This new book explores how India’s conservation scene turned inclusionary

‘At the Toes of Living Things’ journals experiences of ecologists who practise a collaborative and socio-ecologically sensitive tactic to conservation

Illustration: Yogendra Anand
Illustration: Yogendra Anand

Until the late 1990s, pupils of mother nature mostly worked within protected places and seldom interacted with the societies and cultures that existed in the larger sized landscape. They had been guided by the prevailing conservation notions that species would be adequately guarded if there were being secured parts, and that nearby people and their tactics had been a risk to wildlife.

Having said that, only about five for each cent of India’s land is secured, which is not more than enough to sustain wild animals in the very long operate. Science reveals that wildlife have normally travelled via and/or stayed in human-utilized spaces. Moreover, the earlier two decades also witnessed the devastating impacts of neoliberal economic guidelines on nature.

It soon grew to become distinct that to preserve species, one would will need to look further than secured places and operate with distinct styles of stakeholders — regional communities, the forest section, development sectors, policymakers, non-public providers and character fans from all walks of lifestyle.

This introduced a demanding proposition to college students of nature who had been not totally properly trained to don the hat of a multitasker. They experienced to learn on the career. At the Toes of Residing Things is the gathered practical experience of ecologists from Mysuru-dependent general public charitable belief Nature Conservation Basis (NCF), who have adopted this conservation tactic around the past 25 decades. The technique sheds its previously typical, exclusionary, elitist pores and skin and is emerging as collaborative, constructive and socio-ecologically sensitive.

The e book has three chapters on snow leopard conservation from the conflict-prone trans-Himalayan landscape. Right here, a herder may well get rid of his life’s discounts in a issue of several hours if a snow leopard enters his corral and kills 30-40 sheep at a time.

Assuming that the attacks had been going on owing to a dearth of wild prey, researchers worked with the neighborhood group to set apart an location the place only wild herbivores would graze, not livestock. This revived wild herbivore populations. As a result, snow leopard populations also enhanced and attacks on livestock continued, even though snow leopards were feeding a lot less on livestock than ahead of.

To aid coexistence, NCF predator-proofed livestock enclosures, served herders file for compensation statements and introduced an impressive livestock insurance policy scheme. They foregrounded the importance of conserving total landscapes and labored with the stakeholders to internalise conservation as a common societal objective.

In the Anamalai landscape of Western Ghats, researchers observed that most elephant-brought on human fatalities have been, in actuality, mishaps. To mitigate this, they set up an comprehensive volunteer community to keep track of elephant movement and established a procedure to forewarn folks of the animals’ existence in the spot.

They emphasised shifting to centralised and safe food storage houses, in place of the many, unprotected storages that elephants could quickly rummage. This minimized human mortality and home problems substantially.

On the other hand, inclusive and participatory conservation has also observed limitations, these as hardened minds that refuse to reconcile distinctions. Aparajita Dutta narrates her experience of hoping to reconcile distrust and hatred amongst the Lisu tribe and the forest department in a remote and reasonably unexplored tropical forest of Arunachal Pradesh. But regardless of 8 a long time of her operate, a stalemate exists. Namdapha’s wildlife carries on to remain unprotected, unmonitored and the Lisu proceed to be demonised.

Nature’s resilience and capacity to regenerate, nonetheless, gives potent motivations to keep on the elephantine journey that conservation is. In this respect, Rohan Arthur’s chapter on the coral reefs in Lakshadweep is a ought to-examine.

For we should satisfy Pavona clavus—an impossibly huge coral that is a reef by by itself and has stood underwater for thousands and thousands of many years, preventing a silent and inspiring struggle from local climate change—a fantastic, fantastic, terrific grandparent nearly, to whom Rohan introduces his pupils, to learn resilience and perseverance from.

What is heartening is that character can instruct persistence, love and care to any individual who is willing to find out. Do go through the chapters on eBird and SeasonWatch to master how a single can grow to be a student of character by means of one’s observations.

These observations might just seed future conservation tips. For occasion, the seed of a fig tree nestled in a civet’s scat in the center of a rainforest in the Western Ghats sparked an concept.

T R Shankar Raman and Divya Mudappa began gathering these kinds of seeds from scats of seed-dispersing wildlife and from ripe fruits fallen beneath trees, and nursed them until they grew to become saplings — a learning that would assist them restore rainforest patches in the plantation-dominated Valparai landscape.

