The beauty and business of art | My Turn

In August 2017, the day soon after the notorious “Unite the Right” rally in Charlottesville, Virginia wherever neo-Nazis and white supremacists marched proudly with Confederate and swastika flags, I acquired a cell phone call from an not likely source.

I experienced met Darya all through the 1998 Interfaith Pilgrimage of the Center Passage, a multi-racial walk to honor and to atone for the legacy of African slavery in the New Earth. I participated for three weeks going to slave marketplaces, plantations and hanging trees in Virginia and North Carolina. It was a visceral, cathartic knowledge that I look at just one of the extra tricky nonetheless most satisfying situations of my lifetime. Darya was born in Ethiopia (her father was a shepherd) and in spite of her younger age, was a dignified and a great deal revered figure on the stroll. We were barely close then but later on turned Facebook pals and would on a regular basis comment on each and every other’s posts. Mine consisted predominantly of my paintings and photos of the beauty of New Mexico.

I assumed Darya, being of African descent, wished to speak that day about race but as a substitute we caught just about every other up on our lives because the Pilgrimage with facts about families and associates. At just one level, she advised me how substantially she loved observing my artistic postings on Facebook. I remarked that I felt uneasy about them, me getting a nicely-off white person submitting fairly photos although men and women were suffering. Her response to that altered my daily life.

“No, Daniel, you’re mistaken. We want to see images of elegance, now a lot more than ever. It is magnificence that gives people today hope and inspiration. Your photos bring me joy so make sure you keep putting up them.” Given that then, I have performed so devoid of protection or apology.

To be crystal clear, individuals have endured in the fingers of other folks for millennia but that in no way prevented the circulation of creativeness which rose higher than the tumult. When some artwork, like “Guernica,” is politically determined, most has hardly ever been. The wonderful names of the Italian Renaissance were patronized and financed by metropolis-state rulers lots of of whom — ended up they alive currently — would be standing demo in The Hague for crimes from humanity. But Michelangelo, Donatello, Botticelli or Leonardo Da Vinci could have cared considerably less about the transgressions of the Medici and Sforza people or some dissolute Pope. All those names are lengthy overlooked. The creations of these inventive geniuses are immortal. Furthermore, some of the terrific names of art were being rather rotten individuals quite a few staying drunken, womanizing louts you would avoid at your peril. Their behavior does absolutely nothing to diminish their gifts to the entire world. Saints are instead dull and uncreative individuals.

A lot of have noticed that artwork is a bizarre business enterprise, in which you are possibly ridiculously underpaid or overpaid for your creativity. There is incomprehensible junk selling at Sotheby’s auctions for six or seven figures even though fantastic artists wrestle in poverty and obscurity. Vincent Van Gogh, of course, is a basic illustration. His collection is now worthy of about $10 billion, but in the study course of his sad, depressing lifetime he sold only a person portray really worth $78. Following he died, his brother’s widow virtually threw the full good deal in the trash since she was exhausted of her attic staying cluttered by her insane brother-in-law’s weirdo paintings. Fortunately, an art dealer intervened and the relaxation is background.

Whilst the Taos artwork group has normally been subjected in the course of its background to ridicule and derision, our county is privileged to have so a lot of artists of all ethnicities who are not only decent human beings but highly gifted kinds as properly. What motivates us covers much too huge a spectrum to checklist. But I would guess it’s the primal urge to generate, a human trait that goes back again earlier the 17,000­-calendar year-previous Lascaux cave paintings. In the artist planet, there is no such matter as “retirement.” I plan to keep painting until finally I collapse over the palette. And of course, funds is awesome and I love it when my paintings promote but the dance of greenback indicators isn’t what results in us artists to chain ourselves to the easel. I see or visualize an graphic and my intellect goes, “Dang, I gotta paint that.”

When at operate, I enter an altered point out the place intuitive steering is as important as physical system. Residing in this article assists. There’s a rationale why artists from across the planet have flocked to Taos to translate the exceptional electricity and magnificence we all come to feel listed here. When pals back East check with me the place I discover my inspiration, I reply, “Heck, I just wander out the door.”

