Showcase House of Design returns to South Pasadena

By Luke Netzley

Pasadena Weekly Deputy Editor

Following a year-long hiatus due to the global pandemic, Pasadena Showcase House for the Arts announced the return of one of the nation’s oldest, largest and most successful home and garden tours.

“Everything you know and love about the Pasadena Showcase House of Design is back,” said Marti Farley, 2021-22 president for Pasadena Showcase House for the Arts.

“After four decades, it’s time we return to the charming ‘City of Trees’ with a Showcase House that will highlight all that South Pasadena has to offer.”

The 57th Showcase House will reimagine South Pasadena’s Oaklawn Manor, a 1905 English Tudor mansion within a historic Greene & Greene-planned neighborhood of century-old homes. The mansion was built for Harry Hawgood, an English civil engineer whose career designing railways and waterways spanned multiple continents, and features baronial-sized rooms with rich wood interiors, ornate beamed ceilings, and floor-to-ceiling travertine fireplaces. Sunken gardens wrap around the home with scenic paths leading down to the hidden edges of the property.

“When you walk through, it’s almost overwhelming to see the beautiful stained glass windows past the entry. It also has a large ground, so we have plenty of room for our shops and restaurant as well as having outdoor garden space.”

Following four months of renovation, over 25,000 guests will tour through the numerous interior and landscape design spaces highlighting cutting-edge trends in high style living. This year’s event will also showcase local musicians, speakers and boutique and craft merchants to celebrate South Pasadena.

“It’s really core to our mission, that we’re more than just a pretty house. We’re also all about music and music education, so having these performances I think will speak to that.”

Pasadena Showcase has given more than $23 million to nonprofit organizations in support of music education and music therapy while continuing to support the LA Philharmonic and its learning programs for which the organization was founded. Though a 2021 Showcase House was not possible due to the pandemic, the organization was able to host “June Bloom,” an outdoor garden party that raised more than $250,000 in one day.

“We had over 2,000 people in one day go through three properties. We were able to open up the gardens and have garden tours along with our shops and a food truck, and that was super successful. We were thinking of ways that we could continue to stay connected with the community until we could get back to having a showcase.”

Now that the Showcase House of Design has returned, golden tickets are available on the Pasadena Showcase website, pasadenashowcase.org/tickets, ahead of the public tours that will run from April 24 to May 22.


2022 Pasadena Showcase House of Design

WHEN: Sunday, April 24, to Sunday, May 22

Public tours will be:

9:30 a.m. to 5:30 p.m. Tuesday, Wednesday, Thursday, Sunday

9:30 a.m. to 6:30 p.m. Friday and Saturday

WHERE: Oaklawn Manor, a 1905 English Tudor mansion in South Pasadena.

COST: Golden Ticket: $65

Insider Package No. 1 Golden Ticket + Empty House Party: $200

Insider Package No. 2 Golden Ticket + Empty House Party + Premiere Night: $400

INFO: pasadenashowcase.org

Tribe’s water quality efforts having positive impact on lakes and streams

CONTRIBUTED BY Lone Beasley, Media Relations.




SULPHUR, Okla. – Lake of the Arbuckles in southeastern Oklahoma is well known as a great local fishing spot and for its ability to provide ample supplies of life-sustaining water to cities of Ardmore, Davis and Wynnewood.

In recent years, however, several groups have grown concerned about the lake’s water quality. They have started work to ensure the lake remains ecologically sound for this and future generations.

“Arbuckle Lake is a fantastic trophy, largemouth bass lake, but during the summer we see areas now within the lake that have impaired levels of dissolved oxygen in them, Chickasaw Nation Natural Resources director Kris Patton said.

“If water quality parameters within Arbuckle Lake continue to decline, we are going to see more algal blooms (rapid growth of microscopic, unicellular algae) which will certainly impact water quality.”

Research has demonstrated the culprit to be excess nitrogen and phosphorous from fertilizers and possible runoff from septic tanks. Mr. Patton said if algal blooms were allowed to grow unfettered, more than just fish will be in jeopardy. So, too, may be the sustainability of the water supply for more 60,000 residents in the region.

Working with local landowners, the Chickasaw Nation is taking action to protect the resource. Using a grant from the U.S. Bureau of Reclamation, the Chickasaw Nation’s Natural Resource Office brought together an independent board – the Lake of the Arbuckles Watershed Association (LAWA). The board is made up of local landowners with a direct stake in lake.