Anindya Sinha’s chapter, once again, is encouraged by observations. It is a prosperous qualitative description of primate societies that are making an attempt to adapt to urbanisation, adopted by riveting scientific discussions explaining the observations. The chapter signifies a departure from the studies-major quantitative analyses that excessively dominates the discipline of ecology.

Even further, it pushes audience to imagine “what bearings do our lives, and our generally-unfeeling steps have on the lifeworlds of animals and how can our knowledge of these shared lifeworlds add to a recasting of our have environmental perspectives, prejudices and methods?”

This was to start with published in the February 16-28, 2023 print edition of Down To Earth

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New art exhibit in Greenport explores untold queer stories of the North Fork

A new artwork show in Greenport seeks to convey to an exuberant, untold piece of local historical past by means of illustration.

“Fashion: A Hidden History” is now on show at the Natali/Keyes gallery on Key Road and will be shown through Aug. 15.

The assortment features drawings and collages by Jerry Schofield, a trend illustrator and artist who was commissioned by legendary makes and designers including Lord and Taylor and Henri Bendel, exactly where he met his partner, Frank McIntosh.

The two lived in a majestic captain’s 17th-century mansion along Key Street in Greenport, in accordance to acclaimed artwork historian and curator Alison Gingeras, who structured the show at the Greenport gallery.

“At very first glance, without having being aware of all of the history, it appears like modern art,” Gingeras mentioned in a latest job interview at the gallery, where by the walls were recently painted dazzling pink. “They appear like the operate of Karen Kilimnick or other painters I’ve labored with in advance of who quote this type. There’s this campy quotation in the work.”

The evocative ink drawings, collages and gouache paintings are a peek into Schofield’s affect on the vogue environment, but also a glimpse at the concealed background of artists obscured by the homophobia of their era.

Schofield drew for Chanel, Chloé, Halston, Estee Lauder and
Diane von Furstenberg and put in time in Greenport in a dwelling shared with his partner, Frank McIntosh. (Credit rating: Tara Smith)

As Gingeras started exploring the history and arranging the drawings, she drew a connection concerning other hidden tales and artists of the time.

“We had been going deeper into the history and surely the concealed queer histories of the North Fork and observed a link involving these artists, intellectuals and creatives who, given that the 19th century, have been coming in this article, dwelling below and working in this article,” she defined, also noting that it was tough to exploration Schofield’s existence. “It was extremely hard to obtain anything at all in print on him, even however he experienced this illustrious career.”

The drawings evoke a superior-trend catalog from the 1950s to early 1980s, a time Schofield was drawing for Chanel, Chloé, Halston, Estee Lauder and Diane von Furstenberg. Admiring the parts, you can come across telltale references like a chinoiserie robe and bouffant hairdo all over the get the job done.

“It’s like this pre-background of the influencer,” Gingeras claimed. “Instagram feeds off of the attractiveness and style industries and below, their perform is entirely influencing the zeitgeist.”

One particular woman who popped into the gallery on a modern afternoon remarked that she felt transported back to her youth: taking part in with Barbie dolls, flipping by way of fashion publications or looking at displays at Bendel’s.

“Here are these folks living these oppressed life and at the similar time, they’re informing common society,” mentioned gallery co-proprietor Julie Keyes, who also operates Keyes Art Consulting in Sag Harbor.

The archive of Schofield’s operate was uncovered immediately after his partner, Frank McIntosh, died in 2020 and his family commenced sorting by way of his estate. 

A picture of Frank McIntosh and Jerry Schofield and other products from their home are aspect of the exhibition. (Credit score: Tara Smith)

“The household was just elegant and chic. Every inch was fascinating,” Keyes claimed. She recalled meeting McIntosh in the 1980s. He was most effective recognised for his do the job at the Henri Bendel division keep, helping build the manufacturer as a chief of luxurious retail and later on channeling his talents into tableware and household add-ons, performing together with masters like Dale Chihuly and Jack Lenor Larson.

As a budding ceramist, Keyes mentioned McIntosh helped start her vocation when he obtained some of her operate for the Bendel department retailer, which closed its remaining outlets in 2018 soon after a 123-calendar year run.

“He was like a mix of Winnie the Pooh and Coco Chanel,” Keyes claimed. “Frank changed my daily life.”