Daniel A. Brown is an artist, trainer and author living in Taos County.

Artist Captures the Beauty of All 50 States in Series of Landscapes

State Paintings by Emily Kenney

25 paintings from the “50 States” series
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Visiting all 50 states of the U.S. is a goal for many people, but making the trip to each one isn’t easy. However, even if traveling may be difficult, there are other ways to tour these places. Texas-based artist Emily Kenney celebrates the natural beauty of the United States by painting a landscape or seascape for each state.

The completed series, aptly entitled 50 States, depicts the scenery of California, Mississippi, Pennsylvania, and more in Kenney’s airy, impressionistic painting style. The artist was inspired to embark on this project after moving from Michigan to Texas in 2020. The limitations of the pandemic forced her to spend more time indoors, so she used her painting skills to travel to some of the most beautiful natural places across the United States. “I decided to create work that would bring the outdoors in, and document the beauty that can be found wherever you may live,” Kenney tells My Modern Met. This initial idea then blossomed into the 50 States series.

Since Kenney wasn’t able to travel as much as she wanted to, she had to find other ways to sightsee. “I didn’t set any specific requirements for choosing my state landscapes besides wanting to find the most beautiful, natural places (no cityscapes) that I could from each state,” Kenney continues. “I enjoy reading travel blogs, flipping through national park books, and I follow several photographers on social media whom I have asked permission to use their photos as painting references.”

You can purchase prints and original art via Kenney’s Etsy shop, find more merch on her Society6 store, and keep up to date with the artist’s latest creations by following her on Instagram.

Texas-based artist Emily Kenney created a stunning landscape painting for every one of the 50 states in the U.S.

State Paintings by Emily Kenney

All paintings from the “50 States” series

State Landscape Painting by Emily Kenney

New Mexico

State Landscape Painting by Emily Kenney

Arkansas

State Landscape Painting by Emily Kenney

Utah

State Landscape Painting by Emily Kenney

Georgia

State Paintings by Emily Kenney

Vermont

State Paintings by Emily Kenney

Tennessee

State Paintings by Emily Kenney

Virginia

State Paintings by Emily Kenney

Minnesota

State Paintings by Emily Kenney

Delaware

State Landscape Painting by Emily Kenney

Iowa

State Landscape Painting by Emily Kenney

Mississippi

State Landscape Painting by Emily Kenney

California

State Landscape Painting by Emily Kenney

Wyoming

State Paintings by Emily Kenney

Kansas

State Paintings by Emily Kenney

Kentucky

State Paintings by Emily Kenney

Ohio

State Paintings by Emily Kenney

New Hampshire

State Landscape Painting by Emily Kenney

Pennsylvania

State Landscape Painting by Emily Kenney

Nevada

State Landscape Painting by Emily Kenney

North Dakota

State Paintings by Emily Kenney

Montana

State Paintings by Emily Kenney

Hawaii

State Paintings by Emily Kenney

Arizona

State Paintings by Emily Kenney

Idaho

State Landscape Painting by Emily Kenney

North Carolina

State Landscape Painting by Emily Kenney

Michigan

State Paintings by Emily Kenney

New York

State Paintings by Emily Kenney

Rhode Island

State Landscape Painting by Emily Kenney

Florida

State Landscape Painting by Emily Kenney

Illinois

State Landscape Painting by Emily Kenney

Texas

State Landscape Painting by Emily Kenney

Nebraska

State Paintings by Emily Kenney

Alaska

State Paintings by Emily Kenney

Maryland

State Paintings by Emily Kenney

Massachusetts

State Paintings by Emily Kenney

Missouri

State Landscape Painting by Emily Kenney

South Carolina

State Landscape Painting by Emily Kenney

Colorado

State Paintings by Emily Kenney

Louisiana

State Paintings by Emily Kenney

Maine

State Paintings by Emily Kenney

Wisconsin

State Paintings by Emily Kenney

New Jersey

State Landscape Painting by Emily Kenney

West Virginia

State Landscape Painting by Emily Kenney

Indiana

State Paintings by Emily Kenney

Oklahoma

State Paintings by Emily Kenney

Montana

State Paintings by Emily Kenney

Alaska

State Paintings by Emily Kenney

Oregon

State Landscape Painting by Emily Kenney

Connecticut

State Landscape Painting by Emily Kenney

South Dakota

Emily Kenney: Etsy | Society6 | Instagram

My Modern Met granted permission to feature photos by Emily Kenney.