“The Natural Resource Office was developed to assist the Chickasaw Nation with implementation of its historic water settlement with the state of Oklahoma,” Mr. Patton said. “The Chickasaw Nation formed that settlement with the Choctaw Nation, the State of Oklahoma, and Oklahoma City in 2016, and work continues to finalize the settlement so that it may be fully enforced. The settlement and the planning processes our office manage allows us to take a seat at the table and impact how our region’s water resources are managed.”

A Chickasaw-Choctaw water planning team operates jointly to evaluate area water resources throughout both tribal territories, which encompasses 22 counties within the State of Oklahoma. The team identifies strategies for the best protection and sustainable use.

The Lake of the Arbuckles is not the only area of concern and the Natural Resource Office’s work. The Oklahoma Department of Environmental Quality compiles water samples data, which are then evaluated to determine which lakes or streams should be considered “impaired waters.” Impaired waters are color-coded red on a composite map, with red markings indicating areas of heightened concern.

“As you look at the streams and surface water bodies across the state, you see a brightly colored red map,” Mr. Patton said. “When you narrow that down, the Chickasaw Nation and the Choctaw Nation have a lot of red streams, which includes Arbuckle Lake within the color-coded red impacts.”

Previous water quality sampling efforts are evaluated. The team has deduced that water bodies and streams within the Chickasaw Nation are becoming more and more impaired.

“We wondered what we could do to assist with turning the situation around,” Mr. Patton said. “So, we hit on the idea of the watershed organization process. The first step was the Lake of the Arbuckles Watershed Association, which is based out of Sulphur and is a landowner driven organization. Members must own land within the watershed to serve on that board. They are directing what best management practices should occur within the Arbuckle Lake watershed.”

Another emphasis in the LAWA effort is using prescribed fire to reduce wildfire potential. If a wildfire does break out, areas managed with recurring prescribed fires ensure it doesn’t have as much highly volatile fuel to keep it going.

From a landowner’s perspective, prescribed fires help promote a healthier ecosystem and better grazing for cattle and horses. Prescribed fire also allows better forage for deer, turkey and other game.

Promoting stands of native grass and vegetation, especially along riparian waterways, reduces the potential for erosion resulting in significant loss of top soil within creeks, lakes and streams.

Wes Harden is a Chickasaw citizen who owns 1,000 acres five miles west of Mill Creek, Okla. The property has been in his family the better part of a century. The U.S. Bureau of Indian Affairs (BIA), in conjunction with the Chickasaw Nation, helped burn 300 of his acres.

Mr. Harden said it was much easier than doing it himself and reduced his stress level over concern a fire he set might get out of hand.

“It’s a lot more than just lighting a match,” he said. “As a landowner, you are responsible when you light that match. You’re responsible for if it gets out of hand. The BIA and the Chickasaws made it tremendously easier because they have the equipment that we don’t have.

“This was the first time we’ve had the BIA and Chickasaws come in and it sure took a lot of stress off knowing it was under control. They’re pros. Plus, they came in with their crew of about 15 whereas in the past we’ve tried to do it with three or four. What usually takes us two or three days, they had done in about six hours.”

Mr. Harden said the reason for wanting to burn the land was to reduce the number of red cedar trees from ruining the property’s land use.

“If you don’t control the red cedar, before long they just take over a place,” he said. “We run 180 to 200 head of cattle on our land. We also use it for recreation, hunting deer and turkeys on it. The little sprouts that come back after the burn benefit the deer and the turkeys.”

He said a controlled burn also reduced the amount of chemicals he used.

“It cuts down on using chemicals,” he said. “You have to use some chemicals, but it helps not having to use spray that ends up washing into the lake.”

LAWA president Larry Kennan owns acreage through which Sandy Creek flows one-and-a-half miles north of where it pours into Lake of the Arbuckles. He says removing eastern red cedar trees is critical to maintaining the ecological integrity of the lake.

“If you look underneath an eastern red cedar tree, there is no vegetation. It’s bare ground,” Mr. Keenan said. “And if you see one, you see a hundred. It’s a very invasive species. Not only do they consume huge amounts of water, they eliminate that natural filtration system of native prairie grass that acts to filter impurities before they get to the creek and it flows into the lake.”

He said prescribed fires hearkened back to the original inhabitants of the land and by nature itself.

“Back before statehood, prescribed fires were common, conducted by Native Americans as well as lightning that would run across the rangeland and take out a lot of trees, in particular, eastern red cedar,” he said.

The result was excellent forage for cattle, buffalo and other native wildlife. Mr. Keenan said as the state grew in population, fire had been largely removed from the landscape due to urbanization and residents not understanding and appreciating its value.

“There are some challenges out there,” Mr. Keenan says, referring to opposition LAWA members have run into as fires start burning.

