NASHVILLE, Tenn. (WSMV) – Metro Parks and the Metro Historic Fee have finalized the most current Fort Negley Learn Strategy right after a yr of investigation, organizing and community engagement, the teams announced Thursday.
The vision of the plan is to develop an open-air museum of organic significance that speaks as a result of the cultural landscape to expose historical past from the Civil War to the civil rights period.
Group engagement and suggestions performed a crucial position in the advancement of the system. During a collection of five functions commencing in the slide of 2021, community customers were asked to take part in interactive activities that in the long run laid the groundwork for the layout procedure. Actions bundled an pro panel session, open up homes, options for reflection and several physical scale designs to aid feed-back. The specialist crew was obtainable to deliver pro assistance on most effective and ground breaking procedures for the treatment method of historic and cultural sites.
Much more than 175 members and extra than 1,175 reviews had been gained for the duration of these meetings.
Many stakeholder groups were also engaged periodically during the structure method to share understanding and to offer updates regarding the learn program. In excess of the study course of the entire master planning course of action, a lot more than 20 conferences were held with several groups.
“The master program represents a devoted effort and hard work by a multitude of assorted individuals and corporations. The general public enter, stakeholder discussions, and Metro Nashville’s perseverance to supporting an inclusive and extensive preparing approach have yielded what we believe that to be a approach for the successful and sustainable transformation of the Fort Negley web page,” Metro Parks Director Monique Horton Odom mentioned in a news release.
“The tips laid out in this grasp prepare stand for an opportunity to deliver the web-site its correct remedy to build a long lasting landscape of memory, hope and resilience for Nashville and for the nation. The new program establishes a long-expression eyesight for the preservation, interpretation and development of the park,” Richie Jones, spouse at HDLA Landscape Architecture, who served as the prime contractor for the grasp program, mentioned in a information release. “Our complete crew of planners, designers, historians and neighborhood advocates participated in crafting the ultimate item.”
Fort Negley Park is a 64-acre park in the heart of Nashville. Recognized as one particular of the nation’s most important historical sites, it is household to distinct natural and cultural assets and was designated a “Site of Memory” by the UNESCO Slave Route Project in 2019 and is shown in the Nationwide Register of Historic Areas.
Eleven several years back, designer Mónica Calderón and her partner, architect Ezequiel Farca, transplanted their family from Mexico Town to Los Angeles, lured by the siren simply call of LA’s flourishing arts scene and its deep connections to Latin America. “There are several similarities in between Mexico City and Los Angeles as considerably as local weather and society, and we simply fell in really like with California,” states Calderón. “But component of our coronary heart was however in Mexico, just not Mexico Town, which had turn into so occupied.” Immediately after browsing the Yucatán cash of Mérida during a spring break sojourn with their four sons, Calderón and Farca determined to reaffirm their Mexican roots by setting up a 2nd home there. “We preferred to give our young children a entirely diverse encounter than they have living in the Santa Monica bubble,” Farca clarifies.
The few planted their flag in an abandoned 1919 college-house found in the coronary heart of the metropolis, near Mérida’s bustling zocalo. Aptly dubbed Casa Escuela, the household is significantly additional than a trip retreat. Calderón and Farca envisioned it as a multidisciplinary artwork sanctuary, artist residency, and cultural hub, a location that celebrates the triple imperatives of family, community, and Mexican heritage. “Yes, it’s a home, but it’s also a location where we can share our passions and spotlight new expertise, a spot for individuals to study and link,” Calderón says, describing a multipronged mission that forges bridges involving common and modern day Mexican style, art, craft, gastronomy, and even holistic wellness tactics. “We truly feel that Mexico has a major coronary heart, and due to the fact of the community we’ve been equipped to cultivate, we can provide a modest essential to open that heart to others,” Farca carries on.
Calderón built the kitchen to host workshops about the cuisine of the Yucatán.
His architecture observe, Ezequiel Farca Studio, which focuses on large-end residential and yacht design and style, is primarily based in Mexico Town, with satellite offices in LA and Milan. Calderón founded her namesake style and design firm, specializing in home furniture and components crafted of polyester resin, in 1998. She is also an unbiased curator, leveraging her extensive-ranging passions to develop exhibitions and events that straddle art, style, vogue, and journey.
“We experimented with to preserve as a lot of the first schoolhouse as achievable to keep its soul intact,” Farca says of his ministrations to the derelict creating. “We designed strategic interventions to shore up the composition and provide it into the present, but those people interventions are evidently delineated—what is outdated seems previous, and what is new seems new.” The dynamic rigidity in between the historical and the modern day emerges in the juxtaposition of common tile flooring, doorframes, and mampostería rubble walls with modernist architectural aspects of concrete block and steel-framed glass doorways that link the inside spaces to the alfresco courtyard. “There’s a palpable handmade element to Casa Escuela,” Calderón muses. “You can truly feel the craftsmanship of the individuals who contributed to the layout and development. It turns into aspect of the vitality of the residence.”