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A new curiosity shop in Colorado Springs shows the beauty of dead butterflies | Arts & Entertainment

The sight of dead things usually doesn’t bring a love song to mind.

Walking into this new downtown Colorado Springs shop, there’s a black Christmas tree covered with skeleton ornaments in the corner. Framed and unmoving insects hang on the walls alongside paintings inspired by horror movies.

It’s the owners, two bearded guys sometimes dapperly dressed up in flowery button down shirts, vests and ties, who make you want to play a Kacey Musgraves tune called “Butterflies.”






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ABOVE: A framed orb-weaver spider art piece by Andrew Cronk at Cronk Art & Curiosities. “Every kid has a bug phase,” Cronk says. “I never left the bug phase.”




Maybe it’s because of all the butterfly artwork around the shop, but it’s also these lyrics: “And out of the blue, I fell for you.”

That’s how their love story unfolded.

Andrew Cronk and Chris Dantzler met on Sept. 14, 2020, for a lunch date. A month later on a Halloween trip to Salem, Mass., Cronk asked Dantzler to be his partner. By April, they had bought a house together in Monument. With so much going on, they forgot about a shared goal that came up earlier on in their whirlwind romance: Opening a store together.

For Cronk, the dream started as a child.

“Every kid has a bug phase,” Cronk, a Colorado Springs native, said. “I never left the bug phase.”

His bug phase slowly crawled into a career managing a local garden center and making art inspired by his love for nature.

Cronk found a knack for preserving critters and turning them into art, by carefully pinning them against a backdrop and adding Tarot cards or splashes of paint and frames. Of all the insects, butterflies are his favorite.

While working at Phelan Gardens for the last 11 years and as his art sales took off, Cronk thought about one day opening his own shop.

When Dantzler entered the picture, he already had an affinity for butterflies. It goes back to the death of his grandmother in 2005. Every time Dantzler went to drive somewhere that summer, he was greeted by a butterfly perched on his driver’s side mirror.

“I always associated the butterfly with her watching over me,” Dantzler said. “They’ve always been near and dear to me.”

Then he met a man who strived to keep the butterfly’s beauty alive. And who happened to give him butterflies (you know, the other kind).

Dantzler, who has a tech and business background, saw big potential in his partner’s creations.

“I’ve seen people pin butterflies left and right, but nowhere near to the quality that he does,” Dantzler, 35, said. “I see his talent and his artistry and I’m like, ‘Cool. I’m going to push this guy to his limits.’”

As Musgraves sings in “Butterflies,” sometimes it takes one person to bring you out of your chrysalis.

As for Cronk, “one day” turned into “let’s do this.”

“It was always an idea, a dream of mine,” Cronk, 29, said. “Then I met this guy. And he gave me that push to do it.

Around the one-year mark of when they met, the pair found themselves renovating a storefront near The Old Depot on Sierra Madre Street. Their store, called Cronk Art & Curiosities, opened Sept. 30.






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An array of oddities at Cronk Art & Curiosities in Colorado Springs Andrew Cronk and his partner Chris Dantzler opened their shop on Sept. 30, in a storefront next to The Old Depot on Sierra Madre Street in Colorado Springs.




Maybe it’s a little weird to move so fast. But Cronk and Dantzler say they’ve always been a little weird.

Their shop shows that off before you even walk in the door. A sign outside reads, “Don’t you deserve something weird?”

Inside is an array of oddities, such as moth earrings, necklaces made out of pocket knives and spooky socks.