Even though she did not know McIntosh personally, Gingeras mentioned she experienced unknowingly frequented their property in the course of the estate sale.

“I recall it so vividly,” she explained, describing the stately, majestic architecture adorned with flamboyant, groovy wallpapers, mirrored walls and chic home furnishings all through. “It was this outstanding time capsule.” 

In addition to the trove of drawings, the exhibit also features pictures, treasures and other objets d’art found out in the Schofield-McIntosh house, amassed around the two their professions in the New York Metropolis fashion sector.

In the gallery window, you can also see a substantial folding monitor Schofield painted that options a pair of winged woman Griffons, references that conjure Schofield’s travels and cultural sophistication. 

The pink walls are a inventive reimagining and homage to Schofield’s Greenport studio with the collection of drawings hung salon-type with magnets.

“Knowing how artists operate, we required to give this sensation of the get the job done currently being in a studio, being aspect of the method,” Gingeras spelled out.

A Mattituck resident whose outstanding résumé contains curating at the Solomon R. Guggenheim Museum, the Countrywide Museum of Present day Art, Centre Pompidou in Paris, and Palazzo Grassi in Venice, Gingeras also drew inspiration for the exhibit from Justin Spring’s nonfiction e book, “Secret Historian,” a look at the hidden daily life of poet and novelist Samuel M. Steward.

In the e-book, Spring argues that pre-Stonewall histories of LGBTQ Us citizens ought to have to be excavated from attics and basements to much more totally disclose the longstanding variety of our communities.

“This pre-Stonewall heritage likely exists in each group,” Gingeras claimed. “We will need to generate individuals histories, and jobs like this are element of that system … There’s something incredibly inspiring about archaeology of the earlier.”

The Natali/Keyes gallery is situated at 207 Principal Avenue in Greenport and is open daily from 11 a.m. to 7 p.m.

Jillian Lee Antinora Explores the Beauty of Friendship on “Lighthouse”

With an acoustic flare, singer-songwriter Jillian Lee Antinora can take a moment to thank her mates with vivid imagery and thoughtful lyricism.

https://www.youtube.com/look at?v=yUiLR8z6kOM

Jillian Lee Antinora’s “Lighthouse” is a tender ode to friendship. Using her acoustic guitar to build the mellow and inviting environment which is characteristic to her new music, the singer-songwriter conjures up warmth and gratitude. “This is a song I wrote for my very best pals. I have seriously essential them around the previous pair of many years,” she explains. Employing the metaphor of a lighthouse, Antinora paints a vivid photograph of what it’s like to be like a missing boat that ultimately finds hope exterior of the darkness with a lighthouse. “You hardly ever criticize, you can slash through all the lights,” she sings, “the entire world tells us our fact, I’m so thankful for you.”

With acoustic people and the sweet envelopment of the cello, Antinora provides a depth of emotion to “Lighthouse.” Thanking God for her pals and demonstrating the toughness of the woman bond, Antinora explores the splendor of relationships and emphasizes their relevance. “I wrote it to let them know how a lot they suggest to me,” she claims. “I have appreciated excellent friendships additional and much more as I have gotten older. Mates who hear, relate, and aid tutorial me via the struggles of lifestyle.”

Jillian was born in Belleville, Illinois. She grew up in Las Vegas, NV, and later on moved to Colorado Springs, CO. Developing up, she examined ballet and was classically trained in voice as a lyric soprano starting at the age of 15. In 1996 she moved to New York City to show up at American Audio and Spectacular Academy (AMDA) and pursue her dream of performing in the theater. She worked skillfully in musical theater about the U.S. and on cruise ships for 6 many years before receiving married in San Diego in 2002. She then lived in Sicily for 3 many years in which she researched opera.

In 2008, she returned to Fort Collins, Colorado exactly where she now lives. Jillian lives with her husband and their 6 little ones. Jillian and her spouse TJ personal 3 Subway places to eat, and Jillian runs her own genuine estate agency.

Jillian introduced her to start with album, “Make My Day”, in the Summer months of 2021. She launched her Xmas EP in November 2021 and her Mother’s Day Solitary, “You’re Worthy of It” in Could 2022. Her subsequent Album “Wash Above Me” will be released in July.

Be guaranteed to link with Jillian Antinora by her Site, Facebook or Spotify.