In the eating area, a resin desk built by Calderón and leather-based chairs by Farca.
An Angela Damman sculpture of henequen fiber hangs previously mentioned an initial tile floor.
A display screen of molded-concrete blocks produces an ever-shifting interaction of light and shadow.
The software for Casa Escuela encompasses a biannual artist residency in two devoted studios, an exhibition space, a retail part for artists and designers to share their get the job done, an expansive kitchen area created to host gastronomical workshops focused on Yucatán cuisine, and a wellness retreat/spa—centered on a cenote—for yoga, meditation, and classic Mexican medicinal tactics. “Casa Escuela honors the wisdom and perception of historic Maya society as perfectly as the amazing power of the contemporary Mexican artwork and layout scene,” Calderón suggests. “The application will proceed to evolve and develop, but the basic premise stays the exact same. We want to share the magic of this particular area.”
#TBT Throwback Thursday’s Feature is Recommended Readings: Professional and Practical Considerations for Landscape Design, Steven L. Cantor
By Linda S. Velazquez, Originally Posted on Greenroofs.com on May 6, 2020
Publisher’s Notes: Will you be in San Francisco at the ASLA Convention on Landscape Architecture 2022? If so, join Steven L. Cantor for his Book Signing on Sunday, November 13 from noon to 1:30 in the Expo Hall! If you’re not registered, you may attend the book signing by requesting an escort at one of the ASLA Registration desks at Moscone Center.
See ASLA’s Book Review now in the current November 2022 issue of Landscape Architecture Magazine on page 178.
Updated Pricing: Hardcover: $122; Paperback: $45.55; and eTextbook: $40.99* One reason the paperback book was printed in the small size format of 6” x 9” was to hold down the price and make it affordable to students and young professionals.
Accomplished educator, author, and registered landscape architect Steven L. Cantor, ASLA has contributed here on Greenroofs.com since 2013 as the Landscape Editor. His critical and experienced eye has produced the excellent 14-part series from 2013-2015 “A Comparison of the Three Phases of the High Line, New York City: A Landscape Architect and Photographer’s Perspective” as well as other features (see: Copenhagen Green Tour 2015).
I’m very pleased to review his latest book, an in-depth dive into the workings of landscape design.
Published in January by Oxford University Press (OUP), Steven L. Cantor’s Professional and Practical Considerations for Landscape Design is simply an overall asset for those of us in the landscape architecture and design field, yet it is not simple at all. As its title promises, the author delves into all aspects of the practice of landscape architecture:
“The professional practice of landscape architecture consists of the methods, approaches, and documents that landscape architects use and prepare in order to apply for and find work; to hire staff with appropriate salary, training, and benefits; to sustain a project while it progresses through the design and construction stages; to carry out such projects at a profit; and to archive projects when they are finished.” ~ Steven L. Cantor
Steven’s fourth book of landscape architecture, the 491-page Landscape Design uniquely serves as a comprehensive resource and practical handbook for university teaching professionals as well as advanced students of landscape architecture. His publication eloquently addresses myriad facets of design and business accompanied by approximately 130 detailed illustrations (25 in color), provided by professional colleagues Vicky Chan and Richard Alomar along with original photos from others, including many of his own.
Figure 1.0 An intimate garden with a recirculating water feature in Little Rock, Arkansas. Design by Gary Evans and William Gabello. Photo by Steven L. Cantor.
Design and Thought Provoking
In Landscape Design‘s Preface, Steven points out that while there may be frequent opportunities to try again to get things right in many professions, nature may not always be that forgiving if a landscape design goes awry. Thus, he presents the reason for his book as a question:
“How do you document the process and give yourself and your firm the best chance to get things right?” ~ Steven L. Cantor
As always, Steven’s current work is thoughtful, detailed, and design provoking – perhaps one of its most important features. In addition to providing specific guidelines and methods, he encourages the reader to always explore and assess each landscape design situation individually and consider various alternatives to create a positive outcome from different aspects.
At the end of each section and chapter, problem statements and other exercises are offered as well as a very practical series of Dos and Don’ts. I found these topics with varying degrees of difficulty particularly useful.
The book’s different formats and styles engage the reader, and just some of Landscape Design‘s additional features include:
*Encompassing four years of work, OUP printed Professional and Practical Considerations for Landscape Design in a 6.25″ x 9.25″ format in order to offer an affordable price for students and young professionals. The hardcover and paperback are available on Amazon (which is currently less expensive than from their own press). And this great offering is also available as an extremely affordable eTextbook which may be a great way to go for students, in particular for teaching professionals to incorporate it into their curriculum. Updated Pricing: Hardcover: $122; Paperback: $45.55; and eTextbook: $40.99
Figures 2.7a and 2.7b Example of something worth inventing as a unique deign element, in this case a rain garden at the Floriculture Greenhouse Outdoor Living Lab at Rutgers University, New Brunswick, New Jersey. Neil J. Weket and Richard Alomar.