And there’s Cronk’s framed artwork. A big bright blue butterfly against a white backdrop. A smaller red butterfly creeping the corner of a frame with vintage black-and-white Tarot cards in the center. Two swallowtails, a golden one and black one, pinned so their black wings carefully overlap.

You can often find Cronk behind the counter with a case of deceased butterflies and moths, as he carefully works on the painstaking pinning process. The butterflies are so perfectly preserved that customers ask if Cronk painted them.






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Cronk

rings up customer Candice German at his new store in downtown Colorado Springs




When he explains that they’re real insects, he gets to dive into one of his favorite conversation topics.

“It opens people’s eyes to conservation,” Cronk said. “That’s really important to me. You talk about your process and people think, ‘Maybe I should be more mindful about the natural world around me.’”

It seems Colorado Springs has an appetite for such things. A shop with similar vibes, called Novis Mortem Collective, opened in 2020 in hopes of “bringing a little bit of weird” to downtown Colorado Springs.






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A paper skeleton seahorse available at Cronk Art & Curiosities in Colorado Springs. Andrew Cronk and partner Chris Dantzler opened their shop last fall.




The shop on East Bijou Street has partnered with Cronk Art & Curiosities and Phelan Gardens to support the Southern Colorado Pollinator Paradise, a 4,000 square-foot pollinator habitat being constructed in Colorado Springs.

“If you think the art is cool, hopefully you’d want to protect that thing,” Cronk said.

Plenty of other fun conversations happen at the shop, prompted by all kinds of weird items.

“Our goal is to have things you’re not going to find everywhere,” Dantzler said. “It’s a safe place for the weirdos.”

How the beauty of Sun Valley shapes its art | Arts & Events

Given that the origins of portray as an artwork form, the organic entire world has played a major purpose. Sun Valley, with its spectacular landscapes, is a testament to how this life on. 

Currently, Dec. 29, galleries will open up doorways throughout downtown Ketchum for a different Gallery Wander, allowing any one to working experience artwork shaped by Sun Valley’s landscapes.

For the earlier two weeks, Jineen Griffith and Tina Cole have teamed up for a Holiday break Pop Up Art Exhibit at Anderson Architecture dubbed “Paintings & Prints Regional Landscapes.” They will also clearly show at Gallery Wander.

Much of their work is completed “en plein air,” a French phrase simply this means “outside.” The follow is strongly linked with the impressionist painters.

Cole’s watercolor landscapes are all dependent all over this location.

“I hope their splendor will encourage and advertise awareness for preserving and guarding our encompassing wild public lands for foreseeable future generations,” Cole reported.

Cole’s biggest inspiration is outdoors her window.






How the beauty of Sun Valley shapes its art

Tina Cole will demonstrate her art at Anderson Architecture.




“We are surrounded each individual working day by much more than a life time of imagery and ideas to create, attract, print and paint,” she explained.

Cole has stored specific drawing/watercolor journals since 1975 when she was an artwork student touring across Europe, documenting the mountains and countrysides of the environment. She has sketched on rafts in the Grand Canyon, very long treks in Nepal, horseback rides in Mongolia and repeated hikes up Carbonate guiding Hailey.

“My watercolor performs permit me to sketch speedily and develop is effective of immediacy,” she explained. “They are completed on the spot and are incredibly contemporary, true and a single of a sort.”

Griffith moved to the Wooden River Valley in 1979, in love with the rolling hills and the rivers managing through. Regardless of whether it’s skiing, kayaking, climbing or even sleeping beneath the stars, she spends as much time as probable outdoor. 

“Painting has allowed me another way of observing the pure globe,” she reported. “My preference is portray outside on locale any where that moves me in character.”

Griffith tries to capture the essence of a location and the emotional and spiritual element that lies beneath.






How the beauty of Sun Valley shapes its art

Jineen Griffith will existing her get the job done at Anderson Architecture.




“There’s some thing strong about remaining in an natural environment I simply cannot management, pressured out of a ease and comfort zone and into an appreciation of becoming in the instant,” she said.