“Prescribed fires are absolutely natural,” he said. “It’s been going on for years and we’re just trying to reincorporate them back into management and back into the environment. Our strategy is to use prescribed fire and some mechanical removal to control, remove, reduce the presence of eastern red cedar in the watershed and that will eventually have a positive impact on the water quality in the watershed.”

Kozhikode home attracts attention for its design brilliance, landscaping | Lifestyle Decor

The verdant lawns and the beautiful garden that perfectly complement the elegant structure is the highlight of Arun’s brand-new house at Chetttikulam in Kozhikode, Kerala. The minimal features of the house have been enhanced with practical designs and space-efficient elements.

The elevation features the elegant, linear–box style. Fundermax wooden panelling and the show wall with rock claddings are incredibly attractive and grant more definition to the structure. The car porch, meanwhile, has been built-in GI frame with glass roof.


The landscape has been designed by retaining most of the trees in the plot. Meanwhile, the unique layout of the plot, which lies in varying levels, too has been retained. Tandoor stones are paved on the driveway.

Designed in 2554 sqft, this amazing abode has a car porch, living and dining areas, kitchen with a work area, three bedrooms and upper living area.

The stone wall adds a rustic charm to the sit-out. Meanwhile, the wooden furniture and shoe rack complete the quaint sit-out. The formal living area has been arranged in double height. The wooden tiled flooring adds the perfect contrast here. The glass wall above the double-height living area brings lots of natural light into the house.


The dining area is arranged close to the living space. White vitrified tiles have been paved on the floor here to separate this area from the rest of the house. The custom-made glass-topped dining table and the cushioned chairs match the minimal theme of the interiors.

The double-height stairway is built-in GI frame and has steps made in irul wood. An aquarium is arranged beneath this stairway. The wall beside the stairway has been turned into a photo wall where precious family moments have been immortalized.


The stairway leads to a spacious upper hall. This area has glass walls on three sides which helps in illuminating the house with natural sun rays. A simple hanging cot too has been arranged here.


The modern kitchen has been furnished in the pleasant colour theme of light blue and white. The cabinets are done in multi wood with PU paint finish. A quaint breakfast counter paved with black granite too is part of the kitchen area. Meanwhile, the black granite paved countertop is spacious. Interestingly, a few framed paintings have been used to decorate the walls here.


The bedrooms are well furnished and have all the required facilities. Full-length wardrobes, dressing areas and attached bathrooms are some of the features of the bedrooms.


The classy elegance of white and wooden combination dominates both the interiors and exteriors of this simple yet fabulous abode. The family, meanwhile, is thrilled that they have moved into their dream abode.



Project Facts

Location – Chettikulam, Calicut

Plot – 21 cents

Area – 2554 SFT

Owner – Arun R

Designer – Mukhil MK, Dijesh O and Babith SR

Concern Architects

Mob – 9895427970

Year of completion – 2020

New interactive art installations light up South Lake Union

The light art will be here until Dec. 31. Sponsored by South Lake Union Chamber of Commerce.

SEATTLE — Holiday lights are common this time of year — but a new art installation in Seattle’s South Lake Union neighborhood is taking lights to the next level.

“One of the goals was to bring to Seattle installations that would occupy and activate the public spaces,” said Alexandre Lemieux, co-founder of Creos who brought the art installations to Seattle. “So, it was to find something very unique, interactive that would generate very unique interest,”

One of those displays generating interest is called Passage.

“The installations itself, you have sensors on the side of you, and when you’re walking you trigger the installation itself. So, it’s a very beautiful, luminous installation where interactively every user has a part in it, and you can see different patterns whenever you go.”

A few blocks away you’ll find two more displays to interact with.

Prismatica, I would say that it’s one of the pieces that we traveled the most,” said Lemieux. “You have those 25 units at Prismatica. So just in terms of quantity, you have all of them that you can go and have them for a spin. It kind of invites you to whenever you’re on your working hours or go during the day, but at night, you want to come back with your friends and family. It kind of gives you this ability to kind of see something different whenever you go by.”

At the display Oscillation, you can see as well as hear the art.

“You can trigger sensors with your hands. Each of the units becomes a musical instrument that whenever you activate them, and it’s free, you can have your very own experience with them and the unit themselves.”

The light piece Impulse can be found by the Amazon Spheres.

“This installation, it’s really about bringing the nostalgia in, thinking about when you’re a little younger, you’re going to the park. But then with this unique vision of the artist, you have something that is really beautiful. That’s where you can play, you can go on to seesaw. For a moment of time, you want to go for a laugh, you just forget all problems and anything that you had during your day and you’re just you become a child for a few minutes.”