Discussions of Professional and Practical Considerations
Each chapter contains important and specific information pertinent to the subject including project management and office administration; contracts; marketing and human resources; different types of drawings; building codes, specifications and cost estimates; diverse areas of practice; construction materials, details and site inspections; sustainability and ethics, and finally, resources.
As a potential course book, there are sections having some good, practical applications for classes or studios in site planning, single family residential design, planting design, public works, environmental assessment, international design, roof gardens and greenroofs, and construction detailing.
Here’s what noted landscape architect and architect Susannah Drake says about Landscape Design on its back cover:
Steven told me that his main purpose for writing Landscape Design is to generate discussion which, in my opinion, it is uniquely presented to do so.
Overall,Landscape Design is perfect as a study guide for the landscape architecture registration exam, and especially for those planning to establish their own firms for good, common sense practices.
I highly recommend the instructional Professional and Practical Considerations for Landscape Design for students, emerging professionals, and those of us already working within the field as the fully comprehensive go-to resource and convenient guidebook for successful practice. I will definitely keep this superb handbook close.
Author Information
Steven L. Cantor, RLA, ASLA, has worked in private practice for firms in New York City and Atlanta. He taught at the University of Georgia School of Environmental Design in Athens, the University of Colorado in Boulder, the New York Botanical Garden, and Anhalt University in Bernburg, Germany. He has written about landscape architecture for over thirty years in books, journals, magazines, and websites.
Vicky Chan, architect, founded Avoid Obvious Architects in 2012, a firm focused on combining art with green technology. His projects have been exhibited in 37 cities and have won 38 design awards. Starting in 2020, Chan is President of the American Institute of Architects Hong Kong Chapter.
Richard Alomar, RLA, is the Associate Director of the Office of Urban Extension and Engagement and an Associate Professor in the Department of Landscape Architecture at Rutgers University, New Brunswick, NJ.
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Russia’s war in Ukraine has involved many surprises. The largest, however, is that it happened at all. Last year, Russia was at peace and enmeshed in a complex global economy. Would it really sever trade ties – and threaten nuclear war – just to expand its already vast territory? Despite the many warnings, including from Vladimir Putin himself, the invasion still came as a shock.
But it wasn’t a shock to the journalist Tim Marshall. On the first page of his 2015 blockbuster book, Prisoners of Geography, Marshall invited readers to contemplate Russia’s topography. A ring of mountains and ice surrounds it. Its border with China is protected by mountain ranges, and it is separated from Iran and Turkey by the Caucusus. Between Russia and western Europe stand the Balkans, Carpathians and Alps, which form another wall. Or, they nearly do. To the north of those mountains, a flat corridor – the Great European Plain – connects Russia to its well-armed western neighbours via Ukraine and Poland. On it, you can ride a bicycle from Paris to Moscow.
You can also drive a tank. Marshall noted how this gap in Russia’s natural fortifications has repeatedly exposed it to attacks. “Putin has no choice”, Marshall concluded: “He must at least attempt to control the flatlands to the west.” When Putin did precisely that, invading a Ukraine he could no longer control by quieter means, Marshall greeted it with wearied understanding, deploring the war yet finding it unsurprising. The map “imprisons” leaders, he had written, “giving them fewer choices and less room to manoeuvre than you might think”.
There is a name for Marshall’s line of thinking: geopolitics. Although the term is often used loosely to mean “international relations”, it refers more precisely to the view that geography – mountains, land bridges, water tables – governs world affairs. Ideas, laws and culture are interesting, geopoliticians argue, but to truly understand politics you must look hard at maps. And when you do, the world reveals itself to be a zero-sum contest in which every neighbour is a potential rival, and success depends on controlling territory, as in the boardgame Risk. In its cynical view of human motives, geopolitics resembles Marxism, just with topography replacing class struggle as the engine of history.
Geopolitics also resembles Marxism in that many predicted its death in the 1990s, with the cold war’s end. The expansion of markets and eruption of new technologies promised to make geography obsolete. Who cares about controlling the strait of Malacca – or the port of Odesa – when the seas brim with containerships and information rebounds off satellites? “The world is flat,” the journalist Thomas Friedman declared in 2005. It was an apt metaphor for globalisation: goods, ideas and people sliding smoothly across borders.
Yet the world feels less flat today. As supply chains snap and global trade falters, the terrain of the planet seems more craggy than frictionless. Hostility toward globalisation, channelled by figures such as Donald Trump and Nigel Farage, was already rising before the pandemic, which boosted it. The number of border walls, about 10 at the cold war’s end, is now 74 and climbing, with the past decade as the high point of wall-building. The post-cold war hope for globalisation was a “delusion”, writes political scientist Élisabeth Vallet, and we’re now seeing the “reterritorialisation of the world”.