If she is not impressed, she will adhere to the shifting gentle and the motion of the shadows. All her senses heighten as she focuses in. 

“It’s this rapidly-paced problem that provides out the spontaneity and the pureness of portray,” she stated.

At times, the final result of her exertion is a persuasive illustration of what she’s striving to paint. If it does not materialize, she however comes away rewarded with time put in in character.

“By currently being at peace and in harmony with my surroundings, and myself, I hope to express an psychological bond in between the operate of artwork and the viewer,” she said. “It looks impossible to seize the elemental attractiveness of this kind of spots, but I foresee paying out the rest of my life making an attempt.”

At Gilman Modern day, Jill Lear’s artwork, oscillating involving the abstract and the figurative, mostly focuses on the imagery of trees. She has expended the earlier 20 years photographing, drawing and painting trees.

“Trees are puzzles of proportion, fantastic automobiles for mapping and investigation,” Lear explained.

Each individual piece is named immediately after the latitude and longitude of the tree along with its Latin identify. If you fall the coordinates into Google Earth, it provides up the genuine tree.

“The extra I drew and painted the trees and the additional I read about them, the more I grew to become intrigued in their tales, their histories, what they have witnessed, in essence their inner life,” she claimed.

To Lear, every tree is a mystery. What does the tree want to communicate?






How the beauty of Sun Valley shapes its art

Jill Lear will exhibit her function at Gilman Up to date.




“My hope is that [people] will take the time to really search,” she claimed, “and that I will give them a new way of looking at the earth.”

Kneeland Gallery will present the do the job of Caleb Meyer.

As he was increasing up, Meyer’s father was a camp director at Camp Perkins in the Sawtooth Mountains, the place he invested most of his summers.

“Getting to live in these places had a enormous impact on my appreciation for the landscape and all of creation, which in switch has been a significant impact on my art and creativeness,” Meyer said. “To me there is certainly practically nothing a lot more inspiring than the beautiful wild areas about us, and I hope to seize even a small piece of that glory so individuals can provide it into their homes.”

Meyer typically commences with a reference photo for inspiration and then just lets it fly. He plays with lines and colour though capturing the organic entire world, operating toward a perception of actuality although keeping the spontaneity of impressionism.

“What I would hope individuals get out of my do the job is primarily a feeling of peace,” he explained. “It could be cliché but I would hope that my paintings make folks really feel pleased, even joyful to be alive and grateful that we get to stay in this globe.” 

All those are only a several of the galleries exhibiting at Gallery Stroll. Make positive to test the web-site of your favored neighborhood gallery to see if it is taking part, and to get up to speed on the latest COVID updates.

Beauty is artist’s North Star: Denver’s Daniel Sprick to exhibit in New York | Arts & Entertainment

Daniel Sprick, a person of Colorado’s most achieved artists, a short while ago returned from New York Town, in which he was making ready for a new exhibition — his initially because 2016. Opening at the Gerald Peters Gallery on February 11, Sprick’s demonstrate “Interiors” will exhibit his ethereal, realist paintings of his 16th-ground apartment in close proximity to City Park, most made throughout Covid-19 lockdown, Travel & Tips.

Sprick is arguably the greatest representational painter in Colorado, or probably the Rocky Mountain location. In Sprick’s hands, interiors are concurrently just about every-day and otherworldly. The diploma of verisimilitude in his paintings techniques fine-art photography of areas saturated in luscious natural mild. Sprick’s paintings are, in a word, stunning.

“Great splendor can be identified, can be expressed,” Sprick stated. “I imagine there is a good deal far more consensus about natural beauty than a ton of people want to feel. Which is opposed to declaring that natural beauty is in the eye of the beholder.”

Beauty is Sprick’s North Star. And he finds magnificence in realism.

“Beauty is a little something that is under no circumstances mentioned in present-day artwork, not that I know of. If it is lovely, it’s for the reason that it boosts the prosperity and status of the owner, but not on the merits of the art,” he stated.