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New retrospective explores 50-year career of First Nations artist Robert Houle

The half-century-long career of renowned Saulteaux and Anishinaabe artist Robert Houle is the focus of a new major retrospective at the Art Gallery of Ontario titled “Red is Beautiful.”

The exhibition, named after one of Houle’s earliest pieces, features more than 100 works, including monumental paintings, intimate drawings and large-scale installations as well as personal and archival photos.

Putting together the show has been two years in the making but a dream of Houle’s for longer. The artist, who is 74, wanted to do a retrospective before he turns 75 next year. His work has been part of two other major shows but this is the largest exhibit to date.

“It’s kind of frightening. Makes me realize how old I am,” Houle said with a chuckle during a phone call.

“You still get [goosebumps] and anxiety no matter how many professionals are helping you put up your paintings, your installations, your objects. It’s still very nerve-racking.”

The retrospective opened Friday in Toronto.

A woman stands in front of a painting at the exhibition ‘Robert Houle: Red is Beautiful’ at the Art Gallery of Ontario in Toronto on Thursday. (Chris Young/The Canadian Press)

Houle is often regarded as one of the most influential First Nations artists since breaking into the contemporary art scene in 1970. The Art Gallery of Ontario’s website describes his work as blending abstraction, modernism and conceptualism with First Nations esthetics and histories. His work explores themes of Indigenous sovereignty, Ojibway spiritual traditions, major resistance movements and the residential school era.

Houle grew up in Sandy Bay Ojibway First Nation in southern Manitoba. As a young boy, he was forced to attend a residential school in the community, and as a teen was sent to another residential school in Winnipeg. Like many other Indigenous boys and girls, Houle says he was stripped of his language and culture and faced abuse while attending the institutions.

Later in life, Houle began to use art as a way to heal the wounds of the past.

Prompted, in part, by nightmares of his time in residential school, Houle spent 50 consecutive days illustrating his dreams. These drawings would eventually make up his Sandy Bay Residential School Series.

“It took me awhile to recover or to actually face and acknowledge what I had experienced. The abuse, the humiliation, being punished for speaking Saulteaux and other things,” said Houle.

“[Art] gave me the incentive. It gave me the courage, and I knew if I made something visual that was painful that it was a form of release.”

A set of paintings titled ‘Sandy Bay,’ named after the residential school attended by artist Robert Houle, hangs as part of the exhibition ‘Robert Houle: Red is Beautiful’ at the Art Gallery of Ontario. (Chris Young/The Canadian Press)

Houle pays tribute to the Oka Crisis in an oil painting called The Pines. Three panels depict a scene from a forested area, which was the subject of a land dispute between the Mohawk and the town of Oka, Que.

The 78-day standoff that began on July 11, 1990, between the Kanien’kehá:ka (Mohawk) community of Kanesatake, the Sûréte du Québec provincial police and, later, the Canadian military was over a contested area of land known as the Pines northwest of Montreal.

Houle studied at McGill University in Montreal and spent a lot of time in the nearby Kanien’kehá:ka communities of Kanesatake and Kahnawake.

“It gave me a lot of courage politically. Not to be shy about protests. Not shy about analyzing what was going on there and in the rest of our country,” said Houle.

Wanda Nanibush, curator of Indigenous art at the gallery, first became aware of Houle’s work in what she describes as a “life-changing” moment as a 16-year-old in 1992.

She visited a Houle-curated exhibit called Land, Spirit, Power at the National Gallery of Canada.

Artist Robert Houle stands among his work at the Art Gallery of Ontario in Toronto on Thursday. (Chris Young/The Canadian Press)

“It was the first time I had seen art by our own people that was contemporary … I just felt like he presented a totally different idea of who we were,” remembers Nanibush.

“It showed me a totally different way to be an activist in the arts and think about social justice from a very different point of view.”

Nanibush had to reach out to more than 30 lenders to have them agree to loan out Houle’s work for the exhibit.

She says thankfully none of them said no. “They want Robert to have the recognition he deserves.”

The exhibit runs until April 17, 2022, and will then tour Calgary and Winnipeg.

Interpretive trail explores landscape, Abenaki history | Local News

BRATTLEBORO — A new interpretive path alongside the West River tells company about the normal landscape and the Abenaki names for things.

Nearby forester and author Lynn Levine spearheaded the challenge on the Riverstone Preserve, land bought by Friends of the West River Path for $80,000 from David Bradford in 2013. The Sibosen Trail uses the Abenaki term for river stone.