Facing a newly hostile environment, leaders are pulling old strategy guides off the shelf. “Geopolitics are back, and back with a vengeance, after this holiday from history we took in the so-called post-cold war period,” US national security adviser HR McMaster warned in 2017. This outlook openly guides Russian thinking, with Putin citing “geopolitical realities” in explaining his Ukraine invasion. Elsewhere, as faith in an open, trade-based international system falters, map-reading pundits such as Marshall, Robert Kaplan, Ian Morris, George Friedman and Peter Zeihan are advancing on to bestseller lists.
Hearing the mapmongers ply their trade, you wonder if anything has changed since the 13th-century world of Genghis Khan, where strategy was a matter of open steppes and mountain barriers. Geopolitical thinking is unabashedly grim, and it regards hopes for peace, justice and rights with scepticism. The question, however, is not whether it’s bleak, but whether it’s right. Past decades have brought major technological, intellectual and institutional changes. But are we still, as Marshall contends, “prisoners of geography”?
In the long run, we are creatures of our environments to an almost embarrassing degree, flourishing where circumstances permit and dying where they don’t. “If you look at a map of the tectonic plate boundaries grinding against each other and superimpose the locations of the world’s major ancient civilisations, an astonishingly close relationship reveals itself,” writes Lewis Dartnell in his splendid book, Origins. The relationship is no accident. Plate collisions create mountain ranges and the great rivers that carry their sediment down to the lowlands, enriching the soil. Ancient Greece, Egypt, Persia, Assyria, the Indus valley, Mesoamerica and Rome were all near plate edges. The Fertile Crescent – the rich agricultural zone stretching from Egypt to Iran, where farming, writing and the wheel first emerged – lies over the intersection of three plates.
Geography’s effects can be impressively enduring, as voting patterns in the southern US show. The deep south is heavily Republican, but an arc of Democratic counties curves through it. That dissenting band makes a shape “instantly recognisable to a geologist”, writes scientist Steven Dutch. It matches an outcrop of sediment from tens of millions of years ago, deposited during the hot Cretaceous period when much of the present-day US was underwater. With time, the deposits were compressed into shale, and with more time, after the waters had receded, they were exposed by erosion. In the 19th century, Dutch explains, planters recognised the outcropping – called the “Black Belt” for its rich, dark soil – as ideal for cotton. To pick it, planters brought enslaved people, whose descendants still live in the area and regularly oppose conservative politicians. The city of Montgomery, Alabama –“smack in the middle” of the Cretaceous band, Dartnell notes – was also a centre of the civil rights movement, where Martin Luther King Jr. preached and Rosa Parks sparked the bus boycott.
Maps showing the correlation between Cretaceous rock deposits (top) and US counties voting Democrat in 2016 (bottom). From Origins: How the Earth Shaped Human History by Lewis Dartnell
Geopoliticians, of course, care more about international wars than local elections. In this, they hark back to Halford Mackinder, an English strategist who essentially founded their way of thinking. In a 1904 paper, The Geographical Pivot of History, Mackinder gazed at a relief map of the world and posited that history could be seen as a centuries-long struggle between the nomadic peoples of Eurasia’s plains and the seafaring ones of its coasts. Britain and its peers had thrived as oceanic powers, but, now that all viable colonies were claimed, that route was closed and future expansion would involve land conflicts. The vast plain in the “heart-land” of Eurasia, Mackinder felt, would be the centre of the world’s wars.
Mackinder wasn’t wholly correct, but his predictions’ broad contours – clashes over eastern Europe, the waning of British sea power, the rise of the land powers Germany and Russia – were right enough. Beyond the details, Mackinder’s vision of imperialists running out of colonies to claim and turning on one another was prophetic. When they did, he foresaw, Eurasia’s interior would be the prize. The Heartland “offers all the prerequisites of ultimate dominance of the world”, he later wrote. “Who rules the Heartland commands the World-Island; who rules the World-Island commands the world.”
Mackinder meant that as a warning. But the German army general Karl Haushofer, believing Mackinder to possess “the greatest of all geographical worldviews”, took it as advice. Haushofer incorporated Mackinder’s insights into the emerging field of Geopolitik (from which we get the English “geopolitics”) and passed his ideas on to Adolf Hitler and Rudolf Hess in the 1920s. “The German people are imprisoned within an impossible territorial area,” Hitler concluded. To survive they must “become a world power”, and to do that they must turn east – to Mackinder’s Heartland.
Adolf Hitler’s conviction that Germany’s fate lay in the east was a far cry from Steven Dutch’s observation that Cretaceous rocks predict votes. Yet informing both is the theory that what’s beneath our feet shapes what’s in our heads. By the second world war, when armies clashing over strategically valuable territory had ripped up much of Eurasia, that seemed hard to deny. Mackinder, who lived through that war, saw little reason to believe geography’s “obstinate facts” would ever give way.