“In our time, in architecture of the early 20th century top up to now, magnificence was thought of a weakness. Magnificence was disdained in architecture, and I consider that the other arts adopted,” Sprick mentioned. “But absolutely nothing could be far more critical and very good than attractiveness. Mother nature, yet another human: At times it stops your heart to see amazing elegance. Extremely seldom, artwork does that.”

The natural beauty and verisimilitude of a Sprick portrait can choose absent one’s breath. Same with a Sprick however-lifetime or landscape.

“A portray is light-weight and darkish patches on canvas, but these combos of light-weight and dark can unlock the enjoyment facilities of the human mind, which is what we call natural beauty and can turn into transcendent,” reported Sprick.

John Madden — a person of metro Denver’s enhancement titans, a long-standing patron of the arts and co-founder of Museum of Out of doors Artwork (MOA) — commenced amassing fine artwork in the 1960s. Madden, now 92, reduce his aesthetic tooth at the Joslyn Museum in Omaha, Neb.

“I worked there 20 many years, every little thing from carpenter to tour manual,” Madden mentioned. “That’s in which I bought to know Rembrandt and Titian.”

The Madden Assortment — of which somewhere around 100 pieces have been donated to the College of Denver — consists of works by Robert Rauschenberg, Grandma Moses, Thomas Moran, Thomas Hart Benton, Wilson Hurly, Chen Chi and many other noteworthy artists. Madden also collected 8 Daniel Sprick paintings. MOA owns a different 3 Spricks, together with a person of the painter’s enormous nevertheless-everyday living is effective. MOA also made a documentary film, “Daniel Sprick: Pursuit of Fact and Magnificence,” which can be viewed at moaonline.org.

Madden explained a person of his Sprick paintings: “It’s a river at evening. Phenomenal! It is a intimate photo, really, pretty practical with an unbelievable handling of gentle,” Madden stated. “I believe Daniel Sprick is a keeper and is going to be any person who will be remembered. His artwork reflects that.”

Timothy Standring, Denver Artwork Museum curator emeritus, mirrored on Sprick’s paintings as poetic functionality art, of types.

“Because Sprick functions in the vernacular of realism, viewers search for verisimilitude, as if his paintings had been a mirror of reality — a actuality you and I may possibly come upon,” mentioned Standring. “And but, the additional we dwell on his paintings, the additional we turn into informed that they are everything but a part of our earth, and as an alternative, are poetic renditions of his very own producing. As this sort of, we come upon Sprick’s paintings as encounters whereby we have interaction deeply with the creation of his functions. By responding to his amazing performances, we practical experience the poetry of his performs.”

Sprick normally takes his perform seriously. He is nothing at all if not earnest, and portray is his vocation, his religious quest, his raison d’être.

Requested no matter whether he ever considers portray in a model a lot less demanding than his intensely representational realism, Sprick mentioned, basically, “No.”

But then, soon after a prolonged silence, he added, “Abstract portray has no skill included. When folks say, ‘My kid could do that,’ they could. It is correct. It’s no obstacle to manufacture a merchandise or splatter paint. Never think it when connoisseurs throw a cloak of obscurity and place to criteria the place none exist. It is a activity with no policies. No material. Very little there. The emperor’s dresses,” he explained.

“I have no capability for self-delusion. I’ve in no way had the slightest layout to fake, no make any difference what accolades or good results it could be rewarded with. I feel I’d fairly drink poison,” Sprick mentioned. “That’s why I have no artist statement, no concept. Here’s my artist assertion: What you see is what you get.”

Authenticity by way of verisimilitude in Sprick’s realist paintings impresses every person in his orbit. Longmont-primarily based Scott Fraser, an additional renowned painter functioning in realism and surrealism, is Sprick’s peer.

