (Syagrus romanzoffiana) and pygmy date palms (Phoenix roebelenii) look great around pools, but are less hardy and will be damaged or killed by temperatures below 20.

As to smaller tropicals, it is a matter of taste (what you like) and availability at nurseries. Popular choices for sunny areas include hibiscus, bird of paradise, variegated shell ginger, tibouchina, angel’s trumpet, banana, firecracker plant (Russelia), ixora, night blooming jasmine and split-leaf philodendron, to name a few. This is late in the season, however, to plant any tropicals. I’d recommend you install any hardy trees, shrubs, ground covers and perennials that you intend to use in the landscape design this fall, and wait to install the tropicals in April or May. It’s not like the tropical plants would look that nice over the winter anyway, as freezes will make bananas, gingers, etc. look bad. Keep this in mind when you decide what percentage of plant materials around the pool will be hardy and evergreen and what will be tropical. If you use exclusively tropical materials, the area will look far less attractive during the winter cold.

This time of the year with the St. Augustine grass going dormant for the winter, all we have is weeds covering our lawn. The most predominant weed is dollarweed. What can we use this time of the year to try to rid our lawn of the weeds? — Melissa Longman

Atrazine is the best herbicide for dollarweed in St. Aug. It will also control a wide variety of other weeds. You can make an application during mild (70s/60s during the day and 40s/50s at night) weather this fall. Follow label directions carefully. The Atrazine will also suppress the growth of weed seeds. Assess your lawn weed issue in January or February. If needed, you can make another application during a mild spell then. 

I’m growing a variety of peppers (cayenne, Tabasco, Habanero, etc.). I know I can order seeds online, but what is the process to take seeds from my existing plants? How do you dry/treat/preserve them to be viable next year? — David Miller

First, allow the fruit to fully ripen. I like to wait until the pepper actually starts to shrivel slightly before I harvest it. Open up the fruit and extract the seeds. Use a strainer to rinse the seeds thoroughly under running water. Spread the seeds out on a paper towel and allow them to thoroughly dry for about a week. Then, store the seeds in an air tight container in your refrigerator until you plant them next year. If you are growing any F1 hybrid peppers, be aware that they do not come true from seeds. The offspring will be different from the original plants. Also, it is possible that different types of peppers growing close together may have cross-pollinated, and that will lead to offspring that combine the characteristics of the parents.

Purchases made via links on our site may earn us an affiliate commission

Dan Gill is a retired consumer horticulture specialist with the LSU AgCenter. He hosts the “Garden Show” on WWL-AM Saturdays at 9 a.m. Email gardening questions to gnogardening@agcenter.lsu.edu.

Ansel Elgort and Offset Party During Art Basel

A hazy concert by Offset. A Gen Z model blew out birthday candles. A book signing at Gucci. The tropical bacchanal of art fairs, private dinners and A-list parties known as Art Basel Miami Beach has returned with a vengeance. Here are some highlights from Wednesday night.

There was a long line at the Gucci store in Miami’s Design District, but this time it was for a book. Mickalene Thomas and her partner Racquel Chevremont were signing copies of their new art book, “Monograph.” Less bookish fans posed in front of neon lights and disco balls for the perfect selfie.

Occasion: A book signing and cocktail party for Ms. Thomas.

The Room: Upstairs from Gucci’s shiny store, with images of Ms. Thomas’s work displayed on giant screens.

In Attendance: Ms. Thomas; Ms. Chevremont; Michael Chow, the restaurateur, and his wife, Vanessa Rano; Tourmaline, an activist; and models including Selah Marley.

The Food: Nina Compton, a chef from New Orleans, served hot fried chicken, tuna tartare and jerked tofu.

The Mood: “I’m really excited to see the work at the Untitled Art Fair tomorrow,” Ms. Thomas said. “They do a beautiful job of displaying the work, and it doesn’t look like you’re going through a mall.”

Jordan Barrett, a model once labeled, by Vogue, an “It Boy,” said he has never had a proper birthday party before. So he invited 40 of his closest friends at Art Basel to help him celebrate.

Occasion: Mr. Barrett turned 25. He was also promoting his sparkling sake brand, Hape.

The Room: Gitano Miami, the South Beach outpost of the clubby Mexican restaurant in Tulum.

The Food: Small shared plates like queso with chorizo, guacamole and branzino with kiwi.

In Attendance: Mr. Barrett; his partner Fernando Augusto Casablancas; Ricky Thompson, an actor; Chloe Wise, an artist; Candice Swanepoel, a model; and the musician Duckwrth.

Moment of the Night: Around 11 p.m., Mr. Barrett blew out the candles on two large cakes, one that resembled his sparkling sake can.

The Mood: “The moment I leave here I really want to get away from as many people as I can and be alone for a moment,” Mr. Barrett said of his holiday plans. “I want to be in the jungle and in nature, so hopefully I can go to the waterfall in Las Palmas.”

The mezcal was flowing, and the dance floor was wet with spilled drinks. After midnight, partygoers squeezed themselves into a basement lounge for a late-night performance by Offset.

Occasion: Flaunt, a fashion magazine from Los Angeles, celebrated its latest issue.

The Room: The downstairs lounge at Gale, a South Beach hotel, decorated with tropical wallpaper.

In Attendance: The hip-hop musicians Offset and Quavo; Michele Lamy, the fashion designer; the actor Ansel Elgort; Shaun Ross, a model and musician; and Cuba Gooding Jr., the actor.

Moment of the Night: After some technical glitches, during which Offset requested a few shots of tequila to fill the awkward silence, he performed two songs including “Bad and Boujee,” around 1:30 a.m.

The Mood: “I was signing books that featured me. I’m also doing a few things with Offset, but mainly I am here in Miami for Virgil,” Ms. Lamy said, referring to Virgil Abloh, who died last week. A Louis Vuitton show on Monday became an impromptu tribute. “The show was absolutely great, it was the best thing we ever saw of him. It’s difficult, but it brought people together. On Monday I’m going to Chicago for the funeral.”

Keep Luna County Beautiful releases winners of Recycled Art Show

The Deming Art Council has announced the winners of this year's Keep Luna County Beautiful Recycled Art Show at the Deming Art Center, 100 S. Gold Street.

DEMING – Keep Luna County Beautiful and the Deming Art Council have grown in marriage with two goals in mind.

1. Bring art and culture to the communities of Deming, Columbus and Luna County.

2. Organize and execute beautification projects in Luna County in conjunction with the state-wide “Toss No Mas” campaign.

The Deming Art Council has provided a vehicle over the years for the KLCB program to showcase art work created by using recycled materials. In November, the DAC presents the KLCB Recycled Art Show at the Deming Art Center located at 100 S. Gold Street.

The center exhibits the art entries throughout the month of November and each artist must use 90 percent of recycled materials when creating each piece. Each artist can enter as many as three pieces of artwork and the show is judged by a panel of KLCB members.