Halford Mackinder insisted that the relief map still mattered, but not everyone agreed. Throughout the 20th century, idealists searched for ways to make international relations something other than a “perpetual prize-fight”, as the British economist John Maynard Keynes put it. For Keynes and his followers, trade might accomplish this. If countries could rely on open commerce, they’d no longer have to seize territory to secure resources. For other idealists, new air-age technologies were the key. With all places linked to all others via the skies, they hoped, countries would stop squabbling over strategic spots on the map.
These were hopes, though, not yet realities. The cold war, which divided the planet into trade blocs and military alliances, kept leaders’ eyes fixed on maps. Children learned to read maps, too, thanks to the 1957 French board game LaConquête du Monde – the conquest of the world – that the US firm Parker Brothers sold widely under the name Risk. It had a 19th-century ambience, with cavalries and antiquated artillery pieces, but given that superpowers were still carving up the map, it was also uncomfortably relevant.
Geopolitical thought, though muted since its association with the Nazis, nevertheless left its marks on the cold war. The US’s key strategist, George F Kennan, downplayed the conflict’s ideological component. Marxism was a “fig leaf”, he insisted. The true explanation for Soviet conduct was the “traditional and instinctive Russian sense of insecurity” engendered by centuries “trying to live on a vast exposed plain in the neighbourhood of fierce nomadic peoples”. To this Mackinder-tinged problem, Kennan proposed a Mackinder-tinged solution: “containment”, which sought not to eradicate communism, but to hem it in. This campaign ultimately entailed US intervention all over the world, including sending 2.7 million service members to fight the Vietnam war. For many who served, that unsuccessful war was a “quagmire” – a ground that sucks you in. Not until the fall of the Berlin Wall in 1989 did it seem like geography might finally lose its grip.
The cold war had divided the world economically, and its end brought trade walls tumbling down. The 90s saw a frenzy of trade agreements and institution-building: the European Union, the North American Free Trade Agreement (Nafta), Mercosur in Latin America and, towering above all, the World Trade Organization. The number of regional trade agreements more than quadrupled between 1988 and 2008, and they deepened as well, involving more thoroughgoing coordination. In that period, trade tripled, rising from less than a sixth of global GDP to more than a quarter.
A US soldier on patrol in Musa Qala, Helmand Province, Afghanistan in 2006. Photograph: Rodrigo Abd/AP
The more countries could secure vital resources by trade, the less reason they’d have to seize land. Optimists like Thomas Friedman believed countries that were tightly woven into an economic network would forgo starting wars, for fear of losing access to the humming network. Friedman lightheartedly expressed this in 1996 as the Golden Arches Theory of Conflict Prevention: no two countries with McDonald’s will go to war with each other. And he wasn’t far off. Although there have been a handful of conflicts between McDonald’s-having countries, an individual’s chance of dying in a war between states has diminished remarkably since the cold war.
At the same time as trade was diminishing the likelihood of war, military technologies changed its shape. Just months after the Berlin Wall fell, Saddam Hussein led an Iraqi invasion of Kuwait. This was an old-school geopolitical affair: Iraq had amassed the world’s fourth-largest army, and by seizing Kuwait it would control two-fifths of the world’s oil reserves. What is more, its formidable ground forces were shielded by a large, trackless desert that was nearly impossible to navigate. Mackinder would have appreciated the strategy.
But the 90s were no longer the age of Mackinder. Saddam discovered this when a US-led coalition sent bombers from Louisiana, England, Spain, Saudi Arabia and the island of Diego Garcia to drop their payloads over Iraq, disabling much of its infrastructure within hours. More than a month of airstrikes followed, and then coalition forces used the new satellite technology of GPS to swiftly cross the desert that Iraqis had mistaken for an impenetrable barrier. A hundred hours of ground fighting were enough to defeat Iraq’s battered army, though high-ranking Iraqi officers observed afterward even this hadn’t been necessary. A few more weeks of the punishing airstrikes, and Iraq would have withdrawn its troops from Kuwait without having ever faced an adversary on the battlefield.
What even was the “battlefield” by the 90s? The Gulf war portended a much-discussed “revolution in military affairs”, one that promised to replace armoured divisions, heavy artillery and large infantries with precision airstrikes. The Russian military theorist Vladimir Slipchenko noted that strategists’ familiar spatial concepts such as fields, fronts, rears and flanks were losing relevance. With satellites, planes, GPS and now drones, “battlespace” – as strategists today call it – isn’t the wrinkled surface of the Earth, but a flat sheet of graph paper.
A sky full of drones hasn’t meant world peace. But champions of the new technologies have at least promised cleaner fighting, with fewer civilians killed, captives taken and troops dispatched. The revolution in military affairs allows powerful countries – mainly the US and its allies – to target individuals and networks rather than whole countries. This seemed to mark a shift from international war toward global policing, and from blood-soaked disruptions of geopolitics toward the smoother, though still sometimes lethal, operation of globalisation.