“I’ve known Dan for 40 yrs. We have each and every other’s paintings. He’s on my record of preferred artists. We’re close mates,” Fraser claimed. “It’s remarkable what he’s accomplished technically. There is a consistent top quality to his do the job that he has taken care of. He has experimented with subject issue, and I value that. He’s quite broad. I’m just a nevertheless-everyday living painter, but Dan paints continue to-lifes and landscapes, seascapes, cityscapes. He paints the figure,” Fraser claimed. “He has a specific talent established that will get greater, and he applies it to all points.”

Sprick, now working on an almost-daily life-sized nude, credits not only his expertise, but also his devotion.

“I’m continue to making an attempt to grasp it, because it can’t be mastered. My complex skill will get superior and much better, partly for the reason that I really do not do just about anything else. I try to eat, rest and ride bicycles — I trip a bicycle to get the job done most days — but I do practically very little else but artwork. Which is fully my choice to are living and breathe and development into bigger attractiveness,” reported Sprick.

His life-style evidently works for him. At 68, Sprick appears virtually boyish: slight, an unwrinkled facial area, a complete head of brown hair. Still he appreciates he’s no Peter Pan of portray.

“I’ll preserve likely as extensive as I’m equipped. I’m having more mature, and I will run out of time. The clock is ticking for me like for everybody else, so I’m working complete tilt when I however can due to the fact I know the capability will go absent.”

Meanwhile, he’s fulfilled and pursuing his inner compass: “There is even now undiscovered territory,” Sprick explained. “I’m sailing for a continent I’m not even positive exists.”

Colleen Smith is a longtime arts writer primarily based in Denver.


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For La Prairie, 2021 Was Defined by the Beauty of Art Collaborations and a Sense of Blue

Clearly, La Prairie’s patronage of the arts is much more than skin-deep. In 2021, the luxury Swiss skincare brand supported a range of cultural initiatives; from New York and Miami to London and Switzerland, each was as memorable as the next.

In May, when Frieze made its return to New York for the first time since 2019, La Prairie teamed up with Hong Kong and Berlin–based new media artist Carla Chan, whose practice explores the notion of time, inviting viewers to palpably witness and reflect on its passage. Her contemplative Frieze New York commission, Space Between The Light Glows, was inspired by the ever-changing sunlight during her recent stay at the Monte Rosa Hut, La Prairie’s very first residency, situated in the heart of the Swiss Alps.

The Monte Rosa Hut, La Prairie's new art residency in the Swiss Alps. Courtesy of La Prairie.

The Monte Rosa Hut, La Prairie’s new art residency in the Swiss Alps. Courtesy of La Prairie.

“I am interested in creating a feeling of ambiguity, which allows the audience to wander in their own thoughts and imagination,” Chan said in a statement from the brand. “In this particular piece for La Prairie, I try to play with light and shadow, to fill in the imaginative space between the lights to leave a trace of nature.” The video installation recalled sun-dappled Swiss landscapes; without a clear sense of space or time, it created a much-needed moment of respite for fairgoers.

In the meantime, across town, one of MoMA PS1’s most adored exhibitions of the year came to life with integral support from La Prairie. “Niki de Saint Phalle: Structures for Life” brought together more than 200 works from the legendary French-American multimedia artist. With its diverse array of sculpture, drawings, videos, and paintings, the retrospective stood out as an overdue look at her highly influential and ahead-of-its-time oeuvre.

Niki de Saint Phalle, <i>L'Estrella Carta No. XVII (The Star)</i>, 1997. © 2021 Niki Charitable Art Foundation.

Niki de Saint Phalle, L’Estrella Carta No. XVII (The Star), 1997. © 2021 Niki Charitable Art Foundation.

“Several years ago, I was doing research on women artists who made large-scale work and realized that Niki de Saint Phalle was really one of the first women artists to embark on such a monumental scale,” said the show’s curator, Ruba Katrib, in an interview with La Prairie. “Looking into this aspect of her practice further, I learned more about her ground-breaking strategies for realizing her artistic visions, all of which require a holistic approach between concept and the modes of production.”

“Structures for Life” showcased de Saint Phalle’s steadfast attempts to spark joy, despite her traumatic upbringing and an adult life marked by emotional turmoil. The artist’s works elicit a duality that honors the importance of playfulness, while also drawing attention to social and political issues.