“My mission has been to link all men and women with the forest,” Levine stated final thirty day period through a ceremony celebrating the interpretive path. “Once we obtained the grant, my operate begun.”

The Brattleboro Conservation Fee been given funding from the Vermont Association of Conservation Fee to make the interpretive path, which consists of 21 informational indicators. Numerous of the indications involve a QR code, which when scanned into a mobile mobile phone will function the voice of Atowi Undertaking Director Rich Holschuh announcing Abenaki words for various things discovered together the path.

Some of the Abenaki words and phrases on the indications Holschuh had by now committed to memory.

“Some I had to look up but I know that they exist,” he mentioned.

Levine done investigation and crafting. John Warren, geologist, guided Levine on two of the indications.

For illustration, one particular about riprap credits Warren for saying human beings placed rocks on the higher bank main down to the West River for erosion management.

“Who do you feel it was?” the signs asks. “We have no clear response. Do you have an notion?”

1 indication describes black locust as an invasive species but also “an crucial tree for bees in the Northeast.”

“The bees use its bouquets to deliver honey, which is additional mild and preferences sweet, a bit acidic, and has hints of vanilla,” the indication states.

Kathleen White of the Close friends of the West River Trail Steering Committee stated her group felt they required to buy the land on the protect “because we really don’t want it to formulated in some way that will be at cross functions with the trail.”

For the acquire, $65,000 came from the Vermont Housing and Conservation Fund, $12,000 came from donors to the Buddies of the West River Path and $3,000 arrived from the Vermont Land Believe in. Legal and conservation fees ended up donated by the Vermont Land Have faith in and Jim Maxwell.

“One of the major problems was how numerous invasives had been out there,” White mentioned, referring to invasive species, “so we received a grant from the Natural Resource Conservation Company to support us get get the job done accomplished on the invasives.”

Her group hired Very long See Forest of Westminster, which handled invasive species for a few summers. Now, volunteers with the Friends of the West River Path deal with invasive species on the assets by hand.

Levine and White ran into just about every other at the Brattleboro Tunes Heart a person working day. They reported they hadn’t put in time with each individual other a although and agreed to go out on the West River Path, hitting the loop on the Riverstone Preserve.

“Lynn claimed, ‘Wow, it would be awesome to have an interpretive path here,’” White recounted. “And I explained, ‘That’s a wonderful thought.’ So she built the link with the Brattleboro Conservation Commission and got a grant for the resources, and donated her time and experience, which is so generous.”

Andrew Graminski, former preparing technician for the city, obtained Holschuh associated. Levine named the West River “so important to the Abenaki.”

“It’s significant to me that individuals realize there are different means of interacting with the landscape and a good deal of our relations that are listed here,” claimed Holschuh, who views trees and rivers or other issues uncovered in mother nature as individuals. “A maple tree is a maple particular person. The names that are attached that occur with these entities are different from English terms in that they really explain the person, the entity, the man or woman. It’s not so abstract as English, or it’s a ton closer of a link.”

Holschuh, who recorded the audio data files via a voice memo application on his mobile telephone then sent them to Graminski, explained he desired to share the Abenaki names for persons to know there are other methods to engage with the environment and for individuals to hear the text “because they are lovely when they are spoken.”

Holschuh anticipates a very similar interpretive trail will be completely ready at Retreat Farm in about a 12 months or two, as the Atowi Challenge and Retreat Farm are in a partnership aimed at raising consciousness about the record of Indigenous People.

“I hope to be contributing audio to individuals as nicely as numerous other interpretive resources, and not just me but other associates of the indigenous group will be part of that as effectively,” he said.

Holschuh explained he appreciates businesses achieving out to his group to tell a tale that differs from the typical narrative.

“We want to broaden and broaden our narrative since the way that western culture has been conducting itself is proving to be restricting and truly damaging,” he claimed. “We need greater stories. We want older stories that have established themselves and we need to have awareness Indigenous Persons maintain and we require to let them convey to their stories.”

The last book in an unplanned trilogy explores the enduring affection for people and landscapes

Guide of the 7 days

With deep sensation, F. Harlan Flint writes about numerous sides of really like in his new guide “From There to Eternity: Alzheimer’s and Over and above.”

There’s Flint’s enduring love for his spouse Chris in excess of 60 a long time of relationship. She battled Alzheimer’s, succumbing to the illness in 2016.