But has globalisation actually replaced geopolitics? “The 90s saw the map reduced to two dimensions because of air power,” concedes geostrategist Robert Kaplan. Yet the “three-dimensional map” was restored “in the mountains of Afghanistan and in the treacherous alleyways of Iraq”, he writes. The contrast between the 1991 Gulf war and the 2003–11 Iraq war is telling. In both, the global superpower led a coalition against Saddam’s Iraq. Yet the first saw air power used to achieve a brisk victory, whereas the second looked, to the untrained eye, like another US-made quagmire.
Global exports, which had been growing rapidly since the 90s, plateaued around 2008. Today “deglobalisation” – a substantial retreat of trade – is plausible in the near future, and European integration has faced an enormous setback with Brexit. As if on cue, there is now also a land war in Europe. Indeed, it is a “McDonald’s war” – the fast-food chain had hundreds of locations in Russia and Ukraine. Whatever economic benefits Russia reaped from peaceful commerce were presumably outweighed, in Putin’s mind, by Ukraine’s warm-water ports, natural resources and strategic buffer to Russia’s vulnerable west. This is, as Kaplan has memorably put it, the “revenge of geography”.
With the revenge of geography has come the return of geopolitical theorists, often associated with the self-described “private global-intelligence firm” Stratfor. The “shadow CIA”, as the magazine Barron’s called it, has fed off the failures of post-cold war idealism. Many of the recent maps-explain-history bestsellers have emerged from its milieu. Robert Kaplan was for a time its chief geopolitical analyst. Ian Morris, author of this year’s Geography is Destiny, has served on its board of contributors. And geopolitical authors George Friedman and Peter Zeihan were the firm’s founder and vice-president, respectively. (The British writer Tim Marshall has a different network; his Prisoners of Geography boasts a foreword by a former MI6 chief.)
In 2014, the public gained some insight into Stratfor’s work via 5m of the firm’s emails that hackers posted to WikiLeaks. This firm, it turned out, hadn’t limited itself to cartographic pontification. It had entered the fray, and seemed to have a decidedly cosy relationship to power. Stratfor, hackers revealed, had been monitoring activists on behalf of corporations, at one point proposing to investigate journalist Glenn Greenwald for the Bank of America. Among the company’s subscribers and clients were Dow Chemical, Raytheon, Goldman Sachs, Merrill Lynch, Bechtel, Coca-Cola and the US Marine Corps. It’s unclear if Stratfor, which was bought out by another intelligence firm in 2020, amounts to anything more than mid-size fish in the vast sea of the US security apparatus. But the leaked emails did include intelligence sourced directly from Israeli prime minister Benjamin Netanyahu about the Iranian nuclear programme, Israel’s willingness to assassinate a Hezbollah leader, and its prime minister’s feelings about his counterpart in Washington (“BB dislikes Obama immensely”).
It sold secrets, but ultimately Stratfor’s clientele depended on it for predictions. Geopoliticians haven’t been shy about making these. Indeed, of late they have offered so many cross-cutting forecasts that one starts to doubt the cast-iron confidence with which they are issued. Will Turkey become the “pivot point” for Europe, Asia and Africa, as Stratfor founder George Friedman contends? Or perhaps India will become the “global pivot state”, as Kaplan believes (adding that Iran is the “most pivotal geography” of the Middle East, Taiwan is “pivotal to” maritime Asia and North Korea is the “true pivot of east Asia”).
The Mbomou River, marking the border between Central African Republic and the Democratic Republic of Congo. Photograph: Florent Vergnes/AFP/Getty Images
It would be easier to take such talk seriously if the geopoliticians had a proven record. But we are still waiting for “the coming war with Japan” that George Friedman wrote a book about in 1991, and any assessment of Kaplan’s forecasting must note his support of the Iraq war, including joining a secret committee advocating the war to the White House. To his credit, Kaplan has admitted his errors. “When I and others supported a war to liberate Iraq,” he has written, “we never fully or accurately contemplated the price.”
Whether the modern Mackinders are fully or accurately contemplating all relevant factors now will take decades to discover. But their outlook on the present is legible enough. It’s largely a scoffing conservatism, one that doubts whether is much new under the sun. For Marshall, the “tribes” of the Balkans are perpetually in the thrall of “ancient suspicions”, the Democratic Republic of the Congo “remains a place shrouded in the darkness of war” and the Greeks and Turks have been locked in a “mutual antagonism” since the Trojan war. Kaplan sees things similarly. Russia has always been an “insecure and sprawling land power”, he writes, its people held “throughout history” in “fear and awe” of the Caucasus mountains. He approvingly quotes a retired historian’s theory that Russians, facing cold winters, possess an enhanced “capacity for suffering”.
The academic geographer Harm de Blij, reviewing Kaplan’s The Revenge of Geography, found the book at times “excruciating” and wrote that scholars would be surprised to see crude environmental determinism, “long consigned to the dustbin”, given new life. Kaplan concedes that thinking geopolitically requires reclaiming “decidedly unfashionable thinkers” such as Mackinder, who have been tainted by their connections to imperialism and nazism. The “misuse of his ideas”, however, doesn’t mean Mackinder was wrong, Kaplan insists. And so we’re back to the endlessly insecure Russians, cowering in fear and awe of a mountain range.