Niki de Saint Phalle, <i>Flaçon de parfum</i>, 1982. © 2021 Niki Charitable Art Foundation.

Niki de Saint Phalle, Flaçon de Parfum, 1982. © 2021 Niki Charitable Art Foundation.

A cunning businesswoman, de Saint Phalle funded her practice through many out-of-the-box enterprises. One such initiative proved highly influential for La Prairie: the artist’s own perfume, Flacon de Parfum. Set in the same cobalt blue that graces many of de Saint Phalle’s works, the bottle’s color was the direct inspiration for the design of La Prairie’s Skin Caviar collection.

Meanwhile, since 2017, La Prairie has lent its platform to emerging artists at Art Basel fairs around the globe. This year, the house staged activations during the Basel, Switzerland and Miami editions.

The Skin Caviar collection uses the cobalt blue that graces many Niki de Saint Phalle artworks, also the inspiration for Maotik's recent La Prairie commission. Courtesy of La Prairie.

The Skin Caviar collection uses the cobalt blue that graces many Niki de Saint Phalle artworks, also the inspiration for Maotik’s recent La Prairie commission. Courtesy of La Prairie.

For the Basel fair in September, as well as Frieze London the following month, French digital artist Mathieu Le Sourd—also known as Maotik—was tapped to create Sense of Blue, an immersive installation that plummeted viewers into the dark of night. Using the same cobalt blue made famous by de Saint Phalle and adopted by La Prairie, Maotik’s virtual and augmented reality work allowed viewers’ movements to alter their environment through a shifting façade of light.

And this month, at Art Basel Miami Beach, La Prairie hosted its latest artist commission—Wen Chi Su’s Moving Towards the Horizon, which the Taiwanese dancer, choreographer, and new media artist performed on the sands of Miami Beach.

Wen Chi Su, <em>Moving Towards the Horizon</em>, commissioned by La Prairie for Art Basel Miami Beach. Courtesy of La Prairie.

Wen Chi Su, Moving Towards the Horizon, commissioned by La Prairie for Art Basel Miami Beach. Courtesy of La Prairie.

Su’s performance, which took place as the sun set over the Atlantic Ocean, encapsulated the effect of light against water. Inspired by a trip she took in the summer of 2021 to study lakes across La Prairie’s home country of Switzerland, the artist physically embodied the natural elements, creating a sense of “liquidity” through her dynamic movements.

Many of La Prairie’s artistic endeavors have lives that extend beyond one-time experiences. Such is the case in their ongoing conservation project with Fondation Beyeler, Switzerland’s most visited museum, to restore four seminal works by Piet Mondrian, created between 1921 and 1938: Tableau No. I; Composition with Yellow and Blue; Composition with Double Line and Blue; Lozenge Composition with Eight Lines and Red.

With Switzerland's Fondation Beyeler, La Prairie has supported the restoration of fourPiet Mondrian masterpieces. Courtesy of La Prairie.

With Switzerland’s Fondation Beyeler, La Prairie has supported the restoration of fourPiet Mondrian masterpieces. Courtesy of La Prairie.

With La Prairie’s support, the institution has employed a renowned team of researchers, scientific experts, and Mondrian scholars from the Kunstmuseum in The Hague, which houses the world’s largest collection of the Dutch painter’s works. The project began in 2017 and will culminate in a major retrospective of the Mondrian masterpieces at Fondation Beyeler next year.

Markus Gross, the institution’s chief conservator, said in an interview with La Prairie, “This unique opportunity to give something back to the world of art and culture, and also pay homage to the brand’s artistic heritage—greatly inspired by Mondrian’s minimalist aesthetic, geometric precision, and purity of form—is unrivaled.”

Just as Mondrian daringly explored the fundamental elements of art, the emerging artists that La Prairie champions today are also fearless innovators in their fields. With its ongoing efforts to help push the boundaries of culture, the brand promises to broaden and bolster the canon for years to come.

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