So while holiday lights are nice, in South Lake Union, they’re even better after dark.

“You want to come in and enjoy your neighborhood in a way that you’ve never experienced it before.”

SLU After Dark will be in place till December 31.

Sponsored by South Lake Union Chamber of Commerce. KING 5’s Evening celebrates the Northwest. Contact us: Facebook, Twitter, Instagram, Email.

Array Collective win Turner Prize with humourous, serious, beautiful artwork focussed on Northern Ireland’s political, social issues.

Array Collective are announced as the winner of Turner Prize 2021, the leading international award for contemporary art, at Coventry Cathedral. Picture date: Wednesday December 1, 2021. The Turner Prize exhibition at the Herbert Art Gallery & Museum is a highlight of the city’s year-long tenure as UK City of Culture. Photo credit should read: Matt Alexander/PA Wire

The Turner Prize 2021 has been awarded to Array Collective. The £25,000 prize was presented by Pauline Black, the lead singer of 2 Tone pioneers, The Selecter, during a live broadcast on the BBC. A further £10,000 was awarded to each of the other nominees. This year the Turner Prize exhibition is being held at the Herbert Art Gallery & Museum in Coventry as a highlight of its City of Culture year.

The jury awarded the prize to Array Collective for their hopeful and dynamic artwork which addresses urgent social and political issues affecting Northern Ireland with humour, seriousness and beauty. The jury were impressed with how Belfast-based Array Collective were able to translate their activism and values into the gallery environment, creating a welcoming, immersive and surprising exhibition. The jury commended all five nominees for their socially engaged artworks, and how they work closely and creatively with communities across the breadth of the UK. The collaborative practices highlighted in this year’s shortlist also reflect the solidarity and generosity demonstrated in response to our divided times.

Details and installation shots of The Druithaib’s Ball, by Array Collective. The Turner Prize 2021 Exhibition. The Herbert Art Gallery and Museum. Coventry. Photograph by David Levene 24/9/21.

One of the world’s best-known prizes for the visual arts, the Turner Prize aims to promote public debate around new developments in contemporary British art. For the first time, this year’s Turner Prize jury selected a shortlist consisting entirely of artist collectives and artist-run projects: Array Collective, Black Obsidian Sound System, Cooking Sections, Gentle/Radical and Project Art Works.

General views at The Herbert Art Gallery and Museum in Coventry as the Turner Prize Shortlist is announced. Picture date: Friday September 24, 2021. Photo credit: Doug Peters/ PA Wire

The members of the Turner Prize 2021 jury are Aaron Cezar, Director, Delfina Foundation; Kim McAleese, Programme Director, Grand Union; Russell Tovey, Actor; and Zoé Whitley, Director, Chisenhale Gallery. The jury is chaired by Alex Farquharson, Director, Tate Britain.

The exhibition is a highlight of Coventry’s UK City of Culture 2021 celebrations. Herbert Art Gallery and Museum champions Coventry’s culture, city and arts and is one of the UK’s leading regional museums. As part of its preparations for City of Culture 2021, the museum underwent a major redevelopment of its gallery spaces in anticipation of the Turner Prize exhibition. In parallel to the Turner Prize exhibition, Coventry also hosts ‘Coventry Biennial 2021: Hyper-Possible’ across Coventry and Warwickshire.

Turner Prize 2021 12th January 2022 Admission free Herbert Art Gallery & Museum, Jordan Well, Coventry CV1 5QP

About the artist

Array Collective is a group of 11 artists who create collaborative actions in response to socio-political issues affecting Northern Ireland. The collective has been working together more actively since 2016, motivated by the growing anger around human rights issues happening at the time. Their intention is to reclaim and review the dominant ideas about religio-ethnic identity in Northern Ireland. Working as constituents or allies of the communities they protest with and make art about, Array Collective aims to create a new mythology for the growing number of people who do not prescribe to embedded sectarian dichotomies.

Recent initiatives and works include: Jerwood Collaborate!, Jerwood Arts, London (2019), a-n Artists Council’s Artists Make Change (2020), as well as organising projects in response to issues such as queer liberation, abortion rights, mental health, gentrification, eco-politics, social welfare and Northern Ireland’s fractured past.

Array Collective playfully use performance, protest, photography, print, installation and video. They work with a range of other creative people and organisations to create a combination of artistic expression, direct action and public interventions in the city and online. Their recent project As Others See Us (2019), for example, centred on three fictional characters drawn from the pre-Christian myths and folklore of ancient Ireland: ‘Ban Bidh: The Sacred Cow’, ‘An Scáth Fada: The Long Shadow’ and ‘An Mór Ríoghain: The Morrigan’. These characters have since shape-shifted through crowds at Belfast Pride and up the banks of the River Thames in a series of interventions and performance protests.