Even powerful leaders, according to the geopoliticians, can do little to defy the map. After protests ousted the Russia-friendly Ukrainian president Viktor Yanukovych in 2014, Putin “had to annex Crimea”, Marshall writes. Though Marshall condemns Russian aggression, his tone is similar to the one Putin uses to justify it. “They are constantly trying to sweep us into a corner,” Putin said of Russia’s rivals in 2014. “If you compress the spring all the way to its limit, it will snap back hard.” One might object that Putin’s ideas and attitudes, not his map, are driving Russian belligerence, yet geopolitics makes little room for such factors. “All that can be done,” writes Marshall in another context, “is to react to the realities of nature.”
At the heart of the geopolitical worldview is an appreciation of the constraints posed by “geography’s immutable nature”, as former Stratfor vice-president Zeihan writes. Redraw a few border lines and “the map that Ivan the Terrible confronted is the same one Vladimir Putin is faced with to this day”, Marshall explains. As neither the map nor the calculations around it change much, wise action mainly involves accepting intransigent facts. “There was, is and always will be trouble in Xinjiang,” a resigned Marshall writes, in what could be the catchphrase of the entire movement.
“Geography is unfair,” Ian Morris writes, and if “geography is destiny”, as he also contends, then this is a recipe for a world in which the strong remain strong and the weak remain weak. Geopoliticians excel at explaining why things won’t change. They’re less adept at explaining how things do.
That may explain geopoliticians’ notable blitheness concerning history. Did German unification come because “the Germanic states finally became tired of fighting each other”, as Marshall writes? Were the Vietnam and Iraq wars “merely isolated episodes in US history, of little lasting importance”, as Stratfor founder Friedman posits? Is it true, as Zeihan contends, that, “unlike everyone else in Europe, the English never needed to worry about an army getting bored and leisurely passing through”? Or, as Kaplan insists, that “America is fated to lead”? The geopoliticians’ historical accounts fall somewhere between “pleasantly breezy” and “harried guide rushing the schoolchildren through the castle before the next tour bus arrives”.
The Palm Jumeirah island in Dubai. Photograph: Matthias Seifert/Reuters
It is important to note that this isn’t how actual geographers – the ones who produce maps and peer-reviewed research – write. Like geopolitical theorists, geographers believe in the power of place, but they have long insisted that places are historically shaped. Law, culture and economics produce landscapes as much as tectonic plates do. And those landscapes change with time.
Even topography, geographers note, isn’t as immutable as geopoliticians suppose. Zeihan, a vice-president at Stratfor for 12 years (“You can only speak at Langley so many times”, he sighs in a recent book), has long insisted that the outsize power of the US can be attributed to its “perfect Geography of Success”. Settlers arrived in New England, encountered substandard agricultural conditions where “wheat was a hard no”, and were fortunately spurred on to claim better lands to the west. With those abundant farmlands came “the real deal”: an extensive river system allowing internal trade at a “laughably low” cost. These features, Zeihan writes, have made the US “the most powerful country in history” and will keep it so for generations. “Americans. Cannot. Mess. This. Up.”
But such factors aren’t constants. Wheat was once commonly grown in New England, despite Zeihan’s insistence that it was a “hard no” there. It was historical events – the arrival of pests such as the hessian fly (believed to have travelled with German troops fighting in the Revolutionary war) and the exhaustion of the soil by destructive farming practices – that decreased its grain outputs. The natural rivers that Zeihan makes so much of were also variables. To work, they had to be supplemented with an expensive, artificial canal system, and then within decades they were superseded by new technologies. Today, more US freight, by value, travels via rail, air and even pipeline than via water. Trucks haul 45 times as much value as boats or ships do.
Which is another way of saying that we don’t always accept the topographies we inherit. The world’s tallest skyscraper, the Burj Khalifa, sprouts from Dubai, which was for centuries an unpromising fishing village surrounded by desert and salt flats. Little about its relief map destined it for greatness. Its climate is sweltering and oil sales, though once substantial, now account for less than 1{6d6906d986cb38e604952ede6d65f3d49470e23f1a526661621333fa74363c48} of the emirate’s economy. If there’s something distinctive about Dubai, it is its legal landscape, not its physical one. The emirate isn’t governed by a single lawbook but is chopped up into free zones – Dubai Internet City, Dubai Knowledge Park and International Humanitarian City among them – designed to attract various foreign interests. The Dubai desert is essentially “a huge circuit board”, the urban theorist Mike Davis once wrote, to which global capital can easily connect.