Sections of the book shift in time to tell about the maturing of a younger lady into a vibrant, useful grownup. She and Flint satisfied as learners at the College of New Mexico.

There’s his really like for his superior pal Baudelio Garcia. The two had been neighbors in the far northern New Mexico hamlet of Santa Rita. It was in which Garcia lived for much of the 12 months and exactly where the Flints had a straw-bale cabin they visited. As an instance of their friendship, Garcia aided make it.

Then in 2018 Flint suffered the decline of his buddy Garcia. He gave the eulogy at the funeral.

“For a large amount of adult males it is tough for us to aggressively explain lively appreciate,” Flint stated in a mobile phone job interview. “It’s an energetic force in my partnership with my wife, with Baudelio and with my affection for the Hispano folks primarily of the north… .” Baudelio, he mentioned, was the very last survivor of the Hispanics who settled Santa Rita into the early 20th century.

He writes affectionately about when he and his spouse to start with achieved Garcia “… he was a handsome youthful person in his 30s, not a tall male but he often stood tall. Irrespective of whether on a horse, a tractor, in his pickup, or on his ATV, his posture was always excellent and his bearing almost army. A male of couple words and phrases, he was dignified and reticent, but warm and friendly… .”

 

The description of Garcia helps make visitors feel that they much too are getting the same one particular-on-one fellowship that Flint experienced with the rancher-farmer. There is additional description of his buddy: He had a broad, quick smile, and was “as sturdy as a horse, completely ready to toss bales and calves in the course of the yearly branding season.” Spanish was Garcia’s to start with language and he spoke English cautiously.

A third expressive experience was Flint’s robust affection for the Hispanics of rural northern New Mexico.

F.Harlan Flint and Baudelio Garcia.

To him, Garcia represented the pressure of Hispano individuals “who had the tenacity to carve out a subsistence living in a extremely complicated location – no running water, no electric power. They were being the final pioneers of New Mexico, moving out from Santa Fe to come across the rivers in the north.”

They had been in lookup of drinking water.

Amongst the Hispanos the Flints got to know had been the welcoming individuals who ran and labored at the Mesa Vista Cafe in Ojo Caliente. The pair commonly stopped to try to eat there on the way from their household in Santa Fe to Santa Rita and on the way back.

A fourth expression of Flint’s love is for the purely natural landscape of Santa Rita, the patria chica, or smaller homeland, in Rio Arriba County. The group is at the southern close of the San Luis Valley. The nearest city is Antonito, Colorado.

A single unforgettable, prolonged passage tells of Flint possessing taken a gradual ride up the river to commune with character: “On the viewpoint wherever I paused, I was surrounded by gigantic ponderosas and spruce, some previous plenty of to have been there when the position was employed seasonally by its previously occupants, the Utes, the Navajos, and Apaches… .”

Later, back again on his porch, Flint observes: “…with the lengthening shadows of late afternoon, I listened to the river, the visiting piñon jays, the resident stellar jays competing at the feeder. What a privilege and pleasure it was to be there, a transient human, enjoying the reward of currently being a short term occupant of this exclusive minor earth …”

Flint very carefully gathers penned terms that seem to efficiently raise off the webpage to make his remembered experiences magical for audience.

Is the ebook a memoir? Flint finds it tricky to utilize that label. Possibly a quasi-memoir, he said.

The book’s title, Flint commented, is whimsical, and is based on the title of the novel (and film) “From Right here to Eternity.” The “From There” part of his book’s title derives from when Chris “was herself to the period of time of her drop and on into the long run. It appears to significantly describe the path of the ebook,” the 91-yr-previous Flint stated.

He now sights “From There to Eternity” as the third quantity of a trilogy.

“The (volumes) did not start out that way. They developed organically,” he mentioned.

The to start with e-book, “Hispano Homesteaders: The Past New Mexico Pioneers, 1850-1910,” came out in 2012. Nevertheless some historians say the outer limitations of the Hispano homeland was defined by the 1860s and 1870s, Flint argues that Hispanic homesteaders continued to generate new settlements into the very first decade of the 20th century.

The 2nd guide, released in 2016, is “Journey to a Straw Bale Home: The Extended Highway to Santa Rita in an Aged Spanish Neighborhood on the Northern Edge of New Mexico.” It expanded on Flint’s developing ties to the people today of Santa Rita.