Array Collective was nominated for their use of DIY sensibility to tackle issues facing Northern Ireland. The jury commended recent projects, including public artworks in support of the decriminalisation of abortion, challenging legislative discrimination of the queer community in Northern Ireland, and participation in the group exhibition Jerwood Collaborate! in London in late 2019.

Array Collective comprises: Sighle Bhreathnach-Cashell, Sinéad Bhreathnach-Cashell, Jane Butler, Alessia Cargnelli, Emma Campbell, Mitch Conlon, Clodagh Lavelle, Grace McMurray, Stephen Millar, Laura O’Connor and Thomas Wells. The collective is based and predominantly works in Belfast. arraystudiosbelfast.com

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Mark Westall

Mark Westall is the Founder and Editor of FAD magazine Founder and co-publisher of Art of Conversation and founder of the platform @worldoffad

EYP Launches Sustainable Landscape Design Practice

ALBANY, N.Y.–(BUSINESS WIRE)–EYP, a leading architecture and engineering firm creating memorable designs that enhance people’s lives and communities, announces the launch of its sustainable landscape design practice that creates healthier and more productive environments from the ground up. Guided by programs like the Green Building Council and the Sustainable SITES Initiatives®, EYP’s sustainable landscape approach extends its long history of developing sustainable projects. Jessica A. Petro, PLA, ASLA, has joined EYP as lead designer and landscape architect to spearhead the firm’s focus on creating sustainable, high-performance landscapes.

“We’re advocates for your site,” stated Ms. Petro. “Our team thinks about how landscapes function and how they interact with their inhabitants and the surrounding community. From master planning and programming to complete design and documentation services, we work with our clients to pursue climate positive designs that can sequester carbon, clean the air and water, increase energy efficiency, and restore habitats.”

Although formalizing its sustainable landscape design practice, EYP has spent years working with local consultants to oversee the landscape narrative for multiple projects, including Birch Bayh Federal Building and U.S. Courthouse in Indianapolis, Ind.; U.S. Embassy in Oslo, Norway; Fulton State Hospital in Fulton, Mo.; and, The Quad at the University of Texas in Houston. The firm will continue its work with local experts and consultants to guide thought leadership and design implementation to benefit clients.

EYP has also worked on more than a dozen projects across the Texas Medical Center, including the recent Texas A&M University Intercollegiate School of Engineering Medicine. According to D. Kirk Hamilton, Ph.D., Beale Professor of Health Facility Design, Texas A&M University, “When I was in school, we had to draw to the edge of the vellum sheet, so the plan sat within a fully rendered site plan that included landscape, hardscape, drainage, parking, and walkways. In the business world, architects need to confront how their buildings interact with the land and natural environment. They need to collaborate with landscape professionals in their firm or consultants to their firm. We constantly remind our students about the close collaboration required in the design realm and the importance of the inseparable relationship between architecture and landscape.”

“Expanding our capabilities to include landscape and the natural environment is part of EYP’s long-term growth strategy because it’s a natural fit with our culture and commitment to sustainability. We can now work with clients to achieve their carbon neutral designs, inside and out,” stated Kef Mason, interim chief executive officer, EYP Inc. “It also provides greater depth and enrichment to our staff in areas important to them: resiliency and climate. Jessica’s knowledge and understanding of sustainable landscape design make her natural leader for this at EYP.”

As a lead designer and landscape architect at EYP, Jessica Petro will lead the team to align the built and natural environment, so systems can inform and respond to each other to address each client’s program and mission. In addition, she will leverage the expertise of EYP’s in-house interdisciplinary teams and environmental data to better inform decisions about site feasibility, circulation, and natural resources.

About EYP

EYP is a people-first, integrated design firm specializing in higher education, healthcare, government, and science & technology. Our integrated teams offer planning and design, high-performance engineering, environmental graphics, preservation and modernization, interiors and workplace, sustainable landscaping, and rapid response projects to tackle your pressing challenges. And together, we begin every project by asking, “What’s Possible?”

EYP has interdisciplinary offices in 11 cities across the United States and projects in more than 100 countries. Across our community of designers, we have diverse perspectives and life experiences, and we are united by our curiosity — about you, where you’re going, and what you imagine. http://eypae.com/

The Sustainable SITES Initiative®, or SITES®, is a registered trademark of GBCI®.