Turning Dubai into a business hub has meant physically remaking it in ways that defy any notion that the map is destiny. Much of Dubai’s bustling commerce passes through the Port of Jebel Ali, the largest in the Middle East. Having an enormous deep port would seem to be an important piece of geographic luck, until you realise that Dubai carved it, at great expense, out of the desert. With dredged sand, Dubai engineers have also manufactured islands, including an archipelago of more than 100 arranged as a world map. Green parks and indoor ski slopes complete the nature-defying spectacle.
Terraforming Dubai is, unfortunately, the least of what we can do. Global warming is scrambling the landscape, threatening to drown islands, make deserts of grasslands and turn rivers to dust. It’s bizarre how little geopolitical treatises make of this. “Any reader will have noticed that I do not deal with the question,” admits Friedman at the end of his book The Next 100 Years. Save for minor comments and asides, the same could be said of Morris’s Geography Is Destiny, Marshall’s Prisoners of Geography, Kaplan’s The Revenge of Geography and Zeihan’s The Accidental Superpower.
Geopoliticians’ reluctance to reckon with the climate crisis comes from their sense that there are only two options: transcend the landscape or live with it. Either globalisation will release us from physical constraints or we’ll remain trapped by them. And since new technologies and institutions clearly haven’t eradicated the importance of place, we must revert to geopolitics.
But are these the only options? It seems much more likely that the unravelling of globalisation won’t pitch us backward into the 19th century, but into a future full of unprecedented hazards. We’ll experience environmental constraints profoundly in that future, just not in the way geopoliticians predict. Rather, it’s the human-made landscape, not the natural one, that will shape our actions – including the ways that we’ve remade the physical environment. Geography isn’t “unchanging”, as Kaplan writes, but volatile. And where we’re going, the old maps won’t help.
When a Bay Place relatives contacted Oakland-based Redmond Aldrich Design to devise their desire residence, the wife, Christina, didn’t share much information and facts. She omitted that her spouse, Andre Iguodala, is a Golden Condition Warriors celebrity.
“Christina is pretty reduced-critical,” recounts founder Chloe Redmond Warner, who led the project together with senior designer Taylor Shanahan. Just after briefing Warner’s team on the principle she had in head for their 7,000-sq.-foot and 5-bedroom house—she required an understated yet present day French-encouraged aesthetic with heaps of area to host spouse and children and friends—Christina described, offhandedly, to Shanahan that the house would have to have a good quantity of customized-created home furniture. “She explained to me, ‘My husband is incredibly tall,’” Shanahan recollects, “and after pausing for a minute, she added, ‘And all of his buddies are quite tall.’”
Even with the peripatetic nature of the NBA—over the earlier 18 several years, Andre has also played for Philadelphia, Denver, and Miami—when Christina contacted Redmond Aldrich (after discovering out the organization experienced made one of her beloved shops), it was because the spouse and children were at last prepared to set down permanent roots. “Our son will be graduating in a few several years, so the plan of relocating in the middle of large school didn’t feel appropriate,” says Christina, who achieved her partner as large college classmates in their hometown of Springfield, Illinois. Warner, likewise, is also a Bay Area transplant. Right after graduating from Harvard University’s Graduate University of Design in 2005, she relocated to Oakland and started Redmond Aldrich, which has because become regarded for its atmospheric areas that teem with aged-world specifics and channel breezy California model.
In fact, the Iguodala house feels like the epitome of California dwelling, comprehensive with a sprawling yard crammed with native crops and sights in excess of the Redwood forests outside of. “The house is pretty dazzling there is a lot of light-weight there,” Warner says. She fulfilled the airy architecture with a neutral palette of whites, grays, and natural textures, like stone and glossy dark-stained wood. For instance, in the formal residing room—which features double-height ceilings and faces the pool—they selected home furniture that would elicit a relaxed nonetheless luxurious vibe: a produced-to-measure speckled grey couch from Egg Collective, product bouclé wool armchairs from CB2, a modernist-impressed travertine table by Lawson-Fenning, and an oak lamp by Lostine. Nonetheless, earlier mentioned the white marble-lined fire, they extra a burst of color in the kind of an summary painting by Nigerian American artist Odili Donald Odita, which provides a vivid perception of distinction to the in any other case light-toned place.
“The architecture and design are quite muted and restrained,” Warner factors out. “But the artwork provides so substantially vibrancy.” In simple fact, around the past various years the few has been creating up an in depth portfolio of modern art. “Supporting Black artists is paramount for us,” Christina explains. Hers and Andre’s collection has developed to contain pieces by pop artist Rello, Turner Prize–winner Chris Ofili, and British installation artist Isaac Julien. “Some of our most loved parts are the shots by Oakland-based artist Sadie Barnett,” she carries on, referring to the portraits of the artist’s father that hang in the pink-walled dining place. “They evoke a perception of familiarity and are palatable for anybody with an artwork track record or not.” Christina adds, “I realized I did not want my home to really feel like a museum, which could be uncomplicated offered the stature of the place and ceiling heights. I wanted it to invite friends to basically delight in our residence.”